PODCAST: The Antonioni Project: Alex Fitch talks to director Ivo van Hove about his innovative theatrical production The Antonioni Project, which combines elements of cinema and theatre as it blends three screenplays by Michelangelo Antonioni with the latest technological achievements.
Bitterness: Fallen women, sour love and toxic memories
Dreamy Belgian neo-gialloAmer leads us to ponder cinematic bitterness this month with articles on Mizoguchi’s Street of Shame, Michael Haneke‘s anatomy of hatred and the bittersweet cinema of late period Billy Wilder while a review of forgotten 60s surreal nightmare Duffer is the occasion to lament the British cinema that might have been. And writer John Niven explains why his bitter cinematic alter ego is Don Logan in Sexy Beast.
In cinemas, Darren Aronofsky’s extravagant ballet melodrama Black Swan is itself not devoid of acrimony and frustration, all wrapped up in gorgeous obsessiveness and sweaty sensuality. Read our interview with Aronofsky.
In Short Cuts, we have a preview of the Leftfield and Luscious programme showing at the always brilliant London Short Film Festival, which starts on January 7. Watch Paul Cheshire’s The Cursed Cassette, which screened at LSFF’s Music and Video programme.
PODCAST: Tetsuaki Matsue in Conversation at the Zipangu Festival: In the first Electric Sheep podcast of 2011, Alex Fitch presents a Q&A conducted by Jasper Sharp with director Tetsuaki Matsue recorded at the Zipangu festival in November 2010. The director discusses his work in independent documentary cinema, focusing on his two most recent films, Annyong Yumika (2009), a documentary portrait of the adult performer Yumika Hayashi, and Live Tape (2009), the acclaimed one-guitar, one-camera, one-tape and one-take live concert film of Kenta Maeno’s street performance.
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