{"id":338,"date":"2010-09-30T18:21:01","date_gmt":"2010-09-30T17:21:01","guid":{"rendered":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/?p=338"},"modified":"2011-04-03T19:00:43","modified_gmt":"2011-04-03T18:00:43","slug":"issue-43","status":"publish","type":"post","link":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/2010\/09\/30\/issue-43\/","title":{"rendered":"Issue 43: Futuristic Cities"},"content":{"rendered":"
\"\"<\/a>
Metropolis<\/figcaption><\/figure>\n
\n

\nTheme: Futuristic Cities<\/b>
\n–Metropolis<\/I><\/A>
\n–Futuristic Cities on Film<\/A>
\n–Escape from New York<\/I><\/A>
\n–Reel Sounds:<\/A> Things to Come<\/I>
\n–Alter Ego:<\/A> Ed Hollis is Wall-E

\nInterviews:<\/b>
\n–Gaspar No&#233<\/A> on Enter the Void<\/I>
\n–Joe Dante<\/A> on Splatter<\/I>
\n–interview Fr&#233d&#233ric Temps<\/A> on L’Etrange Festival

\nFilm Reviews<\/b>
\n–The Last Exorcism<\/I><\/A>
\n–My Son, My Son, What Have Ye Done?<\/I><\/A>
\n–Winter’s Bone<\/I><\/A>
\n–Enter the Void<\/I><\/A>

\nDVD Reviews<\/b>
\n–Adelheid<\/I><\/A>
\n–Mother<\/I><\/A>
\n–Compulsion<\/I><\/A>

\nComic Strip Review:<\/b>
\nPet Shop of Horrors<\/I><\/A>

\nColonial Report from the Dominion of Canada<\/b>
\n Frank Cole<\/A>

\n Blog<\/b>
\n –A Serbian Film<\/I> Censored<\/A>
\n –Film4 FrightFest Festival Report<\/A>
\n –Shinsedai Festival Report<\/A>

\nPodcast:<\/b>
\nFilming the Last Exorcism<\/B><\/A>
\n<\/p>\n<\/div>\n

\tFuturistic Cities: Cinematic visions of metropolises to come<\/B><\/p>\n

To celebrate the release of Fritz Lang’s restored silent classic Metropolis<\/I><\/A>, we have articles on futuristic cities on film<\/A> and Escape from New York<\/I><\/A> and a Reel Sounds column on Things to Come<\/I><\/A> while Ed Hollis<\/A> tells us why he would be Wall-E if he were a film character.<\/p>\n

In the cinema releases, we review The Last Exorcism<\/I><\/A>, Herzog’s brilliantly skewed police procedural My Son, My Son, What Have Ye Done?<\/I><\/A>, the harsh and beautiful hillbilly tale Winter’s Bone<\/I><\/A>, Franti&#353ek Vl&#225&#269il’s subtle war tale Adelheid<\/I><\/A> and we interview Gaspar No&#233<\/A> about his latest provocation, Enter the Void<\/I><\/A>.<\/p>\n

New DVDs include Bong Joon-ho’s fantastic Mother<\/I><\/A>, Richard Fleischer’s take on the Leopold and Loeb murder case Compulsion<\/I><\/A>, starring Orson Welles and we have a comic strip review of Pet Shop of Horrors<\/I><\/A>, courtesy of the Queen Mum. We also have an interview with Joe Dante<\/A> about his new interactive series Splatter<\/I>.<\/p>\n

We interview Fr&#233d&#233ric Temps<\/A>, founder and director of the wonderful L’Etrange Festival<\/A> and Frank Cole<\/A> is the subject of this month’s Colonial Report from the Dominion of Canada. <\/p>\n

In the blog, we have an opinion piece on the much talked about A Serbian Film<\/I><\/A>, as well as reports on the Film4 FrightFest<\/A> and Shinsedai<\/A> festivals.<\/p>\n

PODCAST:<\/B><\/A>
\nFilming the Last Exorcism<\/B><\/A>: During Film4 FrightFest, Alex Fitch interviewed producer Eli Roth and director Daniel Stamm about their new \u00e2\u20ac\u02dcmockumentary’ horror film The Last Exorcism<\/I>. Daniel Stamm talks about how using a documentary style to make supernatural movies helps break the fourth wall for the audience to help draw them into events, while Eli Roth talks about how his experience of producing his own movies Cabin Fever<\/I> and Hostel<\/I> differs from his more advisory role on this film.<\/p>\n

<\/div>\n","protected":false},"excerpt":{"rendered":"

To celebrate the release of Fritz Lang\u00e2\u20ac\u2122s restored silent classic Metropolis<\/I>, we have articles on futuristic cities on film.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[],"class_list":["post-338","post","type-post","status-publish","format-standard","hentry","category-online-issues"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","wps_subtitle":"Futuristic Cities","jetpack_shortlink":"https:\/\/wp.me\/purm2-5s","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":257,"url":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/2010\/05\/13\/issue-39\/","url_meta":{"origin":338,"position":0},"title":"Issue 39: Confined Spaces","author":"VirginieSelavy","date":"May 13, 2010","format":false,"excerpt":"As the powerful war drama Lebanon is released this month, we look at confined spaces, from tanks to locked rooms and futuristic cubes.","rel":"","context":"In "Online Issues"","block_context":{"text":"Online Issues","link":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/category\/online-issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2010\/06\/review_lebanon_homepage-594x445.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2010\/06\/review_lebanon_homepage-594x445.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2010\/06\/review_lebanon_homepage-594x445.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":19,"url":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/2007\/03\/06\/19\/","url_meta":{"origin":338,"position":1},"title":"Issue two","author":"VirginieSelavy","date":"March 6, 2007","format":false,"excerpt":"The second issue of Electric Sheep is now ready and we have some rich pickings for you to graze on. First we take a magnifying glass to the weird and wonderful world of visionary animators The Brothers Quay with an interview and a review of their DVD of dazzlingly inventive\u2026","rel":"","context":"In "Online Issues"","block_context":{"text":"Online Issues","link":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/category\/online-issues\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":444,"url":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/2011\/06\/30\/issue-52-apocalypse-now\/","url_meta":{"origin":338,"position":2},"title":"Issue 52: Apocalypse Now","author":"VirginieSelavy","date":"June 30, 2011","format":false,"excerpt":"To mark the publication of our first book, The End: An Electric Sheep Anthology, we explore apocalyptic cinema.","rel":"","context":"In "Online Issues"","block_context":{"text":"Online Issues","link":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/category\/online-issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2011\/07\/review_Kaboom_homepage-594x395.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2011\/07\/review_Kaboom_homepage-594x395.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2011\/07\/review_Kaboom_homepage-594x395.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":505,"url":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/2011\/12\/30\/issue-58-2011-in-film\/","url_meta":{"origin":338,"position":3},"title":"Issue 58: 2011 in Film","author":"VirginieSelavy","date":"December 30, 2011","format":false,"excerpt":"The year\u00e2\u20ac\u2122s highlights and low points.","rel":"","context":"In "Online Issues"","block_context":{"text":"Online Issues","link":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/category\/online-issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2012\/02\/review_homepage_TakeShelter-594x252.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2012\/02\/review_homepage_TakeShelter-594x252.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2012\/02\/review_homepage_TakeShelter-594x252.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":160,"url":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/2009\/12\/06\/issue-33\/","url_meta":{"origin":338,"position":4},"title":"Issue 33","author":"VirginieSelavy","date":"December 6, 2009","format":false,"excerpt":"If you only see one film this month, make it Michael Haneke\u00e2\u20ac\u2122s The White Ribbon, a masterful, richly enigmatic evocation of the \u00e2\u20ac\u02dcNazi generation\u00e2\u20ac\u2122 as children.","rel":"","context":"In "Online Issues"","block_context":{"text":"Online Issues","link":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/category\/online-issues\/"},"img":{"alt_text":"The White Ribbon","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2009\/12\/review_homepage_nov09-150x150.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":108,"url":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/2009\/01\/31\/issue-23\/","url_meta":{"origin":338,"position":5},"title":"Issue 23","author":"VirginieSelavy","date":"January 31, 2009","format":false,"excerpt":"The film year is starting with the release of the South Korean retelling of the Grimm fairy tale Hansel and Gretel.","rel":"","context":"In "Online Issues"","block_context":{"text":"Online Issues","link":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/category\/online-issues\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/posts\/338","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/comments?post=338"}],"version-history":[{"count":10,"href":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/posts\/338\/revisions"}],"predecessor-version":[{"id":409,"href":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/posts\/338\/revisions\/409"}],"wp:attachment":[{"href":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/media?parent=338"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/categories?post=338"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/tags?post=338"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}