{"id":540,"date":"2012-05-30T15:50:22","date_gmt":"2012-05-30T14:50:22","guid":{"rendered":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/?p=540"},"modified":"2019-03-05T17:48:56","modified_gmt":"2019-03-05T16:48:56","slug":"issue-63-treachery","status":"publish","type":"post","link":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/2012\/05\/30\/issue-63-treachery\/","title":{"rendered":"Issue 63: Treachery"},"content":{"rendered":"<p><a href=\"http:\/\/www.electricsheepmagazine.co.uk\/archive\/2012\/05\/30\/issue-63-treachery\/review_truelove_homepage\/\" rel=\"attachment wp-att-542\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-542\" title=\"True Love\" src=\"http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2012\/06\/review_TrueLove_homepage-594x334.jpg\" alt=\"\" width=\"594\" height=\"334\" srcset=\"http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2012\/06\/review_TrueLove_homepage-594x334.jpg 594w, http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2012\/06\/review_TrueLove_homepage-300x168.jpg 300w, http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2012\/06\/review_TrueLove_homepage.jpg 800w\" sizes=\"auto, (max-width: 594px) 100vw, 594px\" \/><\/a><\/p>\n<p><b>Treachery: Cheaters, liars, tricksters and traitors<\/b><\/p>\n<p>Treachery is this month&#8217;s theme: we have reviews of <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/05\/07\/true-love\/\"><i>True Love<\/i><\/a>, a thriller that explores the dangerous consequences of lying to your spouse, and <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/05\/04\/extracted\/\"><i>Extracted<\/i><\/a>, a cerebral puzzler that explores the truths and lies we tell ourselves, both screening at SCI-FI-LONDON, Vincente Minelli&#8217;s take on glamorous betrayal in Hollywood <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/05\/24\/the-bad-and-the-beautiful\/\"><i>The Bad and the Beautiful<\/i><\/a>, Australian tale of scapegoats in the Boer War <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/05\/22\/breaker-morant\/\"><i>Breaker Morant<\/i><\/a> and high-octane Welsh-directed Indonesian martial arts actioner <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/05\/17\/the-raid\/\"><i>The Raid<\/i><\/a>, which is released this month.<\/p>\n<p><!--more--><\/p>\n<p>We have articles on <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2012\/05\/31\/joseph-l-mankiewiczs-theatre-of-treachery\/\">Joseph L. Mankiewicz&#8217;s theatre of treachery<\/a> from <i>All about Eve<\/i> to <i>Cleopatra<\/i>, <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2012\/05\/08\/when-men-betray-men\/\">manly betrayal in Westerns<\/a> and the <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2012\/05\/28\/the-treachery-of-memory-and-ridley-scotts-blade-runner\/\">treachery of memory in <i>Blade Runner<\/i><\/a>. In Alter Ego, <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2012\/05\/16\/elizabeth-wilson-is-wicked-lady-margaret-lockwood\/\">Elizabeth Wilson<\/a> is <i>Wicked Lady<\/i> Margaret Lockwood while Reel Sounds delves into Roman Polanski&#8217;s <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2012\/05\/25\/full-of-sound-and-fury-the-tragedy-of-macbeth\/\"><i>The Tragedy of Macbeth<\/i><\/a>.<\/p>\n<p>At the cinema we look at Marcel Carn\u00c3\u00a9 poetic realist classic <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/05\/03\/le-quai-des-brumes\/\"><i>Le quai des brumes<\/i><\/a>, <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/news\/2012\/05\/15\/she-monkeys\/\"><i>She Monkeys<\/i><\/a>, a Swedish debut about two young women&#8217;s competitive friendship set in the world of equestrian acrobatics, and dark sci-fi drama <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/news\/2012\/05\/01\/clone\/\"><i>Clone<\/i><\/a>, and we have an interview with Udo Kier, who stars in sci-fi extravaganza <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2012\/05\/21\/iron-sky-interview-with-udo-kier\/\"><i>Iron Sky<\/i><\/a>. Hammer thriller <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/05\/09\/the-plague-of-the-zombies\/\"><i>The Plague of the Zombies<\/i><\/a> is the subject of our Comic Strip Review while Cine Lit looks at books on <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2012\/05\/29\/cine-books-on-iran-conspiracy-and-saucy-british-cinema\/\">Iranian cinema, conspiracy cinema and saucy British cinema<\/a>.<\/p>\n<p><a href=\"http:\/\/www.electricsheepmagazine.co.uk\/events\/category\/radio-and-podcasts\/\"><b>PODCASTS:<\/b><\/a><br \/>\n<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/events\/2012\/05\/true-love-interview-with-fabio-guaglione-and-enrico-clerico-nasino\/\"><i>True Love<\/i>:<\/a>: In an interview recorded at SCI-FI-LONDON, Virginie S\u00c3\u00a9lavy talks to the makers of sci-fi drama <i>True Love<\/i>, about a young married couple who find themselves locked in separate sealed rooms and forced to answer questions about how much they trust each other. Writer-producer Fabio Guaglione and director Enrico Clerico Nasino discuss trust and betrayal, using genre to analyse a romantic relationship, and other \u00e2\u20ac\u02dclocked room&#8217; films, including Vincenzo Natali&#8217;s <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2010\/05\/04\/cube\/\"><i>Cube<\/i><\/a> (1997).<\/p>\n<p><b>Theme: Treachery<\/b><br \/>\n&#8211;<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/05\/07\/true-love\/\"><i>True Love<\/i><\/a><br \/>\n&#8211;<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/05\/04\/extracted\/\"><i>Extracted<\/i><\/a><br \/>\n&#8211;<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/05\/24\/the-bad-and-the-beautiful\/\"><i>The Bad and the Beautiful<\/i><\/a><br \/>\n&#8211;<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/05\/22\/breaker-morant\/\"><i>Breaker Morant<\/i><\/a><br \/>\n&#8211;<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/05\/17\/the-raid\/\"><i>The Raid<\/i><\/a><br style=\"line-height: 22px;\" \/><b>Features<\/b><br \/>\n&#8211;<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2012\/05\/31\/joseph-l-mankiewiczs-theatre-of-treachery\/\">Joseph L. Mankiewicz&#8217;s theatre of treachery<\/a><br \/>\n&#8211;<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2012\/05\/08\/when-men-betray-men\/\">When Men Betray Men<\/a><br \/>\n&#8211;<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2012\/05\/28\/the-treachery-of-memory-and-ridley-scotts-blade-runner\/\">The Treachery of Memory and <i>Blade Runner<\/i><\/a><br style=\"line-height: 22px;\" \/><b>Interview<\/b><br \/>\n&#8211;<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2012\/05\/21\/iron-sky-interview-with-udo-kier\/\">Udo Kier on <i>Iron Sky<\/i><\/a><br style=\"line-height: 22px;\" \/><b>Film Review<\/b><br \/>\n&#8211;<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/05\/03\/le-quai-des-brumes\/\"><i>Le quai des brumes<\/i><\/a><br style=\"line-height: 22px;\" \/><b>Comic Strip Review<\/b><br \/>\n<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/05\/09\/the-plague-of-the-zombies\/\"><i>The Plague of the Zombies<\/i><\/a><br style=\"line-height: 22px;\" \/><b>Reel Sounds<\/b><br \/>\n<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2012\/05\/25\/full-of-sound-and-fury-the-tragedy-of-macbeth\/\"><i>The Tragedy of Macbeth<\/i><\/a><br style=\"line-height: 22px;\" \/><b>Alter Ego<\/b><br \/>\n<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2012\/05\/16\/elizabeth-wilson-is-wicked-lady-margaret-lockwood\/\">Elizabeth Wilson<\/a><br style=\"line-height: 22px;\" \/><b>Cine Lit<\/b><br \/>\n<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2012\/05\/29\/cine-books-on-iran-conspiracy-and-saucy-british-cinema\/\">Iranian cinema, conspiracy cinema and saucy British cinema<\/a><br style=\"line-height: 22px;\" \/><b>Blog:<\/b><br \/>\n&#8211;<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/news\/2012\/05\/15\/she-monkeys\/\"><i>She Monkeys<\/i><\/a><br \/>\n&#8211;<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/news\/2012\/05\/01\/clone\/\"><i>Clone<\/i><\/a><br style=\"line-height: 22px;\" \/><b>Podcast<\/b><br \/>\n<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/events\/2012\/05\/true-love-interview-with-fabio-guaglione-and-enrico-clerico-nasino\/\"><i>True Love<\/i><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Treachery is May\u00e2\u20ac\u2122s theme: we expose cheaters, liars, tricksters and traitors.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[18],"tags":[101,100,102,99,103],"class_list":["post-540","post","type-post","status-publish","format-standard","hentry","category-online-issues","tag-blade-runner","tag-mankiewicz","tag-margaret-lockwood","tag-treachery","tag-udo-kier"],"jetpack_publicize_connections":[],"wps_subtitle":"","jetpack_shortlink":"https:\/\/wp.me\/purm2-8I","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":382,"url":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/2011\/02\/28\/issue-48\/","url_meta":{"origin":540,"position":0},"title":"Issue 48: Confessions","author":"VirginieSelavy","date":"February 28, 2011","format":false,"excerpt":"Our February theme was inspired by Tetsuya Nakashima's brilliant, devilishly twisted revenge tale Confessions.","rel":"","context":"In &quot;Online Issues&quot;","block_context":{"text":"Online Issues","link":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/category\/online-issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2011\/03\/review_Confessions_homepage-594x396.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2011\/03\/review_Confessions_homepage-594x396.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2011\/03\/review_Confessions_homepage-594x396.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":576,"url":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/2012\/09\/30\/issue-67-memory\/","url_meta":{"origin":540,"position":1},"title":"Issue 67: Memory","author":"VirginieSelavy","date":"September 30, 2012","format":false,"excerpt":"Memory is our autumnal theme this month.","rel":"","context":"In &quot;Online Issues&quot;","block_context":{"text":"Online Issues","link":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/category\/online-issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2012\/10\/review_Tabu_homepage-594x359.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2012\/10\/review_Tabu_homepage-594x359.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2012\/10\/review_Tabu_homepage-594x359.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":208,"url":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/2008\/12\/01\/electric-sheep-magazine-winter-08\/","url_meta":{"origin":540,"position":2},"title":"Electric Sheep Magazine Winter 08","author":"VirginieSelavy","date":"December 1, 2008","format":false,"excerpt":"The winter 08 issue explores celluloid snow from Icelandic road movies to Christmas slashers.","rel":"","context":"In &quot;Print Issues&quot;","block_context":{"text":"Print Issues","link":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/category\/print-issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2009\/01\/cover_winter08-243x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":562,"url":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/2012\/08\/07\/562\/","url_meta":{"origin":540,"position":3},"title":"Issue 66: Fakes","author":"VirginieSelavy","date":"August 7, 2012","format":false,"excerpt":"August is full of fakes, from The Imposter to Shadow Dancer via Orson Welles.","rel":"","context":"In &quot;Online Issues&quot;","block_context":{"text":"Online Issues","link":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/category\/online-issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2012\/09\/review_the-imposter_homepage-594x334.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2012\/09\/review_the-imposter_homepage-594x334.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2012\/09\/review_the-imposter_homepage-594x334.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":390,"url":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/2011\/03\/30\/issue-49-women-in-horror\/","url_meta":{"origin":540,"position":4},"title":"Issue 49: Women in Horror","author":"VirginieSelavy","date":"March 30, 2011","format":false,"excerpt":"To coincide with the celebration of \u00e2\u20ac\u02dcBloody Women\u00e2\u20ac\u2122 at the Bird\u00e2\u20ac\u2122s Eye View Festival, we look at women in horror.","rel":"","context":"In &quot;Online Issues&quot;","block_context":{"text":"Online Issues","link":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/category\/online-issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2011\/04\/review_Les_Diaboliques_homepage-594x467.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2011\/04\/review_Les_Diaboliques_homepage-594x467.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2011\/04\/review_Les_Diaboliques_homepage-594x467.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":201,"url":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/2009\/09\/01\/electric-sheep-magazine-autumn-09\/","url_meta":{"origin":540,"position":5},"title":"Electric Sheep Magazine Autumn 09","author":"VirginieSelavy","date":"September 1, 2009","format":false,"excerpt":"The autumn 09 issue of Electric Sheep looks at religious extremes on film from Christic masochism to satanic cruelty.","rel":"","context":"In &quot;Print Issues&quot;","block_context":{"text":"Print Issues","link":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/category\/print-issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2009\/09\/cover_autumn091-262x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_featured_media_url":"","_links":{"self":[{"href":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/posts\/540","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/comments?post=540"}],"version-history":[{"count":7,"href":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/posts\/540\/revisions"}],"predecessor-version":[{"id":681,"href":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/posts\/540\/revisions\/681"}],"wp:attachment":[{"href":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/media?parent=540"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/categories?post=540"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/tags?post=540"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}