{"id":582,"date":"2012-10-30T15:51:32","date_gmt":"2012-10-30T14:51:32","guid":{"rendered":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/?p=582"},"modified":"2019-03-05T17:43:54","modified_gmt":"2019-03-05T16:43:54","slug":"issue-68-freedom","status":"publish","type":"post","link":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/2012\/10\/30\/issue-68-freedom\/","title":{"rendered":"Issue 68: Freedom"},"content":{"rendered":"<p><a href=\"http:\/\/www.electricsheepmagazine.co.uk\/archive\/2012\/10\/30\/issue-68-freedom\/review_beasts_homepage\/\" rel=\"attachment wp-att-583\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-583\" title=\"Beasts of the Southern Wild\" src=\"http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2012\/11\/review_beasts_homepage-594x334.jpg\" alt=\"\" width=\"594\" height=\"334\" srcset=\"http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2012\/11\/review_beasts_homepage-594x334.jpg 594w, http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2012\/11\/review_beasts_homepage-300x168.jpg 300w, http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2012\/11\/review_beasts_homepage.jpg 800w\" sizes=\"auto, (max-width: 594px) 100vw, 594px\" \/><\/a><\/p>\n<p><b>Freedom: Skid row outsiders, uninhibited deviants and liberating servitude<\/b><\/p>\n<p>As fantastical paean to harsh, wild freedom <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/10\/18\/beasts-of-the-southern-wild\/\"><i>Beasts of the Southern Wild<\/i><\/a> hits the screens this month, we look at various forms of cinematic freedom, from John Waters\u2019s outrageous black comedy <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/10\/12\/female-trouble\/\"><i>Female Trouble<\/i><\/a> to <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2012\/10\/30\/the-master-paul-thomas-anderson-and-freedom\/\"><i>The Master<\/i><\/a> and the films of Paul Thomas Anderson while our Comic Strip Review is on <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/10\/31\/the-prisoner\/\"><i>The Prisoner<\/i><\/a>. And Greg Klymkiw talks about freedom and servitude with the <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2012\/10\/19\/greg-klymkiw-talks-to-the-brothers-quay-about-institute-benjamenta\/\">Brothers Quay<\/a> to mark the American DVD release of <i>Institute Benjamenta<\/i>.<\/p>\n<p><!--more--><\/p>\n<p>At the cinema we also review <i>The Shining<\/i> documentary <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/10\/23\/room-237\/\"><i>Room 237<\/i><\/a>, and we report on the <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/news\/2012\/10\/22\/east-asian-films-at-the-56th-london-film-festival\/\">East Asian films<\/a> at the London Film Festival, as well as <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/news\/2012\/10\/16\/60th-san-sebastian-international-film-festival\/\">San Sebastian<\/a> and <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/news\/2012\/10\/11\/water-colours-venice-2012\/\">Venice<\/a>. We have a preview of the <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2012\/10\/23\/london-international-animation-festival-2012\/\">London International Animation Festival<\/a>, which includes a focus on Japan.<\/p>\n<p>Our Reel Sounds column takes a timely look at the soundtrack of <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2012\/10\/15\/halloween-iii-chariots-of-pumpkins\/\"><i>Halloween III<\/i><\/a>. We have a feature on underground cult filmmaker <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2012\/10\/10\/on-the-margins-the-cinema-of-trent-harris\/\">Trent Harris<\/a>, whose work was the subject of a retrospective at Raindance. And we look at new Tate Modern gallery space <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/news\/2012\/10\/06\/the-tanks-at-tate-modern\/\">The Tanks<\/a>.<\/p>\n<p><a href=\"http:\/\/www.electricsheepmagazine.co.uk\/events\/category\/radio-and-podcasts\/\"><b>PODCAST:<\/b><\/a><br \/>\n<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/events\/2012\/10\/kim-newman-and-sean-hogan-on-the-halloween-sessions\/\"><i>The Hallowe&#8217;en Sessions<\/i><\/a>: Acclaimed writer Kim Newman and director Sean Hogan talk about their exciting new project, the horror play <i>The Hallowe\u2019en Sessions<\/i>, presented by Cigarette Burns and an award-winning team of horror\/fantasy creators, which will be at the Leicester Square Theatre from 29 October to 3 November.<\/p>\n<p><b>Theme: Freedom<\/b><br \/>\n&#8211;<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/10\/18\/beasts-of-the-southern-wild\/\"><i>Beasts of the Southern Wild<\/i><\/a><br \/>\n&#8211;<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/10\/12\/female-trouble\/\"><i>Female Trouble<\/i><\/a><br \/>\n&#8211;<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2012\/10\/30\/the-master-paul-thomas-anderson-and-freedom\/\"><i>The Master: Paul Thomas Anderson and Freedom<\/i><\/a><br style=\"line-height: 22px;\" \/><b>Interview<\/b><br \/>\n<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2012\/10\/19\/greg-klymkiw-talks-to-the-brothers-quay-about-institute-benjamenta\/\">Brothers Quay<\/a><br style=\"line-height: 22px;\" \/><b>Features<\/b><br \/>\n&#8211;<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2012\/10\/10\/on-the-margins-the-cinema-of-trent-harris\/\">Trent Harris<\/a><br \/>\n&#8211;<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/news\/2012\/10\/06\/the-tanks-at-tate-modern\/\">The Tanks<\/a><br style=\"line-height: 22px;\" \/><b>Film Reviews<\/b><br \/>\n<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/10\/23\/room-237\/\"><i>Room 237<\/i><\/a><br style=\"line-height: 22px;\" \/><b>Comic Strip Review<\/b><br \/>\n<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/10\/31\/the-prisoner\/\"><i>The Prisoner<\/i><\/a><br style=\"line-height: 22px;\" \/><b>Reel Sounds<\/b><br \/>\n<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2012\/10\/15\/halloween-iii-chariots-of-pumpkins\/\"><i>Halloween III<\/i><\/a><br style=\"line-height: 22px;\" \/><b>Blog<\/b><br \/>\n&#8211;<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/news\/2012\/10\/22\/east-asian-films-at-the-56th-london-film-festival\/\">East Asian films at the London Film Festival<\/a><br \/>\n&#8211;<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/news\/2012\/10\/16\/60th-san-sebastian-international-film-festival\/\">San Sebastian<\/a><br \/>\n&#8211;<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/news\/2012\/10\/11\/water-colours-venice-2012\/\">Venice<\/a><br \/>\n&#8211;<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2012\/10\/23\/london-international-animation-festival-2012\/\">London International Animation Festival<\/a><br style=\"line-height: 22px;\" \/><b>Podcast<\/b><br \/>\n<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/events\/2012\/10\/kim-newman-and-sean-hogan-on-the-halloween-sessions\/\"><i>The Hallowe&#8217;en Sessions<\/i><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>As fantastical paean to harsh, wild freedom <I>Beasts of the Southern Wild<\/I> hits the screens, we look at various forms of cinematic freedom.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[53,126,132,130,131,127,129,107,133,128],"class_list":["post-582","post","type-post","status-publish","format-standard","hentry","category-online-issues","tag-asian-cinema","tag-brothers-quay","tag-film-music","tag-film-scores","tag-film-soundtracks","tag-freedom","tag-halloween-iii","tag-horror-cinema","tag-horror-theatre","tag-trent-harris"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","wps_subtitle":"","jetpack_shortlink":"https:\/\/wp.me\/purm2-9o","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":600,"url":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/2013\/01\/05\/issue-71-repulsion\/","url_meta":{"origin":582,"position":0},"title":"Issue 71: Repulsion","author":"VirginieSelavy","date":"January 5, 2013","format":false,"excerpt":"To coincide with the BFI\u2019s extended run of Roman Polanski\u2019s classic psychological thriller, we look at various forms of cinematic repulsion.","rel":"","context":"In &quot;Online Issues&quot;","block_context":{"text":"Online Issues","link":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/category\/online-issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2013\/02\/review_Repulsion_homepage.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2013\/02\/review_Repulsion_homepage.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2013\/02\/review_Repulsion_homepage.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2013\/02\/review_Repulsion_homepage.jpg?resize=700%2C400 2x"},"classes":[]},{"id":588,"url":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/2012\/11\/30\/issue-69-creatures\/","url_meta":{"origin":582,"position":1},"title":"Issue 69: Creatures","author":"VirginieSelavy","date":"November 30, 2012","format":false,"excerpt":"As winter sets in the creatures come out of the dark.","rel":"","context":"In &quot;Online Issues&quot;","block_context":{"text":"Online Issues","link":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/category\/online-issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2012\/12\/review_homepage_cabinet-of-dr-caligari.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2012\/12\/review_homepage_cabinet-of-dr-caligari.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2012\/12\/review_homepage_cabinet-of-dr-caligari.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2012\/12\/review_homepage_cabinet-of-dr-caligari.jpg?resize=700%2C400 2x"},"classes":[]},{"id":117,"url":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/2009\/03\/30\/issue-25\/","url_meta":{"origin":582,"position":2},"title":"Issue 25","author":"VirginieSelavy","date":"March 30, 2009","format":false,"excerpt":"In March we turn our attention to Berlin. The Electric Sheep Magazine team","rel":"","context":"In &quot;Online Issues&quot;","block_context":{"text":"Online Issues","link":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/category\/online-issues\/"},"img":{"alt_text":"spring 09","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2009\/04\/review_archive-150x150.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":104,"url":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/2008\/12\/31\/issue-22\/","url_meta":{"origin":582,"position":3},"title":"Issue 22","author":"VirginieSelavy","date":"December 31, 2008","format":false,"excerpt":"The winter issue of Electric Sheep explores celluloid snow with articles on Werner Herzog's Encounters at the End of the World, Aki Kaurism\u00c3\u00a4ki's Calamari Union, John Carpenter's The Thing, Christmas slasher movies and cult Japanese revenge tale Lady Snowblood.","rel":"","context":"In &quot;Online Issues&quot;","block_context":{"text":"Online Issues","link":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/category\/online-issues\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":187,"url":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/2010\/01\/30\/issue-35\/","url_meta":{"origin":582,"position":4},"title":"Issue 35","author":"VirginieSelavy","date":"January 30, 2010","format":false,"excerpt":"The cinematic year is off to a promising start with some excellent new releases, starting with Breathless, an explosive, unforgettable South Korean drama.","rel":"","context":"In &quot;Online Issues&quot;","block_context":{"text":"Online Issues","link":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/category\/online-issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2010\/03\/review_homepage_jan10_new-594x445.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2010\/03\/review_homepage_jan10_new-594x445.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2010\/03\/review_homepage_jan10_new-594x445.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":374,"url":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/2011\/01\/30\/issue-47\/","url_meta":{"origin":582,"position":5},"title":"Issue 47: Bitterness","author":"VirginieSelavy","date":"January 30, 2011","format":false,"excerpt":"Dreamy Belgian neo-giallo Amer leads us to ponder cinematic bitterness in January.","rel":"","context":"In &quot;Online Issues&quot;","block_context":{"text":"Online Issues","link":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/category\/online-issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2011\/03\/review_Amer_homepage-594x334.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2011\/03\/review_Amer_homepage-594x334.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2011\/03\/review_Amer_homepage-594x334.jpg?resize=525%2C300 1.5x"},"classes":[]}],"_links":{"self":[{"href":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/posts\/582","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/comments?post=582"}],"version-history":[{"count":5,"href":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/posts\/582\/revisions"}],"predecessor-version":[{"id":675,"href":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/posts\/582\/revisions\/675"}],"wp:attachment":[{"href":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/media?parent=582"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/categories?post=582"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/tags?post=582"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}