{"id":588,"date":"2012-11-30T17:53:04","date_gmt":"2012-11-30T16:53:04","guid":{"rendered":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/?p=588"},"modified":"2019-03-05T18:46:44","modified_gmt":"2019-03-05T17:46:44","slug":"issue-69-creatures","status":"publish","type":"post","link":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/2012\/11\/30\/issue-69-creatures\/","title":{"rendered":"Issue 69: Creatures"},"content":{"rendered":"<p><a href=\"http:\/\/www.electricsheepmagazine.co.uk\/archive\/2012\/11\/30\/issue-69-creatures\/review_homepage_cabinet-of-dr-caligari\/\" rel=\"attachment wp-att-589\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-589\" title=\"The Cabinet of Dr Caligari\" src=\"http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2012\/12\/review_homepage_cabinet-of-dr-caligari-594x458.jpg\" alt=\"\" width=\"594\" height=\"458\" srcset=\"http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2012\/12\/review_homepage_cabinet-of-dr-caligari-594x458.jpg 594w, http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2012\/12\/review_homepage_cabinet-of-dr-caligari-300x231.jpg 300w, http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2012\/12\/review_homepage_cabinet-of-dr-caligari.jpg 800w\" sizes=\"auto, (max-width: 594px) 100vw, 594px\" \/><\/a><\/p>\n<p><b>Creatures: Ancient beasts, mystical monsters, sleepwalking murderers<\/b><\/p>\n<p>As winter sets in the creatures come out of the dark: <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/11\/20\/the-golem\/\"><i>The Golem<\/i><\/a> is conjured up, Conrad Veidt is the puppet of a sinister hypnotist in <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/11\/06\/the-cabinet-of-dr-caligari\/\"><i>The Cabinet of Dr Caligari<\/i><\/a>, a primitive beast terrorizes Trans-Siberian passengers in 70s Spanish horror movie <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/11\/13\/horror-express\/\"><i>Horror Express<\/i><\/a> and we have a feature on <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2012\/11\/29\/female-creatures-and-science-experiments-gone-amiss\/\">&#8216;Female Creatures and Science Experiments Gone Amiss&#8217;<\/a>. In Alter Ego, <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2012\/11\/14\/sam-hawken-is-selene-from-underworld\/\">Sam Hawken<\/a> is <i>Underworld<\/i>\u2019s Selene while our Comic Strip Review is on Fritz Lang\u2019s <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/11\/30\/die-nibelungen\/\"><i>Die Nibelungen<\/i><\/a>.<\/p>\n<p><!--more--><\/p>\n<p>We have <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2012\/11\/09\/alps-interview-with-yorgos-lanthimos\/\">interviews with Yorgos Lanthimos<\/a> about his follow-up to <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2010\/04\/06\/dogtooth\/\"><i>Dogtooth<\/i><\/a>, the equally oddball <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2012\/11\/09\/alps-interview-with-yorgos-lanthimos\/\"><i>Alps<\/i><\/a>, with <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2012\/11\/16\/amour-interview-with-michael-haneke\/\">Michael Haneke<\/a> about the acclaimed <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2012\/11\/16\/amour-interview-with-michael-haneke\/\"><i>Love<\/i><\/a>, and with <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2012\/11\/30\/sightseers-interview-with-ben-wheatley\/\">Ben Wheatley<\/a> about his new horror comedy <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/news\/2012\/11\/21\/sitges-2012-genre-heaven\/\"><i>Sightseers<\/i><\/a>. Not to be missed, two films are out on UK screens for the first time this month: the extended US version of <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/news\/2012\/11\/01\/the-shining-original-extended-us-version-on-uk-screens-nov-2\/\"><i>The Shining<\/i><\/a> and Yoshiaki Kawajiri\u2019s landmark 90s anim\u00e9 <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/11\/29\/ninja-scroll\/\"><i>Ninja Scroll<\/i><\/a>.<\/p>\n<p>In the second part of our <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/news\/2012\/11\/05\/london-film-festival-2012-part-2\/\">London Film Festival<\/a> coverage we review Thomas Vinterberg&#8217;s <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/news\/2012\/11\/05\/london-film-festival-2012-part-2\/\"><i>The Hunt<\/i><\/a> and crime thriller <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/news\/2012\/11\/05\/london-film-festival-2012-part-2\/\"><i>End of Watch<\/i><\/a>, out in cinemas this month. Brandon Cronenberg\u2019s <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/11\/02\/antiviral\/\"><i>Antiviral<\/i><\/a> screens at SCI-FI-LONDON\u2019s Post-Apocolympic Weekender (Nov 9-11). And we report on <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/news\/2012\/11\/07\/letrange-festival-2012\/\">L\u2019Etrange Festival<\/a>, <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/news\/2012\/11\/21\/sitges-2012-genre-heaven\/\">Sitges<\/a> and Toronto and our Cine Lit column looks at Kier-La Janisse&#8217;s <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2012\/11\/27\/house-of-psychotic-women-a-confessional-approach-to-exploitation-films\/\"><i>House of Psychotic Women<\/i><\/a>.<\/p>\n<p><b>Theme: Creatures<\/b><br \/>\n&#8211;<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/11\/20\/the-golem\/\"><i>The Golem<\/i><\/a><br \/>\n&#8211;<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/11\/06\/the-cabinet-of-dr-caligari\/\"><i>The Cabinet of Dr Caligari<\/i><\/a><br \/>\n&#8211;<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/11\/13\/horror-express\/\"><i>Horror Express<\/i><\/a><br \/>\n&#8211;<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2012\/11\/29\/female-creatures-and-science-experiments-gone-amiss\/\">Female Creatures and Science Experiments Gone Amiss<\/a><br style=\"line-height: 22px;\" \/><b>Interviews<\/b><br \/>\n&#8211;<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2012\/11\/09\/alps-interview-with-yorgos-lanthimos\/\">Yorgos Lanthimos<\/a><br \/>\n&#8211;<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2012\/11\/16\/amour-interview-with-michael-haneke\/\">Michael Haneke<\/a><br \/>\n&#8211;<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2012\/11\/30\/sightseers-interview-with-ben-wheatley\/\">Ben Wheatley<\/a><br style=\"line-height: 22px;\" \/><b>Film Reviews<\/b><br \/>\n&#8211;<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/11\/29\/ninja-scroll\/\"><i>Ninja Scroll<\/i><\/a><br \/>\n&#8211;<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/11\/02\/antiviral\/\"><i>Antiviral<\/i><\/a><br style=\"line-height: 22px;\" \/><b>Comic Strip Review<\/b><br \/>\n<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/11\/30\/die-nibelungen\/\"><i>Die Nibelungen<\/i><\/a><br style=\"line-height: 22px;\" \/><b>Alter Ego<\/b><br \/>\n<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2012\/11\/14\/sam-hawken-is-selene-from-underworld\/\">Sam Hawken<\/a><br style=\"line-height: 22px;\" \/><b>Cine Lit<\/b><br \/>\n<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2012\/11\/27\/house-of-psychotic-women-a-confessional-approach-to-exploitation-films\/\"><i>House of Psychotic Women<\/i><\/a><br style=\"line-height: 22px;\" \/><b>Blog<\/b><br \/>\n&#8211;<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/news\/2012\/11\/01\/the-shining-original-extended-us-version-on-uk-screens-nov-2\/\"><i>The Shining<\/i><\/a><br \/>\n&#8211;<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/news\/2012\/11\/05\/london-film-festival-2012-part-2\/\">London Film Festival<\/a><br \/>\n&#8211;<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/news\/2012\/11\/07\/letrange-festival-2012\/\">L\u2019Etrange Festival<\/a><br \/>\n&#8211;<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/news\/2012\/11\/21\/sitges-2012-genre-heaven\/\">Sitges<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>As winter sets in the creatures come out of the dark.<\/p>\n","protected":false},"author":2,"featured_media":589,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[137,134,135,125,136,139,138],"class_list":["post-588","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-online-issues","tag-ben-wheatley","tag-expressionistic-cinema","tag-german-cinema","tag-horror-film","tag-michael-haneke","tag-silent-film","tag-yorgos-lanthimos"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2012\/12\/review_homepage_cabinet-of-dr-caligari.jpg","wps_subtitle":"","jetpack_shortlink":"https:\/\/wp.me\/purm2-9u","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":466,"url":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/2011\/09\/30\/issue-55-twisted-romance\/","url_meta":{"origin":588,"position":0},"title":"Issue 55: Twisted Romance","author":"VirginieSelavy","date":"September 30, 2011","format":false,"excerpt":"September films are full of heartbreak and misshapen affection, starting with Terrence Malick\u00e2\u20ac\u2122s glorious rural tragedy Days of Heaven and Sion Sono\u00e2\u20ac\u2122s perverse melodrama Guilty of Romance.","rel":"","context":"In &quot;Online Issues&quot;","block_context":{"text":"Online Issues","link":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/category\/online-issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2011\/10\/review_homepage_RedWhiteBlue-594x395.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2011\/10\/review_homepage_RedWhiteBlue-594x395.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2011\/10\/review_homepage_RedWhiteBlue-594x395.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":600,"url":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/2013\/01\/05\/issue-71-repulsion\/","url_meta":{"origin":588,"position":1},"title":"Issue 71: Repulsion","author":"VirginieSelavy","date":"January 5, 2013","format":false,"excerpt":"To coincide with the BFI\u2019s extended run of Roman Polanski\u2019s classic psychological thriller, we look at various forms of cinematic repulsion.","rel":"","context":"In &quot;Online Issues&quot;","block_context":{"text":"Online Issues","link":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/category\/online-issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2013\/02\/review_Repulsion_homepage.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2013\/02\/review_Repulsion_homepage.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2013\/02\/review_Repulsion_homepage.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2013\/02\/review_Repulsion_homepage.jpg?resize=700%2C400 2x"},"classes":[]},{"id":300,"url":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/2010\/06\/11\/issue-40\/","url_meta":{"origin":588,"position":2},"title":"Issue 40: Jim Thompson","author":"VirginieSelavy","date":"June 11, 2010","format":false,"excerpt":"With Michael Winterbottom\u00e2\u20ac\u2122s take on Jim Thompson\u00e2\u20ac\u2122s The Killer inside Me out this month we explore the films based on the hardest of hard-boiled novelists.","rel":"","context":"In &quot;Online Issues&quot;","block_context":{"text":"Online Issues","link":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/category\/online-issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2010\/07\/home_jun10.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":390,"url":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/2011\/03\/30\/issue-49-women-in-horror\/","url_meta":{"origin":588,"position":3},"title":"Issue 49: Women in Horror","author":"VirginieSelavy","date":"March 30, 2011","format":false,"excerpt":"To coincide with the celebration of \u00e2\u20ac\u02dcBloody Women\u00e2\u20ac\u2122 at the Bird\u00e2\u20ac\u2122s Eye View Festival, we look at women in horror.","rel":"","context":"In &quot;Online Issues&quot;","block_context":{"text":"Online Issues","link":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/category\/online-issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2011\/04\/review_Les_Diaboliques_homepage-594x467.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2011\/04\/review_Les_Diaboliques_homepage-594x467.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2011\/04\/review_Les_Diaboliques_homepage-594x467.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":582,"url":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/2012\/10\/30\/issue-68-freedom\/","url_meta":{"origin":588,"position":4},"title":"Issue 68: Freedom","author":"VirginieSelavy","date":"October 30, 2012","format":false,"excerpt":"As fantastical paean to harsh, wild freedom Beasts of the Southern Wild hits the screens, we look at various forms of cinematic freedom.","rel":"","context":"In &quot;Online Issues&quot;","block_context":{"text":"Online Issues","link":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/category\/online-issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2012\/11\/review_beasts_homepage-594x334.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2012\/11\/review_beasts_homepage-594x334.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2012\/11\/review_beasts_homepage-594x334.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":191,"url":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/2010\/02\/28\/issue-36\/","url_meta":{"origin":588,"position":5},"title":"Issue 36: Bloody Ballet","author":"VirginieSelavy","date":"February 28, 2010","format":false,"excerpt":"This month we explore the dark and supernatural side of ballet on film.","rel":"","context":"In &quot;Online Issues&quot;","block_context":{"text":"Online Issues","link":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/category\/online-issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2010\/03\/review_homepage_feb10_new-594x445.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2010\/03\/review_homepage_feb10_new-594x445.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2010\/03\/review_homepage_feb10_new-594x445.jpg?resize=525%2C300 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