{"id":3810,"date":"2017-08-10T09:12:45","date_gmt":"2017-08-10T08:12:45","guid":{"rendered":"http:\/\/www.electricsheepmagazine.co.uk\/events\/?p=3810"},"modified":"2017-08-15T23:15:58","modified_gmt":"2017-08-15T22:15:58","slug":"rendez-vous-du-cinema-suisse-2017","status":"publish","type":"post","link":"http:\/\/www.electricsheepmagazine.co.uk\/events\/2017\/08\/rendez-vous-du-cinema-suisse-2017\/","title":{"rendered":"Rendez-vous du cin\u00e9ma suisse 2017"},"content":{"rendered":"
\"die<\/a>
Die Göttliche Ordnung<\/figcaption><\/figure>\n

\"audio\"<\/a>On Monday 7 August 2017, Electric Sheep<\/em>‘s Managing Editor Pamela Jahn, Allan Hunter (Screen International<\/em>) and Boyd van Hoeij (The Hollywood Reporter<\/em>) took part in a panel of international film journalists to discuss five Swiss productions in this year’s Locarno Festival<\/a> programme with SWISS FILMS<\/a> director Catherine Ann Berger. The films included:<\/p>\n

Read our Locarno Festival 2017 Preview<\/a>.<\/div>\n

Goliath <\/i>by Dominik Locher (International Competition) <\/p>\n

Those Who Are Fine<\/i> by Cyril Schäublin (Cineasti del Presente) <\/p>\n

The Song of Scorpions<\/i> by Anup Singh (Piazza Grande) <\/p>\n

The Divine Order <\/i>by Petra Volpe (Panorama Suisse) <\/p>\n

The Congo Tribunal<\/i> by Milo Rau (Semaine de la Critique)<\/p>\n

<\/div>\n","protected":false},"excerpt":{"rendered":"

Electric Sheep<\/i> took part in a panel of international film journalists to discuss five Swiss productions in the 2017 Locarno Festival programme. 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