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	<title>Comments for Electric Sheep - Features, essays &amp; interviews from the mavericks of the film world</title>
	<atom:link href="http://www.electricsheepmagazine.co.uk/features/comments/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.electricsheepmagazine.co.uk/features</link>
	<description>A Deviant View of Cinema - Features, Essays &#38; Interviews</description>
	<lastBuildDate>Thu, 26 Apr 2012 09:41:41 +0000</lastBuildDate>
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		<title>Comment on Attenberg: Interview with Athina Rachel Tsangari by carbet</title>
		<link>http://www.electricsheepmagazine.co.uk/features/2011/09/01/attenberg-interview-with-athina-rachel-tsangari/comment-page-1/#comment-57052</link>
		<dc:creator>carbet</dc:creator>
		<pubDate>Thu, 26 Apr 2012 09:41:41 +0000</pubDate>
		<guid isPermaLink="false">http://www.electricsheepmagazine.co.uk/features/?p=1364#comment-57052</guid>
		<description><![CDATA[I love reading interviews with directors when they talk about shooting technique of scenario, how they write their scripts, how they shoot their films, how they choose the actors, how they edit their films etc., in your interview &#039;there are not many questions about it. it is very frustrating.]]></description>
		<content:encoded><![CDATA[<p>I love reading interviews with directors when they talk about shooting technique of scenario, how they write their scripts, how they shoot their films, how they choose the actors, how they edit their films etc., in your interview &#8216;there are not many questions about it. it is very frustrating.</p>
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		<title>Comment on Canadian Blood on the Ice: Hockey on celluloid from Face Off to Goon by Adam Frattasio</title>
		<link>http://www.electricsheepmagazine.co.uk/features/2012/04/10/canadian-blood-on-the-ice-hockey-on-celluloid-from-face-off-to-goon/comment-page-1/#comment-55898</link>
		<dc:creator>Adam Frattasio</dc:creator>
		<pubDate>Sun, 15 Apr 2012 00:57:16 +0000</pubDate>
		<guid isPermaLink="false">http://www.electricsheepmagazine.co.uk/features/?p=1638#comment-55898</guid>
		<description><![CDATA[I wrote the book, Goon, that the movie was based on. I really enjoyed and appreciated your story. I am so glad you enjoyed the movie, and I hope you have had a chance to watch it with your dad.]]></description>
		<content:encoded><![CDATA[<p>I wrote the book, Goon, that the movie was based on. I really enjoyed and appreciated your story. I am so glad you enjoyed the movie, and I hope you have had a chance to watch it with your dad.</p>
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		<title>Comment on Canadian Blood on the Ice: Hockey on celluloid from Face Off to Goon by Jim Henshaw</title>
		<link>http://www.electricsheepmagazine.co.uk/features/2012/04/10/canadian-blood-on-the-ice-hockey-on-celluloid-from-face-off-to-goon/comment-page-1/#comment-55280</link>
		<dc:creator>Jim Henshaw</dc:creator>
		<pubDate>Wed, 11 Apr 2012 01:00:34 +0000</pubDate>
		<guid isPermaLink="false">http://www.electricsheepmagazine.co.uk/features/?p=1638#comment-55280</guid>
		<description><![CDATA[Greg,

This is just awesome on a whole bunch of levels and brings back a ton of memories as well. You&#039;ve perfectly captured the tone and mood of the industry when most of our hockey movies were produced. And though it technically wasn&#039;t Canadian, you could have included &quot;Youngblood&quot; which was shot in Toronto and Hamilton and got my vote as the best &quot;Wannabe Canadian&quot; movie of its time.

I remember attending the Toronto Premiere of &quot;Face Off&quot; because I was doing a CBC movie with Trudy Young and she had a couple of extra tickets. Met Art Hindle that night forming one of those long-distance actor friendships that has lasted since.

I also happened to be working with Peter Pearson when &quot;Paperback Hero&quot; was released. One of the best directors this country ever birthed. We won&#039;t talk about the massive crush I had on Dayle Haddon. But as a side note, we might be the only guys still around who saw both &quot;Rancho DeLuxe&quot; and &quot;92 In The Shade&quot; during their theatrical runs. I may be wrong, but I think Elizabeth Ashley was in those movies because she was involved with McGuane at the time.

I can&#039;t disagree with anything you said about &quot;Slapshot&quot; or &quot;Hounds&quot; and thoroughly enjoyed &quot;Goon&quot;, but I think there are still some great hockey themes waiting to be explored, along with films about Alan Eagleson and Harold Ballard that need to be made, but probably couldn&#039;t be shot in Canada.

Mostly, thanks for the tales about your dad. There&#039;s so much about that generation of Canadian men that has also never been explored by our cinema. Guys from places with nothing who generated their own local myth while earning the admiration and respect of others who came from similar nowhere towns and had nothing to work with and yet managed to build the world we were born into.

It&#039;s a storyline those whining about the country&#039;s apparent lack of support for or appreciation of the Arts could take to heart.

I&#039;m sending everybody I can to read this.

Thanks Again.

Jim Henshaw]]></description>
		<content:encoded><![CDATA[<p>Greg,</p>
<p>This is just awesome on a whole bunch of levels and brings back a ton of memories as well. You&#8217;ve perfectly captured the tone and mood of the industry when most of our hockey movies were produced. And though it technically wasn&#8217;t Canadian, you could have included &#8220;Youngblood&#8221; which was shot in Toronto and Hamilton and got my vote as the best &#8220;Wannabe Canadian&#8221; movie of its time.</p>
<p>I remember attending the Toronto Premiere of &#8220;Face Off&#8221; because I was doing a CBC movie with Trudy Young and she had a couple of extra tickets. Met Art Hindle that night forming one of those long-distance actor friendships that has lasted since.</p>
<p>I also happened to be working with Peter Pearson when &#8220;Paperback Hero&#8221; was released. One of the best directors this country ever birthed. We won&#8217;t talk about the massive crush I had on Dayle Haddon. But as a side note, we might be the only guys still around who saw both &#8220;Rancho DeLuxe&#8221; and &#8220;92 In The Shade&#8221; during their theatrical runs. I may be wrong, but I think Elizabeth Ashley was in those movies because she was involved with McGuane at the time.</p>
<p>I can&#8217;t disagree with anything you said about &#8220;Slapshot&#8221; or &#8220;Hounds&#8221; and thoroughly enjoyed &#8220;Goon&#8221;, but I think there are still some great hockey themes waiting to be explored, along with films about Alan Eagleson and Harold Ballard that need to be made, but probably couldn&#8217;t be shot in Canada.</p>
<p>Mostly, thanks for the tales about your dad. There&#8217;s so much about that generation of Canadian men that has also never been explored by our cinema. Guys from places with nothing who generated their own local myth while earning the admiration and respect of others who came from similar nowhere towns and had nothing to work with and yet managed to build the world we were born into.</p>
<p>It&#8217;s a storyline those whining about the country&#8217;s apparent lack of support for or appreciation of the Arts could take to heart.</p>
<p>I&#8217;m sending everybody I can to read this.</p>
<p>Thanks Again.</p>
<p>Jim Henshaw</p>
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		<title>Comment on LONE COWBOYS AND LACONIC DRIFTERS: THE FILMS OF MONTE HELLMAN by Relic</title>
		<link>http://www.electricsheepmagazine.co.uk/features/2007/10/04/lone-cowboys-and-laconic-drifters-the-films-of-monte-hellman/comment-page-1/#comment-52743</link>
		<dc:creator>Relic</dc:creator>
		<pubDate>Thu, 22 Mar 2012 03:50:39 +0000</pubDate>
		<guid isPermaLink="false">http://www.electricsheepmagazine.co.uk/features/2007/10/04/lone-cowboys-and-laconic-drifters-the-films-of-monte-hellman/#comment-52743</guid>
		<description><![CDATA[Good review, but one correction: Warren Oates&#039; character GTO drove an orange 1970 Pontiac GTO .]]></description>
		<content:encoded><![CDATA[<p>Good review, but one correction: Warren Oates&#8217; character GTO drove an orange 1970 Pontiac GTO .</p>
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		<title>Comment on Everybody Dies by john</title>
		<link>http://www.electricsheepmagazine.co.uk/features/2012/01/19/everybody-dies/comment-page-1/#comment-52693</link>
		<dc:creator>john</dc:creator>
		<pubDate>Wed, 21 Mar 2012 19:08:57 +0000</pubDate>
		<guid isPermaLink="false">http://www.electricsheepmagazine.co.uk/features/?p=1530#comment-52693</guid>
		<description><![CDATA[Yes. But no. But. I don&#039;t know about more powerful. It depends on where the joke falls. If the joke makes it more depressing or less.]]></description>
		<content:encoded><![CDATA[<p>Yes. But no. But. I don&#8217;t know about more powerful. It depends on where the joke falls. If the joke makes it more depressing or less.</p>
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		<title>Comment on Zoe Baxter&#8217;s Film Jukebox by Mhairi</title>
		<link>http://www.electricsheepmagazine.co.uk/features/2012/03/01/zoe-baxters-film-jukebox/comment-page-1/#comment-50274</link>
		<dc:creator>Mhairi</dc:creator>
		<pubDate>Wed, 07 Mar 2012 13:39:36 +0000</pubDate>
		<guid isPermaLink="false">http://www.electricsheepmagazine.co.uk/features/?p=1605#comment-50274</guid>
		<description><![CDATA[Great list!

The original Hairspray was fantastic, I was horrified when it was made into a musical and another film... tho&#039; I&#039;ve never seen either, so I really shouldn&#039;t judge, LOL.]]></description>
		<content:encoded><![CDATA[<p>Great list!</p>
<p>The original Hairspray was fantastic, I was horrified when it was made into a musical and another film&#8230; tho&#8217; I&#8217;ve never seen either, so I really shouldn&#8217;t judge, LOL.</p>
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		<title>Comment on Everybody Dies by Britt</title>
		<link>http://www.electricsheepmagazine.co.uk/features/2012/01/19/everybody-dies/comment-page-1/#comment-46540</link>
		<dc:creator>Britt</dc:creator>
		<pubDate>Thu, 19 Jan 2012 18:07:19 +0000</pubDate>
		<guid isPermaLink="false">http://www.electricsheepmagazine.co.uk/features/?p=1530#comment-46540</guid>
		<description><![CDATA[Another great film in which everyone does die is Stanly Kramer&#039;s On the Beach (1959), based on the book by Nevil Shute. In many ways, it is more powerful than Dr. Strangelove.]]></description>
		<content:encoded><![CDATA[<p>Another great film in which everyone does die is Stanly Kramer&#8217;s On the Beach (1959), based on the book by Nevil Shute. In many ways, it is more powerful than Dr. Strangelove.</p>
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		<title>Comment on Triumph of the Will: Feeble Bombast by Robert Barry</title>
		<link>http://www.electricsheepmagazine.co.uk/features/2010/08/01/triumph-of-the-will-feeble-bombast/comment-page-1/#comment-44626</link>
		<dc:creator>Robert Barry</dc:creator>
		<pubDate>Fri, 16 Dec 2011 15:23:20 +0000</pubDate>
		<guid isPermaLink="false">http://www.electricsheepmagazine.co.uk/features/?p=887#comment-44626</guid>
		<description><![CDATA[What a curious comment you make. As far as I can gather you are commenting only on the title and not on the article itself. Your argument against my criticisms of the film seems to be that it was influential - notably on star wars. however isn&#039;t the soundtrack&#039;s influence on star wars precisely the point i am making in my last paragraph? so... everything i say is twaddle - and you can prove this by repeating the same twaddle as your own argument. interesting strategy there Steve.]]></description>
		<content:encoded><![CDATA[<p>What a curious comment you make. As far as I can gather you are commenting only on the title and not on the article itself. Your argument against my criticisms of the film seems to be that it was influential &#8211; notably on star wars. however isn&#8217;t the soundtrack&#8217;s influence on star wars precisely the point i am making in my last paragraph? so&#8230; everything i say is twaddle &#8211; and you can prove this by repeating the same twaddle as your own argument. interesting strategy there Steve.</p>
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		<title>Comment on Light in the Darkness: William Peter Blatty&#8217;s Faith Trilogy by Daniel</title>
		<link>http://www.electricsheepmagazine.co.uk/features/2011/02/25/light-in-the-darkness-william-peter-blattys-faith-trilogy/comment-page-1/#comment-44093</link>
		<dc:creator>Daniel</dc:creator>
		<pubDate>Wed, 07 Dec 2011 17:39:53 +0000</pubDate>
		<guid isPermaLink="false">http://www.electricsheepmagazine.co.uk/features/?p=1122#comment-44093</guid>
		<description><![CDATA[Also, I&#039;d say that Dimiter is actually an inferior version of The Ninth Configuration, mainly because it is a) not as funny, and b) not nearly as haunting. It is more ambiguous, and perhaps more sinister, but I think that it fails to convey its themes with the same amount of humanity and pathos as The Ninth Configuration so expertly does.]]></description>
		<content:encoded><![CDATA[<p>Also, I&#8217;d say that Dimiter is actually an inferior version of The Ninth Configuration, mainly because it is a) not as funny, and b) not nearly as haunting. It is more ambiguous, and perhaps more sinister, but I think that it fails to convey its themes with the same amount of humanity and pathos as The Ninth Configuration so expertly does.</p>
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		<title>Comment on Light in the Darkness: William Peter Blatty&#8217;s Faith Trilogy by Daniel</title>
		<link>http://www.electricsheepmagazine.co.uk/features/2011/02/25/light-in-the-darkness-william-peter-blattys-faith-trilogy/comment-page-1/#comment-44091</link>
		<dc:creator>Daniel</dc:creator>
		<pubDate>Wed, 07 Dec 2011 17:27:06 +0000</pubDate>
		<guid isPermaLink="false">http://www.electricsheepmagazine.co.uk/features/?p=1122#comment-44091</guid>
		<description><![CDATA[Good article.

Although, The Ninth Configuration is hardly hard to sit through - it is, in fact, one of the finest films ever made. It and the book on which it is based are Blatty&#039;s crowning achievements as a filmmaker and author respectively.

In his Trilogy of Faith, it is The Ninth Configuration that most expertly conveys its themes.]]></description>
		<content:encoded><![CDATA[<p>Good article.</p>
<p>Although, The Ninth Configuration is hardly hard to sit through &#8211; it is, in fact, one of the finest films ever made. It and the book on which it is based are Blatty&#8217;s crowning achievements as a filmmaker and author respectively.</p>
<p>In his Trilogy of Faith, it is The Ninth Configuration that most expertly conveys its themes.</p>
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