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June 1-30: BRUCE WEBER RETROSPECTIVE

May 10th, 2008

Curzon Soho, London

Let’s Get Lost UK theatrical premiere, Q&A and film and photography showcase.

FRIDAY 30 MAY: SKIDOO AT MIDNIGHT MOVIES

May 10th, 2008

Curzon Soho (London), from 9:30pm, screening 11:30

A heady ride through recreational drug use, dreamed up by an under-the-influence Otto Preminger.

May 29- June 24: TIGER FESTIVAL

May 5th, 2008

London and Brighton

In 2008, as part of the China Now series of events, Tiger Festival presents a selection of the latest Far Eastern films, across all genres, plus live music events and club nights.

FUTURE SHORTS MAY PROGRAMME

May 5th, 2008

London and nationwide

Future Shorts returns in May with an extremely high calibre programme of short films and music videos including the 2007 CANNES WINNER ‘VER LLOVER’ (Watching it Rain) from Mexico.

CLOSE-UP VIDEO – MAY PROGRAMME

May 5th, 2008

Café 1001 (London)

Programme of world cinema classics every Monday.

May 10-31: THE 2ND FASHION IN FILM FESTIVAL: IF LOOKS COULD KILL

May 5th, 2008

London (various venues)

This second, London edition of the festival spans five venues and is entitled If Looks Could Kill, as it explores the compelling links between cinema, fashion, crime and violence.

May 9-11 – LADYFEST LONDON

May 5th, 2008

As part of their celebration of women’s achievements in music and the arts, Ladyfest London are presenting a programme of inspiring and in-your-face female-centric films.

May 4-June 1: THE DIRECTORSPECTIVE: AKIRA KUROSAWA

May 5th, 2008

Revered and renowned on the stage of world cinema, Akira Kurosawa single-handedly brought Japanese cinema to the attention of international audiences with his 1950 film Rashômon, and continued to inspire both audiences and fellow directors throughout his life.

May 2-30: ANDRZEJ WAJDA

May 5th, 2008

BFI Southbank (London)

Retrospective of celebrated Polish director Andrzej Wajda’s later work.

May 2-June 10: ALL POWER TO THE IMAGINATION: 1968 AND ITS LEGACIES

May 5th, 2008

London (various venues)

More dynamically than perhaps any other medium, cinema caught the groundswell, moment and aftermath of 1968 across the world. The numerous strands here display the remarkable imagination and commitment of global film-makers.