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	<title>Comments on: BAD TIMING</title>
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	<link>http://www.electricsheepmagazine.co.uk/reviews/2007/05/03/bad-timing/</link>
	<description>A Deviant View of Cinema - Film, DVD &#38; Book Reviews</description>
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		<title>By: Damian Mitler</title>
		<link>http://www.electricsheepmagazine.co.uk/reviews/2007/05/03/bad-timing/comment-page-1/#comment-537</link>
		<dc:creator>Damian Mitler</dc:creator>
		<pubDate>Mon, 28 May 2007 22:43:26 +0000</pubDate>
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		<description>You must see Roeg&#039;s new film &quot;Puffball&quot;. You won&#039;t be disappointed. He&#039;s come full circle. and like Performance i think the world will have to catch up with it. I saw it in the Cannes market - and amazed it wasn&#039;t in official selection. I want the world to know about it! I can&#039;t get it out of my head - it&#039;s like seeing all his films, but none of his films. I met the writer outside the screening (weird), or at least he said he was the writer(!!!!). He said Roeg says it&#039;s his best film - and I have to say, it could be true, it&#039;s brilliant, a work of art. But it&#039;s strange, no one in Cannes talked about it. I met one critic who talked it down and he hadn&#039;t even seen it. Maybe it is another Performance - as you pointed out, they shelved that for two years before it became a classic. The maestro still struggling at eighty! What a world we live in...</description>
		<content:encoded><![CDATA[<p>You must see Roeg&#8217;s new film &#8220;Puffball&#8221;. You won&#8217;t be disappointed. He&#8217;s come full circle. and like Performance i think the world will have to catch up with it. I saw it in the Cannes market &#8211; and amazed it wasn&#8217;t in official selection. I want the world to know about it! I can&#8217;t get it out of my head &#8211; it&#8217;s like seeing all his films, but none of his films. I met the writer outside the screening (weird), or at least he said he was the writer(!!!!). He said Roeg says it&#8217;s his best film &#8211; and I have to say, it could be true, it&#8217;s brilliant, a work of art. But it&#8217;s strange, no one in Cannes talked about it. I met one critic who talked it down and he hadn&#8217;t even seen it. Maybe it is another Performance &#8211; as you pointed out, they shelved that for two years before it became a classic. The maestro still struggling at eighty! What a world we live in&#8230;</p>
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