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Thursday, May 1st, 2008Finally available on DVD for the first time in the UK, Chris Petit’s haunting, existential synthesis of thriller and road movie is one of the most striking feature debuts in British cinema.
Review by Jason Wood
Finally available on DVD for the first time in the UK, Chris Petit’s haunting, existential synthesis of thriller and road movie is one of the most striking feature debuts in British cinema.
Review by Jason Wood
Adapted from cult Belgian liberal-baiting novelist Herman Brusselmans’ book, Ex-Drummer is the story of a disabled Ostend punk band who recruit a famous liberal-baiting novelist to be their drummer.
Review by Paul Huckerby
Beat Girl is set in that mythic milieu in pop culture history – Soho in the late 50s – the moment when England discovered ‘cool’, when wild young merchant seamen such as Tommy Steele and Cliff Richard went looking for kicks during shore time and accidentally imported an American music called rock’n’roll.
Review by Paul Huckerby
Given the subject matter and the art-house photography (apparently Corbijn told the actors how to pose at the end of every scene) you could be forgiven for assuming that the film might be less than a barrel of laughs but it rivals 24-Hour Party People for hilarity.
Review by Sean Price
Joe Strummer always cut an incongruous figure as a punk. While the rest of the self-styled last gang in town were suitably weaselly and malnourished (Jones and Topper) or remote (Simonon), Strummer, well-built, full of face and with a mockney accent that belied his boarding school past, seemed too old, too worldly-wise for such a nihilistic movement.
Review by Sean Price
It’s difficult to think of another artist whose work has taken the same trajectory as that of the enigmatic Scott Walker (né Engel), from teen pop idol to avant-garde composer, from low to high art, from the universal appeal of the pop song to the altogether more uncompromising abstractions of industrial noise.
Review by Sean Price
There are so many myths and stories about the film’s troubled production (and after-effects) that it is hard to know what to believe. Did James Fox (Chas) take his performance too far and become involved with real gangsters before becoming a born-again Christian?
Review by Paul Huckerby