Toni Erdmann
Toni Erdmann is that rare thing: a film that makes you laugh and cry, wince and twist in your seat all at once.
Review by Pamela Jahn
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The Lobster
Yorgos Lanthimos’ English language debut is, without doubt, one of the most exciting films to be seen at Cannes this year.
Review by Pamela Jahn
The Decent One
Vanessa Lapa’s documentary tries to shine new light on Heinrich Himmler’s murky psychological profile.
Review by Pamela Jahn
In the Basement
Ulrich Seidl investigates what goes on underneath Austrian houses.
Review by Pamela Jahn
What We Do in the Shadows
A joyfully entertaining vampire mockumentary from Flight of the Conchords’ Jemaine Clement and fellow comedian Taika Waititi.
Review by Pamela Jahn
No Man’s Land
Ning Hao’s nihilistic neo-Western road movie comedy thriller is a blast.
Review by Pamela Jahn
The Harvest
The latest film by the director of Henry: Portrait of a Serial Killer is a disturbing Hansel and Gretel-type tale.
Review by Virginie Sélavy
The Congress
Ari Folman’s film is an idiosyncratic masterpiece, ambitious in its scale and complexity, and fuelled with dazzling animated beauty.
Review by Pamela Jahn
A Quiet Place in the Country
Petri’s foray into experimental horror is best seen as a submersion in a dream that unfolds buried layers of unresolved affairs – emotional, sexual or psychological – to alluring and puzzling effect.
Review by Pamela Jahn
The Assassin
Elio Petri’s 1961 debut feature is a cleverly structured ironic noir tale about the corruption of Italian society.
Review by Pamela Jahn