We Still Kill the Old Way
This biting murder mystery marks Elio Petri’s increasing politicisation.
Review by Pamela Jahn
This biting murder mystery marks Elio Petri’s increasing politicisation.
Review by Pamela Jahn
Cronenberg’s latest offering sees the director at his weirdest, wittiest and most horrifying in years, crafting a highly charged, cynical nightmare about today’s fucked-up Hollywood society, with the suitable feel of a mystery ghost story.
Review by Pamela Jahn
A tense post-apocalyptic tale set in the Australian outback from the director of Animal Kingdom.
Review by Pamela Jahn
There is a welcome sense of rebirth about Jim Jamusch’s latest film.
Reviews by Pamela Jahn and Virginie Sélavy
Hans Petter Moland’s playful take on Nordic noir is darkly amusing and makes excellent use of the snowy landscape for a staggering war of revenge.
Review by Pamela Jahn
A wild and vibrant mix of fact and fiction, Marten Persiel’s ‘hybrid documentary’ is a joy ride.
Review by Pamela Jahn
Alfonso Cuarón’s space survival drama is perhaps one of the most breathtakingly beautiful and mesmerising films out in cinemas this year.
Review by Pamela Jahn
Shot in beautiful, sharp black and white, Pablo Berger’s reworking of the Snow White story pays tribute to the 1920s European silent film era.
Review by Pamela Jahn
Soderbergh’s Liberace biopic is outrageously witty, feisty, slick looking and well-acted, without feeling conceited or narcissistic.
Review by Pamela Jahn
Although Ariel Vromen’s over-stylised thriller seems like a missed opportunity, Michael Shannon’s authority as the lead is undeniably tantalising.
Review by Pamela Jahn