Silent Running
The future. Earth is defoliated, the last remaining plant life confined to geodesic domes floating in deep space.
Review by David Cairns
The future. Earth is defoliated, the last remaining plant life confined to geodesic domes floating in deep space.
Review by David Cairns
What Kobayashi is opposed to, and very strongly, is the whole samurai tradition, and its continuing celebration in Japanese cinema.
Review by David Cairns
The trolls themselves are rather splendid: their design is unapologetically comical, with phallic noses and Highland cow fur for the Mountain Kings.
Review by David Cairns
In Mirror there’s always something happening, and it’s usually surprising and strange.
Review by David Cairns
I’m glad Fulci became a filmmaker rather than pursuing a career in medicine: his keen interest in human suffering and mutilation would seem ill-suited for healthcare.
Review by David Cairns
‘God is a sadist… but he probably doesn’t even know it.’
Review by David Cairns
The aspect of the film that first hits is the disturbing, crazy-house visuals, a combination of fisheye lurch and decadent, Klimt-inspired design, with psychedelic colour experiments and shots taken from the point of view of a Siamese cat.
Review by David Cairns
The Big Important Lawyer is making his final speech. Around him, the court officials and the people in the public gallery sit, their eyes closed, like dreamers.
Review by David Cairns
Since Francis the director was as sure a hand as Francis the cinematographer at creating atmosphere through lighting, composition and movement, this convoluted country house crime story is rich material.
Review by David Cairns
Jonathan auf der Heide’s gritty, gristly drama Van Diemen’s Land follows the travails of a group of escaped convicts in the remotest area of Australia in 1822.
Review by David Cairns