{"id":119,"date":"2007-07-01T17:06:45","date_gmt":"2007-07-01T16:06:45","guid":{"rendered":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2007\/07\/01\/ghosts-of-cite-soleil\/"},"modified":"2007-07-05T09:49:14","modified_gmt":"2007-07-05T08:49:14","slug":"ghosts-of-cite-soleil","status":"publish","type":"post","link":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2007\/07\/01\/ghosts-of-cite-soleil\/","title":{"rendered":"GHOSTS OF CITE SOLEIL"},"content":{"rendered":"<div class=\"left\">\n<a href=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2007\/07\/review_ghosts_cite_soleil1.jpg\" title=\"Ghosts of Cite Soleil\" rel=\"lightbox[119]\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2007\/07\/review_ghosts_cite_soleil1.thumbnail.jpg?w=474\" alt=\"Ghosts of Cite Soleil\" title=\"Ghosts of Cite Soleil\" class=\"filmimage\" \/><\/a><\/p>\n<p class=\"caption\">\n<B>Format:<\/B> Cinema<br style=\"line-height: 22px;\"><br \/>\n<B>Release date:<\/B> 20 July 2007<br style=\"line-height: 22px;\"><br \/>\n<B>Distributor<\/B> Revolver<br style=\"line-height: 22px;\"><br \/>\n<B>Director:<\/B> Asger Leth<br style=\"line-height: 22px;\"><br \/>\n<B>Cast:<\/B> Winson &#8216;2Pac&#8217; Jean, James &#8216;Bily&#8217; Petit Fr&iacute;\u00ad\u00c2\u00a8re, El&eacute;onore &#8216;Lele&#8217; Senlis <br style=\"line-height: 22px;\"><br \/>\nDenmark\/USA 2006<br style=\"line-height: 22px;\"><br \/>\n88 minutes<br style=\"line-height: 22px;\">\n<\/p>\n<\/div>\n<p class=\"copy\">\nIn February 2004, after months of violent conflict and large-scale political protests, Haiti&#8217;s president, Jean-Bertrand Aristide, was overthrown and forced into exile. When US and French troops entered the capital, Port-Au-Prince, as a UN peacekeeping force, they faced a state in which corruption, violence and desperate poverty had combined to completely undermine the rule of law. <\/p>\n<p class=\"copy\">\nAsger Leth&#8217;s documentary, <I>Ghost Of Cit&eacute; Soleil<\/I>, follows these events, concentrating on their impact on 2Pac and Bily; brothers, rivals and gang-leaders in the Cit&eacute; Soleil slum area of Port-Au-Prince. Their gangs, known as Chim&iacute;\u00ad\u00c2\u00a8res (or Ghosts) were originally armed by President Aristide and employed by him as bodyguards and to intimidate opposition groups. As the film begins the two gang leaders are reaping the benefits of this connection. They have cars and guns and effectively run Cit&eacute; Soleil themselves, Aristide having brutally subverted the city&#8217;s police force.<\/p>\n<p class=\"copy\">\nThese characters, 2Pac and Bily, are the main focus and strength of the film. 2Pac, in particular, senses how precarious his position is, even as he enjoys its privileges.  Both are vividly aware that everyone in Cit&eacute; Soleil has only a tenuous grip on life, irrespective of their status. &#8216;Whatever I do, I die&#8217;, says Bily. Their attitudes towards the more wasteful and murderous instincts of their gang members are contradictory, like their attitudes towards the possibility of peace in Haiti and the future in general. 2Pac dreams of leaving. Inspired by his idol, Tupac Shakur, he works on his rapping skills, embracing hip hop as a voice and as a possible escape route. He even phones Wyclef Jean, who has Haitian roots, and raps to him. <\/p>\n<p class=\"copy\">We also see the attempts of Lele, a French relief worker, to help the people of Cit&eacute; Soleil and her involvement with 2Pac and Bily. She relies on their influence to let her operate safely in the slums (presumably like Leth himself) and she becomes 2Pac&#8217;s lover and also an intermediary for the gangs as the UN and the new regime seek to disarm the Chim&iacute;\u00ad\u00c2\u00a8res. <\/p>\n<p class=\"copy\">Leth shows us his three main characters and their ambiguities straight. A gallery of talking heads give political context but otherwise we are left to ourselves to judge 2Pac, Bily and Lele&#8217;s actions and speculate about motives and unseen events. At times this is frustrating as questions go as much unasked as unanswered. Lele&#8217;s decision to work in Haiti is undoubtedly courageous but her links to the gang leaders must have compromised her position and the implications are not explored. Nor is the involvement of Wyclef Jean fully explained. He provides the soundtrack to the film and is seen talking with 2Pac on the phone but the background to this remains obscure.<\/p>\n<p class=\"copy\">Leth doesn&#8217;t explain his own decisions either. His father made several films in Haiti but neither this nor the path that led him from his home country, Denmark, to the Cit&eacute; Soleil is revealed. Nor do we get any sense of whether the director, like Lele, was compromised by his closeness to the Chim&iacute;\u00ad\u00c2\u00a8res. It feels like his approach is consciously meant to emphasise the actions of 2Pac and Bily, reducing those around them to witnesses rather than protagonists. The advantage is that we get a well-focused portrait of the two brothers but is this justification enough to reject potentially intriguing lines of enquiry? Perhaps Leth was uncomfortable probing moral niceties in the middle of a slum with no food, no water and no justice. Alternatively, with the situation in Haiti being described as a &#8216;silent emergency&#8217; it is possible that Leth was reluctant to dilute or confuse his attempt to break that silence. Either way, <I>Ghosts of Cit&eacute; Soleil<\/I> feels like a brave and dangerous undertaking rather than skilful film-making, its efforts to engage undone by the simplistic viewpoint and the perplexing omissions.<\/p>\n<p class=\"copy\"><I><B>Nick Dutfield <\/B><\/I><\/p>\n<div id=\"expander\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Asger Leth&#8217;s documentary, Ghost Of Cit&eacute; Soleil, follows these events, concentrating on their impact on 2Pac and Bily; brothers, rivals and gang-leaders in the Cit&eacute; Soleil slum area of Port-Au-Prince.<br \/>\n<I><B>Review by Nick Dutfield <\/B><\/I><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-119","post","type-post","status-publish","format-standard","hentry","category-cinema-releases"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","wps_subtitle":"","jetpack_shortlink":"https:\/\/wp.me\/purUP-1V","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2159,"url":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/01\/18\/latalante\/","url_meta":{"origin":119,"position":0},"title":"L&#8217;atalante","author":"VirginieSelavy","date":"January 18, 2012","format":false,"excerpt":"Jean Vigo's story of two newly-weds on a barge is magical, ethereal and romantic, but with dashes of surrealism and social realism. 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Review by Paul Huckerby","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/check-it-out\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2012\/05\/review_Quaidesbrumes-594x431.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2012\/05\/review_Quaidesbrumes-594x431.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2012\/05\/review_Quaidesbrumes-594x431.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":1238,"url":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2010\/07\/07\/antonio-das-mortes\/","url_meta":{"origin":119,"position":3},"title":"Antonio das Mortes","author":"VirginieSelavy","date":"July 7, 2010","format":false,"excerpt":"The last instalment of a trilogy, Glauber Rocha's Antonio das Mortes centres around the figure of the cangaceiro, a holy bandit hero or mystic outlaw, which Rocha likens to Saint George the Dragon-Slayer.","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/check-it-out\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2010\/07\/review_AntoniodasMortes-594x445.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2010\/07\/review_AntoniodasMortes-594x445.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2010\/07\/review_AntoniodasMortes-594x445.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":557,"url":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2009\/03\/01\/the-jean-pierre-melville-collection\/","url_meta":{"origin":119,"position":4},"title":"The Jean-Pierre Melville Collection","author":"VirginieSelavy","date":"March 1, 2009","format":false,"excerpt":"Across the 13 movies he made until his death aged 55 in 1973, Jean-Pierre Melville created a world that has been rarely matched in the history of cinema - for its pessimism. 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Review by John Berra","rel":"","context":"In &quot;Cinema releases&quot;","block_context":{"text":"Cinema releases","link":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/cinema-releases\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/posts\/119","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/comments?post=119"}],"version-history":[{"count":0,"href":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/posts\/119\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/media?parent=119"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/categories?post=119"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/tags?post=119"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}