{"id":173,"date":"2007-08-30T17:25:09","date_gmt":"2007-08-30T16:25:09","guid":{"rendered":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2007\/08\/30\/a-throw-of-dice\/"},"modified":"2007-08-30T17:25:09","modified_gmt":"2007-08-30T16:25:09","slug":"a-throw-of-dice","status":"publish","type":"post","link":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2007\/08\/30\/a-throw-of-dice\/","title":{"rendered":"A THROW OF DICE"},"content":{"rendered":"<div class=\"left\">\n<a href=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2007\/08\/review_athrowofdice.jpg\" title=\"A Throw of Dice\" rel=\"lightbox[173]\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2007\/08\/review_athrowofdice.thumbnail.jpg?w=474\" alt=\"A Throw of Dice\" title=\"A Throw of Dice\" class=\"filmimage\"\/><\/a><\/p>\n<p class=\"caption\">\n<B>Format:<\/B> Cinema<br style=\"line-height: 22px;\"><br \/>\n<B>Release date:<\/B> 31 August 2007<br style=\"line-height: 22px;\"><br \/>\n<B>Special preview:<\/B> 30 August 2007, Trafalgar Square, London, 9pm<br style=\"line-height: 22px;\"><br \/>\n<B>Distributor:<\/B> BFI <br style=\"line-height: 22px;\"><br \/>\n<B>Director:<\/B> Franz Osten<br style=\"line-height: 22px;\"><br \/>\n<B>Original title:<\/B> Prapancha Pash<br style=\"line-height: 22px;\"><br \/>\n<B>Cast:<\/B> Seeta Devi, Himansu Rai, Charu Roy <br style=\"line-height: 22px;\"><br \/>\nUK\/India\/Germany 1929<br style=\"line-height: 22px;\"><br \/>\n77 minutes\n<\/p>\n<\/div>\n<p class=\"copy\">\nThis silent romantic melodrama from 1929 is reissued by the BFI in a nice print, sharp but with considerable depth and subtlety of shade, including some pleasing murkiness. It is an extravagantly beautiful realisation of royal splendour in Rajasthan, inspired by the ancient <I>Mahabharata<\/I> but looking like what was then the fairly recent past. Anyone expecting an Indian Cecil B DeMille had better look elsewhere. The filmmakers (German director Franz Osten and Indian actor\/producer Himansu Rai) deliver an elegant, pleasing, well-organised piece, admirably serious about its subjectmatter (love, desire, power, and especially gambling) but never pretentious or boring. Not a second is wasted nor a false note struck. Even the love scenes, even the children&#8217;s roles are acted with a restraint that one scarcely associates with cinematic epic.<\/p>\n<p class=\"copy\">I was rather dreading the new soundtrack by Nitin Sawhney, not being a fan, but I am pleased to report that it is mostly excellent. This is Sawhney in full orchestral mode: he proves to be a dab hand at sub-Rimsky orientalist doodling, very much the kind of thing that would have been popular at the time the film was made, and appropriately evocative of the never-neverish world in which the story is placed. The music is episodic but coherent, rich in melody and tone colour: it invigorates the action without ever going too far in dictating the mood &#8211; at least until the last fifteen minutes, when Sawhney gives in to the temptation to include some vocal numbers, which outstay their fit as action develops and mood changes.<\/p>\n<p class=\"copy\"><I><B>Peter Momtchiloff <\/B><\/I><\/p>\n<div id=\"expander\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>This silent romantic melodrama from 1929 is reissued by the BFI in a nice print, sharp but with considerable depth and subtlety of shade, including some pleasing murkiness. It is an extravagantly beautiful realisation of royal splendour in Rajasthan, inspired by the ancient <I>Mahabharata<\/I> but looking like what was then the fairly recent past.<br \/>\n<I><B>Review by Peter Momtchiloff <\/B><\/I><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-173","post","type-post","status-publish","format-standard","hentry","category-cinema-releases"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","wps_subtitle":"","jetpack_shortlink":"https:\/\/wp.me\/purUP-2N","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1203,"url":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2010\/06\/01\/the-hidden-fortress\/","url_meta":{"origin":173,"position":0},"title":"The Hidden Fortress","author":"VirginieSelavy","date":"June 1, 2010","format":false,"excerpt":"To mark the BFI release of the Kurosawa Samurai Collection, we have a comic review of The Hidden Fortress. Comic strip review by Karen Rubins","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/check-it-out\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2010\/06\/hiddenfortress.gif?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2010\/06\/hiddenfortress.gif?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2010\/06\/hiddenfortress.gif?resize=525%2C300 1.5x"},"classes":[]},{"id":5959,"url":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2015\/10\/23\/make-more-noise\/","url_meta":{"origin":173,"position":1},"title":"Make More Noise!","author":"Pam Jahn","date":"October 23, 2015","format":false,"excerpt":"This selection of short films from the BFI National Archive is a fascinating, moving and entertaining tribute to the suffragettes. Review by Sarah Cronin","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/check-it-out\/"},"img":{"alt_text":"Make More Noise","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2015\/10\/Make-More-Noise-594x334.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2015\/10\/Make-More-Noise-594x334.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2015\/10\/Make-More-Noise-594x334.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":405,"url":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2008\/08\/03\/badlands\/","url_meta":{"origin":173,"position":2},"title":"BADLANDS","author":"VirginieSelavy","date":"August 3, 2008","format":false,"excerpt":"As is the case with Orson Welles, Terrence Malick's first film is also his best. Indeed, the reclusive director's 1973 masterpiece can justifiably make a claim to be one of the greatest debuts ever made: by turns frightening, funny and deeply beautiful, there's very little else like it, as this\u2026","rel":"","context":"In &quot;Cinema releases&quot;","block_context":{"text":"Cinema releases","link":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/cinema-releases\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":916,"url":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2010\/02\/01\/m\/","url_meta":{"origin":173,"position":3},"title":"M","author":"VirginieSelavy","date":"February 1, 2010","format":false,"excerpt":"The first time I saw M, my experience of the film was dominated by Peter Lorre's startling performance. Review by Peter Momtchiloff","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/check-it-out\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2010\/01\/review_M-594x445.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2010\/01\/review_M-594x445.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2010\/01\/review_M-594x445.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":2331,"url":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/05\/24\/the-bad-and-the-beautiful\/","url_meta":{"origin":173,"position":4},"title":"The Bad and the Beautiful","author":"VirginieSelavy","date":"May 24, 2012","format":false,"excerpt":"Vincente Minnelli's insider look at the golden age of Hollywood is sly and slickly entertaining, with Kirk Douglas as the unscrupulous producer Jonathan Shields adding a tough edge. 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