{"id":255,"date":"2008-01-07T13:40:29","date_gmt":"2008-01-07T12:40:29","guid":{"rendered":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2008\/01\/07\/800-bullets\/"},"modified":"2008-01-07T13:40:29","modified_gmt":"2008-01-07T12:40:29","slug":"800-bullets","status":"publish","type":"post","link":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2008\/01\/07\/800-bullets\/","title":{"rendered":"800 BULLETS"},"content":{"rendered":"<div class=\"left\">\n<a href=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2008\/01\/review_800bullets.jpg\" title=\"800 Bullets\" rel=\"lightbox[255]\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2008\/01\/review_800bullets.thumbnail.jpg?w=474\" alt=\"800 Bullets\" title=\"800 Bullets\" class=\"filmimage\"\/><\/a><\/p>\n<p class=\"caption\">\n<B>Format:<\/B> DVD<br style=\"line-height: 22px;\"><br \/>\n<B>Release date:<\/B> 26 December 2007<br style=\"line-height: 22px;\"><br \/>\n<B>Distributor:<\/B> Metrodome<br style=\"line-height: 22px;\"><br \/>\n<B>Director:<\/B> Alex de la Iglesia<br style=\"line-height: 22px;\"><br \/>\n<B>Writers:<\/B> Jorge Guerricaechevarr&iacute;\u00ad\u00c2\u00ada, Alex de la Iglesia<br style=\"line-height: 22px;\"><br \/>\n<B>Original title<\/B> <I>800 balas<\/I><br style=\"line-height: 22px;\"><br \/>\n<B>Cast:<\/B> Sancho Gracia, Carmen Maura, Luis Castro<br style=\"line-height: 22px;\"><br \/>\nSpain 2002 <br style=\"line-height: 22px;\"><br \/>\n124 mins\n<\/p>\n<\/div>\n<p class=\"copy\">\nImages of spinning tumbleweeds and drunken bar-room brawls set the scene for <I>800 Bullets<\/I>, the latest offering from cult director Alex de la Iglesia, which finally sees a DVD release. Taking its cue from every Western you&#8217;ve ever seen, de la Iglesia presents us with the washed-up former stuntman Juli&iacute;\u00a1n Torralba, an eccentric who is desperately trying to keep his spirit alive by performing action shows on a crumbling Wild West film set in Spain, the very location of his prior glory. In his own words Torralba&#8217;s stunts captured the respect of the Western icon himself, Clint Eastwood, but the best he and his team can hope for now is a cluster of Japanese tourists that will secure the next month&#8217;s living expenses. He is also still coming to terms with the death of his son, who was killed on set in a stunt gone wrong, and the subsequent estrangement from his daughter-in-law and young grandson Carlos. When the young boy stumbles across relics that point to his grandfather&#8217;s legacy, he immediately becomes infatuated with the idea of escaping his seemingly idyllic life, and takes it upon himself to sign up to his class&#8217; skiing trip, only to deviate from the group and set off on his own quest for adventure in search of Juli&iacute;\u00a1n. <\/p>\n<p class=\"copy\">\nDe la Iglesia&#8217;s homage\/satire\/parody works best when taking risks. The funniest scene sees the young Carlos, having been initiated into his grandfather&#8217;s clan of Western-themed misfits, finding himself alone with a bra-less prostitute. In keeping with the liberal values of Juli&iacute;\u00a1n&#8217;s regime, she proceeds to give him a masterclass on breast fondling (&#8216;no, not like you&#8217;re ringing a doorbell!&#8217;), only for the young boy to be phoned mid-session by his mother, eager to know how the skiing trip is going. In scenes like this you&#8217;re not sure whether to laugh or be worried about the social services bursting onto the set, but the film is all the better for it. <\/p>\n<p class=\"copy\">\nUnfortunately the script, written by de la Iglesia with Jorge Guerricaechevarr&iacute;\u00ad\u00c2\u00ada, is wildly inconsistent and at times veers towards the sentimental. Where <I>800 Bullets<\/I> is centred on family values and reflects heavily upon the relationship between generations, it seems like an easy option to tie up strands of narrative with predictable feel-good schmaltz, especially as the strengths of the film lie in injecting the clich&eacute;s of old Westerns with de la Iglesia&#8217;s trademark quirkiness. Adding to this is the fact that <I>800 Bullets<\/I> looks and feels like a kid&#8217;s film. The cinematography is clean and bursting with colour, the dialogue (when not peppered with profanity) is frank, and much of the soundtrack could have been written by John Williams on a lazy day. While on the surface this sounds like an interesting idea, as much of the film is seen through the eyes of Carlos, it comes across less as a stylistic choice and more as an attempt to reach the crossover mainstream audience enjoyed by de la Iglesia&#8217;s Hispanic contemporaries Robert Rodriguez and Guillermo del Toro. This sadly compromises the more daring aspects of the film.<\/p>\n<p class=\"copy\">While excessive and over the top in parts, <I>800 Bullets<\/I> comes across as more <I>Shanghai Noon<\/I> than <I>El Topo<\/I>. Despite intriguing ideas that could have been built upon, the film is just too safe in its journey to have any real merit and comes across as a generic Western spoof rather than the witty homage it could have been. Let&#8217;s hope that de la Iglesia&#8217;s first English-language offering <I>The Oxford Murders<\/I> can restore faith in his undeniable talent.<\/p>\n<p class=\"copy\"><I><B>James Merchant <\/B><\/I><\/p>\n<div id=\"expander\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Images of spinning tumbleweeds and drunken bar-room brawls set the scene for <I>800 Bullets<\/I>, the latest offering from cult director Alex de la Iglesia, which finally sees a DVD release.<br \/>\n<I><B>Review by James Merchant <\/B><\/I><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3],"tags":[],"class_list":["post-255","post","type-post","status-publish","format-standard","hentry","category-dvds-and-blu-rays"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","wps_subtitle":"","jetpack_shortlink":"https:\/\/wp.me\/purUP-47","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1093,"url":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2010\/05\/04\/cube\/","url_meta":{"origin":255,"position":0},"title":"Cube","author":"VirginieSelavy","date":"May 4, 2010","format":false,"excerpt":"The film opens in spectacular manner with the cubist vivisection of an unnamed character, following which we meet five other people wandering through the claustrophobic maze. 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