{"id":26,"date":"2007-01-04T17:46:13","date_gmt":"2007-01-04T16:46:13","guid":{"rendered":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2007\/01\/04\/innocence\/"},"modified":"2015-10-05T00:19:53","modified_gmt":"2015-10-04T23:19:53","slug":"innocence","status":"publish","type":"post","link":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2007\/01\/04\/innocence\/","title":{"rendered":"Innocence"},"content":{"rendered":"<figure id=\"attachment_5879\" aria-describedby=\"caption-attachment-5879\" style=\"width: 594px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2007\/01\/Innocence.jpg\" rel=\"lightbox[26]\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2007\/01\/Innocence.jpg?resize=474%2C316\" alt=\"Innocence\" width=\"474\" height=\"316\" class=\"alignnone size-large wp-image-5879\" srcset=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2007\/01\/Innocence.jpg?resize=594%2C396 594w, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2007\/01\/Innocence.jpg?resize=300%2C200 300w, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2007\/01\/Innocence.jpg?w=800 800w\" sizes=\"auto, (max-width: 474px) 100vw, 474px\" \/><\/a><figcaption id=\"caption-attachment-5879\" class=\"wp-caption-text\">Innocence<\/figcaption><\/figure>\n<div class=\"left\">\n<p class=\"caption\">\n<B>Format:<\/B> DVD<br style=\"line-height: 22px;\"><br \/>\n<B>Release date:<\/B> 23 January 2006<br style=\"line-height: 22px;\"><br \/>\n<B>Distributor:<\/B> Artificial Eye<br style=\"line-height: 22px;\"><br \/>\n<B>Director:<\/B> Lucile Had&#382;ihalilovi&#263;<br style=\"line-height: 22px;\"><br \/>\n<B>Writer:<\/B> Lucile Had&#382;ihalilovi&#263;<br style=\"line-height: 22px;\"><br \/>\n<B>Based on a short story by<\/B> Frank Wedekind<br style=\"line-height: 22px;\"><br \/>\n<B>Cast:<\/B> Marion Cotillard, H&#233;l&#232;ne de Fougerolles, Zo&#233; Auclair<br \/>\nFrance 2004<br style=\"line-height: 22px;\"><br \/>\n115 mins\n<\/p>\n<\/div>\n<p class=\"copy\">Based on a nineteenth-century short story by Frank Wedekind, <I>Innocence<\/I> is the debut feature of Lucile Had&#382;ihalilovi&#263;, a long-time collaborator of controversial French director Gaspar No&eacute; (<I>Irr&eacute;versible<\/I>, <I>Seul contre tous<\/I>). A dreamy Gothic fairy tale, its slow-paced portrayal of female childhood is imbued with a deliberately old-fashioned feel. In a way reminiscent of V&#237;ctor Erice&#8217;s <A HREF=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2007\/01\/30\/the-spirit-of-the-beehive\/\"><I>The Spirit of the Beehive<\/I><\/A>, it uses elements borrowed from the horror genre to depict childhood fears, conjuring up a mood of understated disquiet.<\/p>\n<p class=\"copy\">Set in an isolated all-girl boarding school deep in the woods, the film starts with new girl Iris arriving in a coffin, as is the custom of the school. Tutored by older girl Bianca, Iris adapts to the quaint atmosphere of her new abode, where, entirely cut off from the outside world, the pupils are raised in a strict but benevolent manner, playing in the gardens when they are not being taught dance or biology. But at night lights come on in the forest to guide the older girls to a mysterious other building. <\/p>\n<p class=\"copy\">Underground tunnels, eerily silent rooms, dark corridors, enigmatic teachers, carefree games and beautiful surroundings create an atmosphere that is at once idyllic and sinister, safe and oppressive. By never completely explaining the mystery away, Had&#382;ihalilovi&#263; lets us experience from within the anxiety and unease felt by the girls as they undergo the change from childhood to adolescence. Just like them, we are plunged into a world of visual and aural perceptions that we do not completely understand. Admirably capturing the way children apprehend the world and brilliantly evoking girls&#8217; rites of passage, <I>Innocence<\/I> is a truly unique, magical experience.<\/p>\n<p class=\"copy\"><I><B>Virginie S&eacute;lavy<\/B><\/I><\/p>\n<div id=\"expander\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Based on a nineteenth-century short story by Frank Wedekind, <I>Innocence<\/I> is the debut feature of Lucile Hadzihalilovic, a long-time collaborator of controversial French director Gaspar No&eacute; (<I>Irr&eacute;versible<\/I>, <I>Seul contre tous<\/I>). A dreamy Gothic fairy tale, its slow-paced portrayal of female childhood is imbued with a deliberately old-fashioned feel.<br \/>\n<I><B>Review by Virginie S&eacute;lavy<\/B><\/I><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3],"tags":[],"class_list":["post-26","post","type-post","status-publish","format-standard","hentry","category-dvds-and-blu-rays"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","wps_subtitle":"","jetpack_shortlink":"https:\/\/wp.me\/purUP-q","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":5944,"url":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2015\/10\/20\/evolution\/","url_meta":{"origin":26,"position":0},"title":"Evolution","author":"Pam Jahn","date":"October 20, 2015","format":false,"excerpt":"Lucile Had\u017eihalilovic\u2019s follow-up to Innocence is as poetic, disturbing and elusive as its predecessor. Review by Virginie S\u00e9lavy","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/check-it-out\/"},"img":{"alt_text":"Evolution","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2015\/10\/Evolution-594x334.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2015\/10\/Evolution-594x334.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2015\/10\/Evolution-594x334.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":1333,"url":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2010\/09\/16\/enter-the-void\/","url_meta":{"origin":26,"position":1},"title":"Enter the Void","author":"VirginieSelavy","date":"September 16, 2010","format":false,"excerpt":"You can't fault Gaspar No&#233's ambition, give him that: even if the audio-visual overkill, gutter-level mise en sc\u00ed\u00a8ne and sheer unpleasantness repulse you, not many filmmakers attempt to kill you, take you through hell on earth and get you reincarnated in 135 minutes. Review by Mark Stafford","rel":"","context":"In &quot;Cinema releases&quot;","block_context":{"text":"Cinema releases","link":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/cinema-releases\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2010\/09\/review_enterthevoid-594x259.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2010\/09\/review_enterthevoid-594x259.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2010\/09\/review_enterthevoid-594x259.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":4202,"url":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2014\/03\/20\/jodorowskys-dune\/","url_meta":{"origin":26,"position":2},"title":"Jodorowsky&#8217;s Dune","author":"Pam Jahn","date":"March 20, 2014","format":false,"excerpt":"Frank Pavich's documentary is as close as we're ever going to get to seeing what might have been one of the great movies of the late 20th century. Review by Greg Klymkiw","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/check-it-out\/"},"img":{"alt_text":"Jodorowskys Dune 1","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2014\/03\/Jodorowskys-Dune-1-594x395.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2014\/03\/Jodorowskys-Dune-1-594x395.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2014\/03\/Jodorowskys-Dune-1-594x395.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":7,"url":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2007\/01\/30\/ghost-in-the-shell-ii-innocence\/","url_meta":{"origin":26,"position":3},"title":"GHOST IN THE SHELL II: INNOCENCE","author":"VirginieSelavy","date":"January 30, 2007","format":false,"excerpt":"Almost ten years after the acclaimed Ghost in the Shell, Japanese anime master Mamoru Oshii has delivered a new episode of his existential cyber-thriller. 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