{"id":335,"date":"2008-05-01T10:46:14","date_gmt":"2008-05-01T09:46:14","guid":{"rendered":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2008\/05\/01\/the-party-and-the-guests\/"},"modified":"2017-10-29T14:16:55","modified_gmt":"2017-10-29T13:16:55","slug":"the-party-and-the-guests","status":"publish","type":"post","link":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2008\/05\/01\/the-party-and-the-guests\/","title":{"rendered":"The Party and the Guests"},"content":{"rendered":"<figure id=\"attachment_6079\" aria-describedby=\"caption-attachment-6079\" style=\"width: 594px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2008\/05\/The-Party-and-the-Guests.jpg\" rel=\"lightbox[335]\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2008\/05\/The-Party-and-the-Guests.jpg?resize=474%2C348\" alt=\"The Party and the Guests\" width=\"474\" height=\"348\" class=\"alignnone size-large wp-image-6079\" srcset=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2008\/05\/The-Party-and-the-Guests.jpg?resize=594%2C436 594w, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2008\/05\/The-Party-and-the-Guests.jpg?resize=300%2C220 300w, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2008\/05\/The-Party-and-the-Guests.jpg?w=800 800w\" sizes=\"auto, (max-width: 474px) 100vw, 474px\" \/><\/a><br \/>\n<figcaption id=\"caption-attachment-6079\" class=\"wp-caption-text\">The Party and the Guests<\/figcaption><\/figure>\n<div class=\"left\">\n<p class=\"caption\">Screening in London on 11 November 2017 at <a href=\"https:\/\/www.regentstreetcinema.com\/programme\/the-party-and-the-guests\/\" target=\"_blank\">Regent Street Cinema<\/a> as part of the <a href=\"http:\/\/london.czechcentres.cz\/programme\/travel-events\/made-in-prague-festival1\/ \"  target=\"_blank\">21st Made in Prague Film Festival<\/a><br style=\"line-height: 22px;\" \/><\/p>\n<p class=\"caption\"><strong>Format:<\/strong> DVD<br style=\"line-height: 22px;\" \/><br \/>\nPart of <a href=\"http:\/\/www.secondrundvd.com\/release_czech2.php\" target=\"_blank\">The Czechoslovak New Wave Collection Vollume II<\/a> DVD box-set<br style=\"line-height: 22px;\" \/><br \/>\n<strong>Release date:<\/strong> 7 December 2015<br style=\"line-height: 22px;\" \/><br \/>\n<B>Distributor:<\/B> Second Run <br style=\"line-height: 22px;\"><br \/>\n<B>Director:<\/B> Jan N&ecaron;mec <br style=\"line-height: 22px;\"><br \/>\n<B>Writers:<\/B> Ester Krumbachov&#225;, Jan N&ecaron;mec <br style=\"line-height: 22px;\"><br \/>\n<B>Original title:<\/B> <I>O slavnosti a hostech<\/I><br style=\"line-height: 22px;\"><br \/>\n<B>Cast:<\/B> Ivan Vyskocil, Jan Klus&#225;k, Pavel Bosek, Karel Mares, Jana Pracharov&#225; <br style=\"line-height: 22px;\"><br \/>\nCzechoslovakia 1966 <br style=\"line-height: 22px;\"><br \/>\n71 minutes<br style=\"line-height: 22px;\">\n<\/p>\n<\/div>\n<p><b><i>Jan N&ecaron;mec&#8217;s film is an engaging yarn about a small group of bourgeois people who set off for a picnic and soon find themselves in rather sadistic and perplexing company.<\/i><\/b><\/p>\n<p class=\"copy\">\n<I>The Party and the Guests<\/I> is an engaging yarn about a small group of bourgeois people or, perhaps, <I>nomenklatura<\/I>, who set off for a picnic and soon find themselves in rather sadistic and perplexing company; their party subsumed by an even larger and decidedly less sedate party. It was written by Ester Krumbachov&#225; and Jan N&ecaron;mec and directed by Jan N&ecaron;mec in 1966. Mr N&ecaron;mec was soon to fall foul of the Czechoslovakian Communist party, who promptly banned the film, and N&ecaron;mec&#8217;s life is entwined in a rather bittersweet history of art and censorship.<\/p>\n<p class=\"copy\">\nVisually, what it most resembles is a cinematic documentation of an al fresco theatrical event. There are essentially only three scenes and the <I>mise en sc\u00e8ne<\/I> is pretty much constant forest. In terms of the camera choreography, <I>The Party and the Guests<\/I> is full of stillness; this, according to the short but thorough accompanying DVD booklet, is in contrast to N&ecaron;mec&#8217;s earlier films, which are renowned for their handheld, <I>cin\u00e9ma v\u00e9rit\u00e9<\/I> jitteriness. This stillness is offset and reinforced by a subtle audio track that is spare but utterly seductive. <\/p>\n<p class=\"copy\">Silence and &#8216;natural&#8217; sound are dominant. Throughout the first 30-plus minutes the most discernible sound other than speech and extra-vocal noises is the delicious friction of shoes against gravel as the guests tramp along country pathways. I imagine this is nothing other than a concrete by-product of shooting in country lanes strewn with shale but one is tempted to read it symbolically as a gnawing prelude to a grim and baffling denouement. As the movie continues it becomes apparent that the sound of rural Czechoslovakia &#8211; if indeed, it is Czechoslovakia &#8211; is obviously controlled. For instance, in one key scene the chief of what is implied to be the secret police sits at a desk in a clearing and interrogates the guests, guests who are in a state of Kafka-esque befuddlement as to what it is they are guilty of &#8211; trespassing? During his interrogation of the &#8216;guests&#8217;, the chief  talks of nature and birds and their apparent freedom, and as he does so bird song and natural sounds are heard or rather conjured.  As if the countryside is an illusion subject to the whims of a nebulous autocracy. It&#8217;s at that point that I realised that for me it is N&ecaron;mec&#8217;s graceful, restrained and symbolic use of sound and his subtle deployment of music that make this film so captivating. Without intending any disrespect to the camera operators or the cinematographer, I think this film would make a sparkling and captivating radio play or <I>H&ouml;rspiel<\/I>, albeit a very indirect one. It is dialogue-heavy, yet the dialogue is often inconsistent or fragmented. The soundtrack is layered with non sequiturs and inconsequential banter from which occasionally arise significant monologues and exchanges.<\/p>\n<p class=\"copy\"><I>The Party and the Guests<\/I> is usually interpreted in the West as an allegorical statement about the peculiarities of state dictatorships; the social orthodoxies imposed upon the mass and the implied threats that exist should one fail to conform. This complements quite nicely Western capitalist myths about post-Stalin Eastern bloc dictatorships. Yet when one thinks about it, it isn&#8217;t too long (say 30 seconds) before one recalls McCarthyism or thinks about extraordinary rendition and water boarding. Irrespective, I think a maverick figure like Jan N&ecaron;mec was probably railing against the conventions of cinema just as much as he was satirising the machinations of Anton\u00edn Novotn&#253;&#8217;s Czechoslovakia.<\/p>\n<div class=\"info\">This review refers to the original DVD release of the film by Second Run in 2007. The special features on the new box-set edition include a filmed appreciation by Peter Hames. For a full list of extra contents, visit the <a href=\"http:\/\/www.secondrundvd.com\/release_czech2.php\" target=\"_blank\">Second Run website<\/a>.<\/div>\n<p class=\"copy\"><B><I>Philip Winter<\/I><\/B><\/p>\n<div id=\"expander\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Jan N&ecaron;mec&#8217;s film is an engaging yarn about a small group of bourgeois people who set off for a picnic and soon find themselves in rather sadistic and perplexing company.<br \/>\n<B><I>Review by Philip Winter<\/I><\/B><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[11,3],"tags":[],"class_list":["post-335","post","type-post","status-publish","format-standard","hentry","category-check-it-out","category-dvds-and-blu-rays"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","wps_subtitle":"","jetpack_shortlink":"https:\/\/wp.me\/purUP-5p","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1579,"url":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2011\/03\/19\/larks-on-a-string\/","url_meta":{"origin":335,"position":0},"title":"Larks on a String","author":"VirginieSelavy","date":"March 19, 2011","format":false,"excerpt":"Because Menzel's film is explicitly set during communism, it is hard not to focus on the bitter reality of the situation. 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