{"id":4928,"date":"2014-09-24T08:52:27","date_gmt":"2014-09-24T07:52:27","guid":{"rendered":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/?p=4928"},"modified":"2014-11-07T06:39:45","modified_gmt":"2014-11-07T05:39:45","slug":"painless","status":"publish","type":"post","link":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2014\/09\/24\/painless\/","title":{"rendered":"Painless"},"content":{"rendered":"<figure id=\"attachment_4931\" aria-describedby=\"caption-attachment-4931\" style=\"width: 594px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2014\/09\/Painless1.jpg\" rel=\"lightbox[4928]\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2014\/09\/Painless1.jpg?resize=474%2C272\" alt=\"Painless\" width=\"474\" height=\"272\" class=\"alignnone size-large wp-image-4931\" srcset=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2014\/09\/Painless1.jpg?resize=594%2C341 594w, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2014\/09\/Painless1.jpg?resize=300%2C172 300w, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2014\/09\/Painless1.jpg?w=800 800w\" sizes=\"auto, (max-width: 474px) 100vw, 474px\" \/><\/a><figcaption id=\"caption-attachment-4931\" class=\"wp-caption-text\">Painless<\/figcaption><\/figure>\n<div class=\"left\">\n<p class=\"caption\">\n<B>Format:<\/B> DVD<br style=\"line-height: 22px;\"><br \/>\n<B>Release date:<\/B> 1 September 2014<br style=\"line-height: 22px;\"><br \/>\n<B>Distributor:<\/B> Metrodome<br style=\"line-height: 22px;\"><br \/>\n<B>Director:<\/B> Juan Carlos Medina<br style=\"line-height: 22px;\"><br \/>\n<B>Writers:<\/B> Luiso Berjero, Juan Carlos Medina<br style=\"line-height: 22px;\"><br \/>\n<B>Cast:<\/B> \u00c0lex Brendem\u00fchl, T\u00f3mas Lemarquis, Ilias Stothart<br style=\"line-height: 22px;\"><br \/>\n<B>Original title:<\/B> <i>Insensibles<\/i><br style=\"line-height: 22px;\"><br \/>\nSpain 2012<br style=\"line-height: 22px;\"><br \/>\n101 mins\n<\/p>\n<\/div>\n<p>It\u2019s 1931. A girl finds her younger sister playing with fire, quite literally: the child\u2019s arm is on fire, but she is quite calm, telling her sister that it doesn\u2019t hurt at all. In order to share the game, she pours lamp oil over her older sister\u2019s head and lights it with the flames on her arm. To the young girl\u2019s horror, her sister begins screaming in agony as she is consumed by the fire. A young boy is found with abrasions all over his body; like the girl, he felt no pain as he chewed and ate parts of his own flesh. The authorities decide the best course of action is to have these children \u2013 and several others like them \u2013 incarcerated in a lunatic asylum, where they are strapped into straitjackets (with a muzzle for the boy described above) and left in padded cells where they can do no harm to themselves or anyone else. <\/p>\n<p>In the present day, a doctor survives a car crash that kills his pregnant wife, although their premature baby is alive, with a slim chance of survival. When a scan is performed on the doctor\u2019s body after the accident, it reveals that he has lymphatic cancer, and only a few months to live. In need of a bone marrow transplant, he goes to see his estranged parents, where there are revelations in store.<\/p>\n<p>This synopsis only covers the first 30 minutes, so I haven\u2019t given much away. On a technical level, <I>Painless<\/I> is exemplary. First-rate cinematography and art direction give a yellow, musty and retro feel to the scenes in the 1930s, while most of the present day scenes possess an angular, modern and sterile look. Symbols of modernity abound in the latter thread, characterized by sleek new cars, computers and scientific equipment that are at odds with the old-fashioned medic equipment that resembles medieval instruments of torture. The high-quality technical elements are matched by superior acting, particularly from Paul Verhoeven regular Derek de Lint, as a scientist determined to understand and treat the children\u2019s condition, and \u00c0lex Brendem\u00fchl as the dying doctor of the modern era.<\/p>\n<p>However, <I>Painless<\/I> is not easy viewing. Director Juan Carlos Medina subjects his characters to every kind of indignity, misfortune or brutality, whether it is deliberate, unintentional or arises from an unfortunate twist of fate. The children inflict horrible wounds on themselves, only to be thrown into padded cells and brutalized by the staff, who treat their condition like a child\u2019s bad behaviour rather than a medical condition. The doctor loses his wife (and possibly his son, who might not survive), develops cancer and then discovers another painful secret that may be a significant factor in his approaching demise. Even the kindly scientist has been forced to flee from the Nazis because he\u2019s Jewish. Examples of human kindness are few and far between, and most of those can do little to stop the tide of misery and cruelty depicted by the film. For that reason it\u2019s not an easy film to recommend, although it\u2019s an interesting take on the legacy of the Spanish Civil War.<\/p>\n<p><B><I>Jim Harper<\/I><\/B><\/p>\n<p><B>Watch the trailer:<\/B><\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/FIagRJoZaJ0?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<div id=\"expander\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Technically exemplary, Juan Carlos Medina\u2019s take on the Spanish Civil War is a difficult watch.<br \/>\n<B><I>Review by Jim Harper<\/I><\/B><\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[11,3],"tags":[111,158,335,248],"class_list":["post-4928","post","type-post","status-publish","format-standard","hentry","category-check-it-out","category-dvds-and-blu-rays","tag-horror-film","tag-spanish-cinema","tag-spanish-civil-war","tag-spanish-horror"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","wps_subtitle":"","jetpack_shortlink":"https:\/\/wp.me\/surUP-painless","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":303,"url":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2008\/03\/01\/the-orphanage\/","url_meta":{"origin":4928,"position":0},"title":"THE ORPHANAGE","author":"VirginieSelavy","date":"March 1, 2008","format":false,"excerpt":"Produced by Guillermo del Toro, The Orphanage is the debut feature of young Spanish director Juan Antonio Bayona. 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