{"id":5899,"date":"2015-10-09T22:59:34","date_gmt":"2015-10-09T21:59:34","guid":{"rendered":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/?p=5899"},"modified":"2015-10-26T00:45:46","modified_gmt":"2015-10-25T23:45:46","slug":"the-invitation","status":"publish","type":"post","link":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2015\/10\/09\/the-invitation\/","title":{"rendered":"The Invitation"},"content":{"rendered":"<figure id=\"attachment_5902\" aria-describedby=\"caption-attachment-5902\" style=\"width: 594px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2015\/10\/The-Invitation.jpg\" rel=\"lightbox[5899]\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2015\/10\/The-Invitation.jpg?resize=474%2C267\" alt=\"The Invitation\" width=\"474\" height=\"267\" class=\"alignnone size-large wp-image-5902\" srcset=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2015\/10\/The-Invitation.jpg?resize=594%2C334 594w, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2015\/10\/The-Invitation.jpg?resize=300%2C169 300w, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2015\/10\/The-Invitation.jpg?w=800 800w\" sizes=\"auto, (max-width: 474px) 100vw, 474px\" \/><\/a><figcaption id=\"caption-attachment-5902\" class=\"wp-caption-text\">The Invitation<\/figcaption><\/figure>\n<div class=\"left\">\n<p class=\"caption\">\n<B>Format:<\/B> Cinema<br style=\"line-height: 22px;\"><br \/>\n<B>Seen at <a href=\"http:\/\/www.bfi.org.uk\/lff\" target=\"_blank\">LFF 2015<\/a><\/b><br style=\"line-height: 22px;\"><br \/>\n<B>Director:<\/B> Karyn Kusama<br style=\"line-height: 22px;\"><br \/>\n<B>Writers:<\/B> Phil Hay, Matt Manfredi<br style=\"line-height: 22px;\"><br \/>\n<B>Cast:<\/B>  Michiel Huisman, Logan Marshall-Green, John Carroll Lynch<br style=\"line-height: 22px;\"><br \/>\nUSA 2015<br style=\"line-height: 22px;\"><br \/>\n97 mins\n<\/p>\n<\/div>\n<p>Will (Logan Marshall-Green) and Eden (Tammy Blanchard) split up two years ago after a tragic accident drove them apart. Now he and his new girlfriend are invited to a dinner party in Los Angeles with Eden, her new partner David (Michiel Huisman) and a handful of old friends, at their old house in the hills. The evening\u2019s festivities were, perhaps inevitably going to be a trifle strained, but from the moment Will enters the house he senses that something is a little\u2026off. Maybe it\u2019s the two new friends of Eden and David\u2018s, who seem overly familiar and willing to get intimate, maybe it\u2019s the guest that persistently fails to show up. Maybe it\u2019s Eden herself, with her blissed out smile and her claims to have banished pain from her life. It could be just his grief, and his resentment of her happiness blossoming into paranoia, but something is\u2026off. And as the night wears on his certainty that the hosts have a hidden agenda grows, something more sinister than swinging or scientology\u2026 <\/p>\n<p>A masterclass in sustained unease, <i>The Invitation <\/i> had me more agreeably creeped out than any film in recent memory. The prevalence of \u2018I appreciate your honesty\u2019 L.A. therapy speak alone gave me the terrors. Add that to the accretion of unsettling details and the claustrophobic, chamber piece setting and your brain is screaming; \u2018Run! Get the hell out of there!\u2019 at the guests before the first 40 minutes are up. But the genius of the construction is that there\u2019s nothing specific that Will can point to to justify his fears. Or rather, the bar for committing the social transgression of telling the hosts to go fuck themselves has not yet been met, especially after they\u2019ve broken out the \u20198-million dollar wine\u2019. And that moment remains elusive. Until\u2026.<\/p>\n<p>Performances are all excellent, especially Tammy Blanchard, whose Eden is all tactile gestures and fragile positivity. The camerawork is fluid and unfussy with a nice line in unbalanced compositions, and the focus is on telling body language and expression and well edited reaction shots. I love how the outwardly desirable house becomes a scarily unreadable beige and brown prison. And I love how it never lets you off the hook until the final payoff. A proper skincrawler.<\/p>\n<div class=\"info\">This review is part of our <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/events\/2015\/10\/bfi-london-film-festival-2015-preview\/\">LFF 2015<\/a> coverage.<\/div>\n<p><B><I>Mark Stafford<\/I><\/B><\/p>\n<div id=\"expander\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>A masterclass in sustained unease, Karyn Kusama has crafted an impressively edgy LA-set chamber drama.<br \/>\n<B><I>Review by Mark Stafford<\/I><\/B><\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[11,6],"tags":[133,97,1250,1249,63],"class_list":["post-5899","post","type-post","status-publish","format-standard","hentry","category-check-it-out","category-festivals","tag-american-cinema","tag-horror","tag-karyn-kusama","tag-la","tag-thriller"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","wps_subtitle":"","jetpack_shortlink":"https:\/\/wp.me\/purUP-1x9","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":3623,"url":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2013\/09\/23\/sleepwalker\/","url_meta":{"origin":5899,"position":0},"title":"Sleepwalker","author":"Pam Jahn","date":"September 23, 2013","format":false,"excerpt":"Saxon Logan's horror satire is a condensed state of the nation, four-hander play whose genes have been spliced with a giallo slasher. 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