{"id":6585,"date":"2016-09-06T23:33:59","date_gmt":"2016-09-06T22:33:59","guid":{"rendered":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/?p=6585"},"modified":"2016-11-13T10:22:00","modified_gmt":"2016-11-13T09:22:00","slug":"the-empire-of-corpses","status":"publish","type":"post","link":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2016\/09\/06\/the-empire-of-corpses\/","title":{"rendered":"The Empire of Corpses"},"content":{"rendered":"<figure id=\"attachment_6590\" aria-describedby=\"caption-attachment-6590\" style=\"width: 594px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2016\/09\/The-Empire-of-Corpses-1.jpg\" rel=\"lightbox[6585]\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2016\/09\/The-Empire-of-Corpses-1.jpg?resize=474%2C267\" alt=\"The Empire of Corpses 1\" width=\"474\" height=\"267\" class=\"alignnone size-large wp-image-6590\" srcset=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2016\/09\/The-Empire-of-Corpses-1.jpg?resize=594%2C334 594w, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2016\/09\/The-Empire-of-Corpses-1.jpg?resize=300%2C169 300w, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2016\/09\/The-Empire-of-Corpses-1.jpg?w=800 800w\" sizes=\"auto, (max-width: 474px) 100vw, 474px\" \/><\/a><figcaption id=\"caption-attachment-6590\" class=\"wp-caption-text\">The Empire of Corpses<\/figcaption><\/figure>\n<div class=\"left\">\n<p class=\"caption\">\n<B>Format:<\/B> Dual Format (Bluy-ray + DVD)<br style=\"line-height: 22px;\"><br \/>\n<B>Release date:<\/B> 26 September 2016<br style=\"line-height: 22px;\"><br \/>\n<B>Distributor:<\/B> Anime Ltd<br style=\"line-height: 22px;\"><br \/>\n<B>Director:<\/B> Ry&ocirc;tar&ocirc; Makihara<br style=\"line-height: 22px;\"><br \/>\n<B>Writers:<\/B> Koji Yamamoto, Midori Goto, Hiroshi Seko<br style=\"line-height: 22px;\"><br \/>\n<B>Based on the novel by:<\/B> Project Itoh, T&ocirc; Enjo<br style=\"line-height: 22px;\"><br \/>\n<B>Original Title:<\/B> <i>Shisha no teikoku<\/i><br style=\"line-height: 22px;\"><br \/>\nJapan 2015<br style=\"line-height: 22px;\"><br \/>\n120 mins\n<\/p>\n<\/div>\n<p><b><i>Kim Newman rummages through the straight-to-DVD treasure trunk<\/i><\/b><\/p>\n<p><b><i>Unusual touches and a profusion of ideas are let down by hasty direction and anim&#233; clich&#233;s in this steampunk revisiting of Frankenstein.<\/i><\/b><\/p>\n<p>In a parallel 19th century, society has been reshaped by the scientific innovations of Victor Frankenstein and Charles Babbage. A vast underclass of living corpses function as soldiers, servants or suicide bombers \u2013 revived by Frankensteinian injections and programmed with punch-card software generated by Babbage\u2019s giant proto-computers. In 1878, boyish medical student John Watson reanimates a close (perhaps, very close) friend as a sad-eyed scribbler he names Friday (though his official designation is Noble Savage 007). Blackmailed by one-eyed spymaster Walsingham, who uses the code-name M, Watson and Friday are packed off on a quest to get the lost notes of Victor Frankenstein. These are being used by renegade Russian scientist Alexei Karamazov, who is holed up in an Afghan stronghold. Alexei wants to refine the process to match Frankenstein\u2019s original, unrepeated experiment in creating an articulate monster with a soul (or, at least, intelligence). Also involved in a chase that dashes about the world \u2013 including spells in Tokyo and San Francisco \u2013 before looping back to London are macho British adventurer Frederick Burnaby (a real historical character), bosomy American mystery woman Hadaly Lilith (an Edison-made automaton, working for ex-President Grant), the USS Nautilus (a nod to <i>The League of Extraordinary Gentlemen<\/i> as much as Jules Verne), and Frankenstein\u2019s white-bearded original monster (\u2018the One\u2019).  <\/p>\n<p>This steampunk anim&#233; is based on a novel by Project Itoh, which seems to borrow an approach from my own <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/events\/2013\/10\/kim-newman-on-johnny-alucard\/\"><i>Anno Dracula<\/i><\/a>. It takes a different Gothic text as source but similarly extrapolates a world dominated by fall-out from a famous monster\u2019s story and mixes in real people and characters from other Victorian fiction. The book was published posthumously (completed by T\u00f4 Enjo), which might explain why the film\u2019s plot clanks a little as it waffles about weighty themes (what is a soul?) while speeding through incidents (several wars and mini-apocalypses), which might have benefited from a more leisurely approach. Too often the main characters are on the sidelines of mass action, watching or taking notes while battles are fought or maddened zombies run riot (seemingly turning vampire by the amount of neck-biting on view). There are several unusual elements, like the understated homoerotic bond between Watson (who doesn\u2019t hook up with his usual partner until an after-the-credits tag) and his corpse near-doppelganger Friday, but the picture slips into an anim\u00e9-manga rut as it all boils down to a world-changing catastrophic event masterminded by a cackling villain and thwarted by straight-up good guys. A confusion of characters \u2013 including a Karloff-look flat-headed brute \u2013 clash with each other at the Tower of London as a Big Magic Effect appears in the skies above.  <\/p>\n<p>The animation is variable, with rich detail and backgrounds but some shaky character stuff (Hadaly\u2019s ridiculous breasts are rather disturbing). <\/p>\n<p><I><B>Kim Newman<\/B><\/I><\/p>\n<p><b>Watch the trailer:<\/b><\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/hXeWrmt_QmY\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<div class=\"info\"><\/div>\n<div id=\"expander\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Unusual touches and a profusion of ideas are let down by hasty direction and anim&#233; clich&#233;s in this steampunk revisiting of Frankenstein.<br \/>\n<I><B>Review by Kim Newman<\/B><\/I><\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[11,1374],"tags":[135,557,522,32,73,833],"class_list":["post-6585","post","type-post","status-publish","format-standard","hentry","category-check-it-out","category-kim-newmans-nightmare-movies","tag-animation","tag-asian-film","tag-japanese-film","tag-sci-fi","tag-science-fiction","tag-sf"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","wps_subtitle":"Kim Newman\u2019s Nightmare Movies","jetpack_shortlink":"https:\/\/wp.me\/purUP-1Id","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1537,"url":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2011\/03\/01\/bedevilled\/","url_meta":{"origin":6585,"position":0},"title":"Bedevilled","author":"VirginieSelavy","date":"March 1, 2011","format":false,"excerpt":"One day, a tragic event tips Bok-nam over the edge and she turns from subservient wife into violent avenger. Review by Virginie S\u00e9lavy","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/check-it-out\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2011\/03\/review_bedevilled1-594x548.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2011\/03\/review_bedevilled1-594x548.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2011\/03\/review_bedevilled1-594x548.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":6732,"url":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2016\/05\/15\/the-handmaiden\/","url_meta":{"origin":6585,"position":1},"title":"The Handmaiden","author":"Pam Jahn","date":"May 15, 2016","format":false,"excerpt":"Park Chan-wook's latest film is fuelled with surprises, and they are a pure joy to witness unfold. Review by Pamela Jahn","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/check-it-out\/"},"img":{"alt_text":"The Handmaiden","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2017\/03\/The-Handmaiden-594x334.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2017\/03\/The-Handmaiden-594x334.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2017\/03\/The-Handmaiden-594x334.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":6684,"url":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2016\/12\/01\/the-veil\/","url_meta":{"origin":6585,"position":2},"title":"The Veil","author":"Pam Jahn","date":"December 1, 2016","format":false,"excerpt":"For this edition of Nightmare Movies, Kim Newman looks at a recent film from the busy Blumhouse boutique genre production label. Review by Kim Newman","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/check-it-out\/"},"img":{"alt_text":"the-veil-2","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2016\/12\/The-Veil-2-594x348.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2016\/12\/The-Veil-2-594x348.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2016\/12\/The-Veil-2-594x348.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":3548,"url":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2013\/09\/05\/pieta\/","url_meta":{"origin":6585,"position":3},"title":"Pieta","author":"Pam Jahn","date":"September 5, 2013","format":false,"excerpt":"Representing a true return to form for Kim Ki-duk, his latest film is a relentless, brutal and brilliant exploration of the human psyche. Review by Evrim Ersoy","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/check-it-out\/"},"img":{"alt_text":"Pieta","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2013\/09\/Pieta-594x334.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2013\/09\/Pieta-594x334.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2013\/09\/Pieta-594x334.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":4773,"url":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2014\/08\/08\/moebius\/","url_meta":{"origin":6585,"position":4},"title":"Moebius","author":"Pam Jahn","date":"August 8, 2014","format":false,"excerpt":"An extreme Oedipal fable, Kim Ki-duk\u2019s latest is a compellingly deranged film made by a director who can still shock an audience. Review by Mark Player","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/check-it-out\/"},"img":{"alt_text":"Moebius","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2014\/05\/Moebius-594x334.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2014\/05\/Moebius-594x334.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2014\/05\/Moebius-594x334.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":6895,"url":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2017\/10\/01\/theres-always-vanilla\/","url_meta":{"origin":6585,"position":5},"title":"There\u2019s Always Vanilla","author":"Pam Jahn","date":"October 1, 2017","format":false,"excerpt":"This review of George A. Romero\u2019s atypical counterculture drama is an excerpt from horror luminary Kim Newman\u2019s new book Video Dungeon. Review by Kim Newman","rel":"","context":"In &quot;DVD and Blu-ray releases&quot;","block_context":{"text":"DVD and Blu-ray releases","link":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/dvd-and-blu-ray-releases\/"},"img":{"alt_text":"Theres Always Vanilla","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2017\/10\/Theres-Always-Vanilla-594x334.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2017\/10\/Theres-Always-Vanilla-594x334.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2017\/10\/Theres-Always-Vanilla-594x334.jpg?resize=525%2C300 1.5x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/posts\/6585","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/comments?post=6585"}],"version-history":[{"count":4,"href":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/posts\/6585\/revisions"}],"predecessor-version":[{"id":6667,"href":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/posts\/6585\/revisions\/6667"}],"wp:attachment":[{"href":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/media?parent=6585"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/categories?post=6585"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/tags?post=6585"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}