{"id":6735,"date":"2016-05-16T23:17:20","date_gmt":"2016-05-16T22:17:20","guid":{"rendered":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/?p=6735"},"modified":"2017-03-16T01:48:45","modified_gmt":"2017-03-16T00:48:45","slug":"loving","status":"publish","type":"post","link":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2016\/05\/16\/loving\/","title":{"rendered":"Loving"},"content":{"rendered":"<figure id=\"attachment_6736\" aria-describedby=\"caption-attachment-6736\" style=\"width: 594px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2017\/03\/Loving.jpg\" rel=\"lightbox[6735]\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2017\/03\/Loving.jpg?resize=474%2C267\" alt=\"Loving\" width=\"474\" height=\"267\" class=\"alignnone size-large wp-image-6736\" srcset=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2017\/03\/Loving.jpg?resize=594%2C334 594w, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2017\/03\/Loving.jpg?resize=300%2C169 300w, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2017\/03\/Loving.jpg?w=800 800w\" sizes=\"auto, (max-width: 474px) 100vw, 474px\" \/><\/a><figcaption id=\"caption-attachment-6736\" class=\"wp-caption-text\">Loving<\/figcaption><\/figure>\n<div class=\"left\">\n<p class=\"caption\">\nSeen at <a href=\"http:\/\/www.festival-cannes.com\/en.html\" target=\"_blank\">Cannes International Film Festival 2016<\/a><br style=\"line-height: 22px;\"><br \/>\n<B>Format:<\/B> Cinema<br style=\"line-height: 22px;\"><br \/>\n<B>Release date:<\/B> 3 February 2017<br style=\"line-height: 22px;\"><br \/>\n<B>Distributor:<\/B> Universal<br style=\"line-height: 22px;\"><br \/>\n<B>Director:<\/B> Jeff Nichols<br style=\"line-height: 22px;\"><br \/>\n<B>Writer:<\/B> Jeff Nichols<br style=\"line-height: 22px;\"><br \/>\n<B>Cast:<\/B> Joel Edgerton, Ruth Negga, Marton Csokas, Nick Kroll, Michael Shannon<br style=\"line-height: 22px;\"><br \/>\nUSA, UK 2016<br style=\"line-height: 22px;\"><br \/>\n123 mins\n<\/p>\n<\/div>\n<p><b><i><i>Loving<\/I> is as good as a drama can be, but for everyone who admires the director\u2019s earlier films, it might be a disappointment.<\/i><\/b><\/p>\n<p><i>Loving<\/I> is Jeff Nichols\u2019s second film to be released this year. The first was <i>Midnight Special<\/i>, a sci-fi drama about family and belief, which premiered at the Berlinale in February. It\u2019s also the second time the director has worked with Joel Edgerton, who this time plays Richard Loving, a white bricklayer from Virginia who invited the wrath of the state when he married his beloved Mildred, a woman of African-American and Native American descent. Ruth Negga plays his wife and together the two actors turn in the finest, most understated performances of the festival so far. The Lovings, we realise soon, are people of very few words, and so they make every look, every gesture, every intonation count instead.<\/p>\n<p>In order to be together though, the newly wed couple is forced to make a deal to leave their Virginia home and promise they won\u2019t return for at least 25 years. Time passes as they retreat to Washington DC to raise their family,  but Mildred struggles to fully adjust to life in the city and, in her despair, writes a letter to Bobby Kennedy explaining the circumstances and asking for help. What follows is the Lovings fight to return to Virginia as a free family. It\u2019s a fight that eventually will go all the way to the federal Supreme Court, and one that changed history.<\/p>\n<p><i>Loving<\/I> is as good as a drama can be, but for everyone who admires the director\u2019s earlier films, it might be a disappointment. It\u2019s a film by Nichols rather than a \u2018Jeff Nichols film\u2019, the main difference being that in making the political personal, <i>Loving<\/i> simply lacks the strangeness and dark power of films like <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2008\/05\/01\/shotgun-stories\/\"><i>Shotgun Stories<\/i><\/a> (2007) and <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2011\/11\/25\/take-shelter-interview-with-michael-shannon\/\"><i>Take Shelter<\/i><\/a> (2011). What\u2019s more, it seems that since flirting with Hollywood in <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2013\/05\/09\/mud\/\"><i>Mud<\/i><\/a> (2013), Nichols has gone off on a tangent and it\u2019s not clear whether or not he too will find his way home again.<\/p>\n<p><I><B>Pamela Jahn<\/B><\/I><\/p>\n<div class=\"info\">This review is part of our <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/events\/2016\/05\/cannes-2016-preview\/\">Cannes 2016 coverage<\/a>.<\/div>\n<div id=\"expander\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p><i>Loving<\/I> is as good as a drama can be, but for everyone who admires the director\u2019s earlier films, it might be a disappointment.<br \/>\n<b><i>Review by Pamela Jahn<\/i><\/b><\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[11,1,6],"tags":[1046,640],"class_list":["post-6735","post","type-post","status-publish","format-standard","hentry","category-check-it-out","category-cinema-releases","category-festivals","tag-cannes","tag-jeff-nichols"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","wps_subtitle":"Cannes International Film Festival 2016","jetpack_shortlink":"https:\/\/wp.me\/surUP-loving","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":341,"url":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2008\/05\/01\/shotgun-stories\/","url_meta":{"origin":6735,"position":0},"title":"SHOTGUN STORIES","author":"VirginieSelavy","date":"May 1, 2008","format":false,"excerpt":"Set against the backdrop of rural Arkansas, Shotgun Stories follows an escalating feud between two sets of half-brothers who differ in every way save for one side of their parental heritage. Review by James Merchant","rel":"","context":"In &quot;Cinema releases&quot;","block_context":{"text":"Cinema releases","link":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/cinema-releases\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2900,"url":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2013\/05\/09\/mud\/","url_meta":{"origin":6735,"position":1},"title":"Mud","author":"Pam Jahn","date":"May 9, 2013","format":false,"excerpt":"Jeff Nichols's third feature is a quality piece of filmmaking, although he doesn\u2019t follow through on his set up of the classic Americana rites of passage. Review by Mark Stafford","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/check-it-out\/"},"img":{"alt_text":"Mud","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2013\/05\/Mud-594x334.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2013\/05\/Mud-594x334.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2013\/05\/Mud-594x334.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":6747,"url":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2016\/05\/20\/gimme-danger\/","url_meta":{"origin":6735,"position":2},"title":"Gimme Danger","author":"Pam Jahn","date":"May 20, 2016","format":false,"excerpt":"Seen at Cannes International Film Festival 2016 Format: Cinema Release date: 18 November 2016 Distributor: Dogwoof Director: Jim Jarmusch USA 2016 108 mins Jim Jarmusch's film strikes a fine balance between a serious and comprehensive appraisal of The Stooges' career. Gimme Danger is the second film by Jim Jarmusch to\u2026","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/check-it-out\/"},"img":{"alt_text":"Gimme Danger","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2017\/03\/Gimme-Danger-594x334.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2017\/03\/Gimme-Danger-594x334.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2017\/03\/Gimme-Danger-594x334.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":6598,"url":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2016\/05\/17\/hell-or-high-water\/","url_meta":{"origin":6735,"position":3},"title":"Hell or High Water","author":"Pam Jahn","date":"May 17, 2016","format":false,"excerpt":"David Mackenzie has delivered a solid neo-western that is as astute as it is entertaining. Review by Pamela Jahn","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/check-it-out\/"},"img":{"alt_text":"hell-or-high-water","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2016\/09\/Hell-or-High-Water-594x334.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2016\/09\/Hell-or-High-Water-594x334.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2016\/09\/Hell-or-High-Water-594x334.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":6253,"url":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2015\/05\/16\/the-lobster\/","url_meta":{"origin":6735,"position":4},"title":"The Lobster","author":"Pam Jahn","date":"May 16, 2015","format":false,"excerpt":"Yorgos Lanthimos\u2019 English language debut is, without doubt, one of the most exciting films to be seen at Cannes this year. Review by Pamela Jahn","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/check-it-out\/"},"img":{"alt_text":"The_Lobster","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2016\/03\/The_Lobster-594x335.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2016\/03\/The_Lobster-594x335.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2016\/03\/The_Lobster-594x335.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":2065,"url":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2011\/12\/05\/best-films-of-2011\/","url_meta":{"origin":6735,"position":5},"title":"Best Films of 2011","author":"VirginieSelavy","date":"December 5, 2011","format":false,"excerpt":"Electric Sheep writers review the best films of 2011.","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/check-it-out\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2011\/12\/review_2011theatrical_BlackSwan-594x588.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2011\/12\/review_2011theatrical_BlackSwan-594x588.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2011\/12\/review_2011theatrical_BlackSwan-594x588.jpg?resize=525%2C300 1.5x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/posts\/6735","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/comments?post=6735"}],"version-history":[{"count":2,"href":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/posts\/6735\/revisions"}],"predecessor-version":[{"id":6763,"href":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/posts\/6735\/revisions\/6763"}],"wp:attachment":[{"href":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/media?parent=6735"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/categories?post=6735"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/tags?post=6735"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}