{"id":756,"date":"2009-09-01T06:08:10","date_gmt":"2009-09-01T05:08:10","guid":{"rendered":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/?p=756"},"modified":"2009-09-01T00:10:38","modified_gmt":"2009-08-31T23:10:38","slug":"white-lightnin","status":"publish","type":"post","link":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2009\/09\/01\/white-lightnin\/","title":{"rendered":"WHITE LIGHTNIN&#8217;"},"content":{"rendered":"<div class=\"left\">\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2009\/08\/review_whitelightnin.jpg?resize=150%2C150\" alt=\"White Lightnin&#039;\" title=\"White Lightnin&#039;\" width=\"150\" height=\"150\" class=\"alignnone size-thumbnail wp-image-757\" title=\"White Lightnin&#039;\" class=\"filmimage\" srcset=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2009\/08\/review_whitelightnin.jpg?resize=150%2C150 150w, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2009\/08\/review_whitelightnin.jpg?zoom=2&amp;resize=150%2C150 300w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><\/p>\n<p class=\"caption\">\n<B>Format<\/B>: Cinema <br style=\"line-height: 22px;\"><br \/>\n<B>Date:<\/B> 25 September 2009<br style=\"line-height: 22px;\"><br \/>\n<B>Venues:<\/B> ICA and Rich Mix, London<br style=\"line-height: 22px;\"><br \/>\n<B>Director:<\/B> Dominic Murphy<br style=\"line-height: 22px;\"><br \/>\n<B>Writer:<\/B> Eddy Moretti, Shane Smith<br style=\"line-height: 22px;\"><br \/>\n<B>Cast:<\/B> Edward Hogg, Carrie Fisher, Muse Watson<br style=\"line-height: 22px;\"><br \/>\nUK 2009<br style=\"line-height: 22px;\"><br \/>\n92 mins\n<\/p>\n<\/div>\n<p class=\"copy\">\nA dark, surreal semi-biopic about the &#8216;Dancin&#8217; Outlaw&#8217; Jesco White (impressively played by newcomer Ed Hogg), Dominic Murphy&#8217;s feature debut <I>White Lightnin&#8217;<\/I> follows Jesco from his early childhood in West Virginia, mostly spent sniffing gasoline and lighter fluid, to an increasingly criminal and violent adolescence. Although his god-fearing father, the legendary Appalachian mountain dancer D Ray White, teaches him to dance in order to keep him on the straight and narrow, the temptations that torment Jesco prove too strong and frequently get him into trouble with the law, and he ends up in a mental institution. While he is locked up, Jesco learns the shocking news of D Ray&#8217;s death. After his release, he decides to do his best to live up to his father&#8217;s principles and starts touring around the South, performing in bars with his father&#8217;s old guitarist. But his uncontrollable temper puts an end to this and Jesco settles down in a trailer with his much older girlfriend (surprisingly and superbly played by Carrie Fisher). His inner demons increasingly take over and the voices in his head scream for revenge for the murder of D Ray, who was killed in a senseless act of redneck violence. From there, the film takes us deeper and deeper into Jesco&#8217;s crazed visions and wild religious fantasies, culminating in a horrifically inventive Old Testament-style revenge followed by an equally violent act of Christ-like self-sacrifice.   <\/p>\n<p class=\"copy\">\nMerging real-life events and unbridled fiction, writers (and co-producers) Shane Smith and Eddy Moretti have crafted a bold, nightmarish tale of Southern darkness and Murphy takes the subject matter to cinematic extremes, using a hand-held camera, bizarre angles and repeated blackouts to convey Jesco&#8217;s disturbed state of mind. Jesco&#8217;s narration guides us through the remembered fragments of his life, occasionally intercut with a thundering preacher&#8217;s voice delivering apocalyptic sermons against backgrounds of darkened skies and ominous mountains. Rare touches of colour bleeding through the moody, grainy, muted cinematography combine with the score&#8217;s distorted sounds, sparse guitars and shrill strings to convey the story&#8217;s underlying sense of doom and despair. Intensely imagined and vividly directed, <I>White Lightnin&#8217;<\/I> is a raw, rabid, howling hillbilly hell trip that doesn&#8217;t let up.   <\/p>\n<p class=\"copy\"><I><B>Pamela Jahn<\/B><\/I><\/p>\n<p class=\"copy\"><I>The<\/I> Electric Sheep <I>Film Club presents a preview of<\/I> White Lightnin&#8217; <I>on <B>Wednesday 2 September<\/B> at the <A HREF=\"http:\/\/www.princecharlescinema.com\/\" class=\"link2\" target=\"_blank\">Prince Charles<\/A>, London, followed by a Q&#038;A with Dominic Murphy. More details on our <A HREF=\"http:\/\/www.electricsheepmagazine.co.uk\/events.html\" class=\"link2\">events page<\/A>.<\/I><\/p>\n<p class=\"copy\"><I>Read Pamela Jahn&#8217;s interview with Dominic Murphy in the <A HREF=\"http:\/\/www.electricsheepmagazine.co.uk\/magazine.html\" class=\"link2\">autumn 09 issue of <\/I>Electric Sheep<I><\/A>. The focus is on religious extremes on film from Christic masochism to satanic cruelty to coincide with the release of biblical hillbilly nightmare <\/I>White Lightnin&#8217;<I>, with articles on <\/I>Jesus Christ Saviour<I>, a documentary on Klaus Kinski&#8217;s disastrous New Testament stage play, and divine subversives Alejandro Jodorowsky and Kenneth Anger among others. Plus: Terry Gilliam&#8217;s <\/I>The Imaginarium of Doctor Parnassus<I>, political animation, Raindance 09 and louche mariachi rockabilly Dan Sartain picks his top films!<\/p>\n<div id=\"expander\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>A dark, surreal semi-biopic about the \u00e2\u20ac\u02dcDancin&#8217; Outlaw&#8217; Jesco White,  <I>White Lightnin&#8217;<\/I> follows Jesco from his early childhood in West Virginia, mostly spent sniffing gasoline and lighter fluid, to an increasingly criminal and violent adolescence.<br \/>\n<I><B>Review by Pamela Jahn<\/B><\/I><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-756","post","type-post","status-publish","format-standard","hentry","category-cinema-releases"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","wps_subtitle":"","jetpack_shortlink":"https:\/\/wp.me\/purUP-cc","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":793,"url":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2009\/11\/01\/bunny-and-the-bull\/","url_meta":{"origin":756,"position":0},"title":"Bunny and the Bull","author":"VirginieSelavy","date":"November 1, 2009","format":false,"excerpt":"Bunny and the Bull is the debut feature of Mighty Boosh director Paul King and he certainly keeps up the visually inventive surreal stylings of his television work. Review by Paul Huckerby","rel":"","context":"In &quot;Cinema releases&quot;","block_context":{"text":"Cinema releases","link":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/cinema-releases\/"},"img":{"alt_text":"Bunny and the Bull","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2009\/11\/review_bunny-150x150.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":6750,"url":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2016\/05\/18\/endless-poetry\/","url_meta":{"origin":756,"position":1},"title":"Endless Poetry","author":"Pam Jahn","date":"May 18, 2016","format":false,"excerpt":"As you\u2019d expect from the Chilean director, Jodorowsky follows no rules when it comes to artistic creation. Review by Pamela Jahn","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/check-it-out\/"},"img":{"alt_text":"Endless Poetry","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2017\/03\/Endless-Poetry-594x446.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2017\/03\/Endless-Poetry-594x446.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2017\/03\/Endless-Poetry-594x446.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":3221,"url":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2013\/07\/12\/blancanieves\/","url_meta":{"origin":756,"position":2},"title":"Blancanieves","author":"Pam Jahn","date":"July 12, 2013","format":false,"excerpt":"Shot in beautiful, sharp black and white, Pablo Berger\u2019s reworking of the Snow White story pays tribute to the 1920s European silent film era. 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He walks the line between charming and lewd with great skill. Review by Paul Huckerby","rel":"","context":"In &quot;Cinema releases&quot;","block_context":{"text":"Cinema releases","link":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/cinema-releases\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2010\/07\/review_gainsbourg-594x400.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2010\/07\/review_gainsbourg-594x400.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2010\/07\/review_gainsbourg-594x400.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":6735,"url":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2016\/05\/16\/loving\/","url_meta":{"origin":756,"position":4},"title":"Loving","author":"Pam Jahn","date":"May 16, 2016","format":false,"excerpt":"Loving is as good as a drama can be, but for everyone who admires the director\u2019s earlier films, it might be a disappointment. 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