{"id":140,"date":"2009-07-17T15:48:06","date_gmt":"2009-07-17T14:48:06","guid":{"rendered":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/?p=140"},"modified":"2010-06-13T16:37:39","modified_gmt":"2010-06-13T15:37:39","slug":"issue-29","status":"publish","type":"post","link":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/2009\/07\/17\/issue-29\/","title":{"rendered":"Issue 29"},"content":{"rendered":"
\n

\"Just<\/a><\/p>\n

\nFocus: <\/b>
\nJust Another Love Story<\/I><\/A>
\nAntichrist<\/I><\/A>

\nInterview:<\/b>
\nLars von Trier<\/A>
\nDario Argento<\/A>
\nClaire Denis<\/A>

\nFeatures:<\/b>
\nSydney Film Festival<\/A>
\nGay cinema<\/A>

\nFilm Reviews<\/b>
\nMoon<\/I><\/A>

\nDVD Reviews<\/b>
\nBloody Mama<\/I><\/A>
\nParade<\/I><\/A>

\nShort Cuts:<\/b>
\nIain Forsyth and Jane Pollard<\/A>
<\/p>\n<\/div>\n

This month we look at disastrous Danish relationships with neo-noir<\/I> Just Another Love Story<\/I><\/A> and Lars von Trier’s latest, Antichrist<\/I><\/A>. Two of our writers try to fathom von Trier’s extreme narrative of conjugal meltdown while in our interview with the director<\/A> he explains some of the ideas behind the film. <\/p>\n

Also out at the cinema in July is Duncan Jones’s Moon<\/I><\/A>, a great new addition to British science fiction cinema. In the DVD releases, we take a look at Roger Corman’s Depression-era crime saga Bloody Mama<\/I><\/A> and discover Jacques Tati’s little-known Parade<\/I><\/A>.<\/p>\n

We talk to Claire Denis<\/A> about her new film 35 Shots of Rhum<\/I><\/A>, report on this year’s Sydney Film Festival<\/A>‘s focus on female directors and assess the state of gay cinema<\/A> through an account of the London Lesbian and Gay Film Festival and a review of Boys on Film 2: In Too Deep<\/I>. <\/p>\n

We are also very proud to have an interview with Dario Argento<\/A>, who was a guest at Cine-Excess last month. And in the Short Cuts section, we talk to artists Iain Forsyth and Jane Pollard<\/A> about the films they made to accompany the re-release of the whole back catalogue of Nick Cave and the Bad Seeds.<\/p>\n

<\/p>\n

The Electric Sheep Magazine team<\/B><\/I><\/p>\n

<\/p>\n

<\/div>\n","protected":false},"excerpt":{"rendered":"

This month we look at disastrous Danish relationships with neo-noir<\/I> Just Another Love Story<\/I> and Lars von Trier\u00e2\u20ac\u2122s latest, Antichrist<\/I>. <\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[],"class_list":["post-140","post","type-post","status-publish","format-standard","hentry","category-online-issues"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","wps_subtitle":"","jetpack_shortlink":"https:\/\/wp.me\/purm2-2g","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":466,"url":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/2011\/09\/30\/issue-55-twisted-romance\/","url_meta":{"origin":140,"position":0},"title":"Issue 55: Twisted Romance","author":"VirginieSelavy","date":"September 30, 2011","format":false,"excerpt":"September films are full of heartbreak and misshapen affection, starting with Terrence Malick\u00e2\u20ac\u2122s glorious rural tragedy Days of Heaven and Sion Sono\u00e2\u20ac\u2122s perverse melodrama Guilty of Romance.","rel":"","context":"In "Online Issues"","block_context":{"text":"Online Issues","link":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/category\/online-issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2011\/10\/review_homepage_RedWhiteBlue-594x395.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2011\/10\/review_homepage_RedWhiteBlue-594x395.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2011\/10\/review_homepage_RedWhiteBlue-594x395.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":450,"url":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/2011\/07\/30\/issue-53-andrei-tarkovsky\/","url_meta":{"origin":140,"position":1},"title":"Issue 53: Andrei Tarkovsky","author":"VirginieSelavy","date":"July 30, 2011","format":false,"excerpt":"To mark the release of a box-set of his films and the Kosmos season of Russian science fiction at the BFI, we celebrate the work of Andrei Tarkovsky.","rel":"","context":"In "Online Issues"","block_context":{"text":"Online Issues","link":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/category\/online-issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2011\/08\/review_solaris_homepage-594x395.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2011\/08\/review_solaris_homepage-594x395.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2011\/08\/review_solaris_homepage-594x395.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":71,"url":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/2008\/03\/08\/issue-12\/","url_meta":{"origin":140,"position":2},"title":"Issue 12","author":"VirginieSelavy","date":"March 8, 2008","format":false,"excerpt":"It's been one year since Electric Sheep came into this world, first as a webzine, then mutating into a print-web hybrid last September. We started off with the aim of celebrating dark, wondrous and magical cinematic worlds, and over the past year we've had Jean Painlev\u00c3\u00a9's erotic molluscs, Yasuzo Masumura's\u2026","rel":"","context":"In "Online Issues"","block_context":{"text":"Online Issues","link":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/category\/online-issues\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/posts\/140","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/comments?post=140"}],"version-history":[{"count":3,"href":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/posts\/140\/revisions"}],"predecessor-version":[{"id":268,"href":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/posts\/140\/revisions\/268"}],"wp:attachment":[{"href":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/media?parent=140"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/categories?post=140"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/tags?post=140"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}