{"id":160,"date":"2009-12-06T20:03:11","date_gmt":"2009-12-06T19:03:11","guid":{"rendered":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/?p=160"},"modified":"2010-06-13T16:35:10","modified_gmt":"2010-06-13T15:35:10","slug":"issue-33","status":"publish","type":"post","link":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/2009\/12\/06\/issue-33\/","title":{"rendered":"Issue 33"},"content":{"rendered":"
\n

\"The<\/a><\/p>\n

\nInterview:<\/b>
\nMother<\/I>: interview with Bong Joon-ho<\/A>
\nWe Live in Public<\/I>: interview with Ondi Timoner<\/A>
\nKakera<\/I>: interview with Momoko Ando<\/A>

\nFeatures:<\/b>
\n53rd London Film Festival<\/A>

\nFilm Reviews<\/b>
\nThe White Ribbon<\/I><\/A>
\nBunny and the Bull<\/I><\/A>
\nLalapipo<\/I><\/A>
\nHenri-Georges Clouzot’s Inferno<\/I><\/A>
\nPaper Heart<\/I><\/A>

\nDVD Reviews<\/b>
\nThe Sorrow and the Pity<\/I><\/A>
\nInside<\/I><\/A>
\nAll Tomorrow’s Parties<\/I><\/A>

\nFilm Jukebox:<\/b>
\nThe Non-Commissioned Officers<\/A>

\nFilm Writing Competition:<\/b>
\nRollerball<\/I><\/A><\/p>\n<\/div>\n

If you only see one film this month, make it Michael Haneke’s The White Ribbon<\/I><\/A>, a masterful, richly enigmatic evocation of the \u00e2\u20ac\u02dcNazi generation’ as children. Lighter entertainment comes courtesy of whimsical comedy Bunny and the Bull<\/I><\/A>, directed by Mighty Boosh<\/I>‘s Paul King, and outrageous Japanese porn farce Lalapipo<\/I><\/A>. The Korean Film Festival is at the Barbican and there is a Bong Joon-ho retrospective at the BFI Southbank, which includes screenings of his latest, Mother<\/I><\/A>, as well as The Host<\/I> and Memories of Murder<\/I>. <\/p>\n

Also in UK cinemas in November are Henri-Georges Clouzot’s Inferno<\/I><\/A>, a documentary investigating the gorgeous-looking crime thriller the French master could not complete, and low-fi indie romance Paper Heart<\/I><\/A>, for which we have capsule reviews as part of our round-up of the 53rd London Film Festival<\/A> \u00e2\u20ac\u201c read about unknown gems as well as films you can look forward to see on UK screens in the near future. We Live in Public<\/I><\/A>, a documentary about internet pioneer Joshua Harris that also screened at the LFF, is out this month and we have an interview with director Ondi Timoner. <\/p>\n

In the DVD section, we look at two very different French works, the acclaimed documentary on France under German occupation during the Second World War The Sorrow and the Pity<\/I><\/A>, and extreme horror thriller Inside<\/I><\/A> and its connection to the Paris riots of 2005. We also review a documentary on the All Tomorrow’s Parties<\/I><\/A> music festival. <\/p>\n

We have an interview with Momoko Ando<\/A>, the young director of the wonderful Kakera \u00e2\u20ac\u201c A Piece of our Lives<\/I><\/A>, conducted during the Raindance Film Festival last month. You can read the winning review in our Rollerball<\/I><\/A> film writing competition, which we run every month in connection with the Electric Sheep Film Club<\/A> at the Prince Charles. And our Film Jukebox this month features the very unusual Non-Commissioned Officers<\/A>, who formed a band to promote a film \u00e2\u20ac\u201c or was it the other way around? <\/p>\n

<\/p>\n

The Electric Sheep Magazine team<\/B><\/I><\/p>\n

<\/p>\n

<\/div>\n","protected":false},"excerpt":{"rendered":"

If you only see one film this month, make it Michael Haneke\u00e2\u20ac\u2122s The White Ribbon<\/I>, a masterful, richly enigmatic evocation of the \u00e2\u20ac\u02dcNazi generation\u00e2\u20ac\u2122 as children.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[],"class_list":["post-160","post","type-post","status-publish","format-standard","hentry","category-online-issues"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","wps_subtitle":"","jetpack_shortlink":"https:\/\/wp.me\/purm2-2A","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":187,"url":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/2010\/01\/30\/issue-35\/","url_meta":{"origin":160,"position":0},"title":"Issue 35","author":"VirginieSelavy","date":"January 30, 2010","format":false,"excerpt":"The cinematic year is off to a promising start with some excellent new releases, starting with Breathless, an explosive, unforgettable South Korean drama.","rel":"","context":"In "Online Issues"","block_context":{"text":"Online Issues","link":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/category\/online-issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2010\/03\/review_homepage_jan10_new-594x445.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2010\/03\/review_homepage_jan10_new-594x445.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2010\/03\/review_homepage_jan10_new-594x445.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":144,"url":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/2009\/08\/31\/issue-31\/","url_meta":{"origin":160,"position":1},"title":"Issue 30","author":"VirginieSelavy","date":"August 31, 2009","format":false,"excerpt":"Afterschool was one of the best films we saw at last year\u00e2\u20ac\u2122s London Film Festival so we\u00e2\u20ac\u2122re very pleased that it is now getting a theatrical release in the UK.","rel":"","context":"In "Online Issues"","block_context":{"text":"Online Issues","link":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/category\/online-issues\/"},"img":{"alt_text":"Afterschool","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2009\/08\/review_homepage-150x150.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":177,"url":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/2009\/12\/30\/issue-34\/","url_meta":{"origin":160,"position":2},"title":"Issue 34","author":"VirginieSelavy","date":"December 30, 2009","format":false,"excerpt":"Seasonal fun starts with the release of 80s shocker Silent Night, Deadly Night, uncut for the first time in the UK: killer Santa, heaps of gore and nudity, a dollop of sexual and religious guilt, it\u00e2\u20ac\u2122s got it all.","rel":"","context":"In "Online Issues"","block_context":{"text":"Online Issues","link":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/category\/online-issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2010\/03\/review_homepage_dec09_new-594x445.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2010\/03\/review_homepage_dec09_new-594x445.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2010\/03\/review_homepage_dec09_new-594x445.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":88,"url":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/2008\/08\/07\/issue-17\/","url_meta":{"origin":160,"position":3},"title":"Issue 17","author":"VirginieSelavy","date":"August 7, 2008","format":false,"excerpt":"If you are yet to experience the madcap brilliance and perverse beauty of Guy Maddin's films, now is your chance to see them in their full glory on a big screen.","rel":"","context":"In "Online Issues"","block_context":{"text":"Online Issues","link":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/category\/online-issues\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":108,"url":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/2009\/01\/31\/issue-23\/","url_meta":{"origin":160,"position":4},"title":"Issue 23","author":"VirginieSelavy","date":"January 31, 2009","format":false,"excerpt":"The film year is starting with the release of the South Korean retelling of the Grimm fairy tale Hansel and Gretel.","rel":"","context":"In "Online Issues"","block_context":{"text":"Online Issues","link":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/category\/online-issues\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":129,"url":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/2009\/05\/17\/issue-27\/","url_meta":{"origin":160,"position":5},"title":"Issue 27","author":"VirginieSelavy","date":"May 17, 2009","format":false,"excerpt":"May is for Spanish brain-teasers with the theatrical release of Fermat's Room, an inventive take on the locked room mystery, and the DVD release of ingenious time travel thriller Timecrimes.","rel":"","context":"In "Online Issues"","block_context":{"text":"Online Issues","link":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/category\/online-issues\/"},"img":{"alt_text":"Timecrimes","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2009\/08\/review_homepage_timecrimes-150x150.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/posts\/160","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/comments?post=160"}],"version-history":[{"count":6,"href":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/posts\/160\/revisions"}],"predecessor-version":[{"id":263,"href":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/posts\/160\/revisions\/263"}],"wp:attachment":[{"href":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/media?parent=160"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/categories?post=160"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/wp-json\/wp\/v2\/tags?post=160"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}