{"id":187,"date":"2010-01-30T18:53:22","date_gmt":"2010-01-30T17:53:22","guid":{"rendered":"http:\/\/www.electricsheepmagazine.co.uk\/archive\/?p=187"},"modified":"2010-03-18T19:09:59","modified_gmt":"2010-03-18T18:09:59","slug":"issue-35","status":"publish","type":"post","link":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/2010\/01\/30\/issue-35\/","title":{"rendered":"Issue 35"},"content":{"rendered":"
\"\"<\/a>
House<\/figcaption><\/figure>\n
\n

\nInterviews:<\/b>
\n–Thirst<\/I>: Interview with Park Chan-wook<\/A>
\n–Exam<\/I>: Interview with Stuart Hazeldine<\/A>
\n–Extreme Private Eros<\/I>: Interview with Kazuo Hara<\/A>
\n–I’m Dangerous with Love<\/I>: Interview with Michel Negroponte<\/A>

\nFeature:<\/b>
\nReview of 2009<\/A>

\nFilm Reviews<\/b>
\n–Breathless<\/I><\/A>
\n–The Road<\/I><\/A>
\n–A Prophet<\/I><\/A>
\n–I’m Gonna Explode<\/I><\/A>
\n–44 Inch Chest<\/I><\/A>
\n–Tateshots<\/A>

\nDVD Reviews<\/b>
\n–Privilege<\/I><\/A>
\n–House<\/I><\/A>

\nShort Cuts:<\/b>
\nLondon Short Film Festival 2010: Rich Pickings<\/A>

\nFilm Jukebox:<\/b>
\nFucked Up<\/A>

\nPodcast:<\/b>
\nThe Prisoner<\/I>: Ian Rakoff<\/A>
\n<\/p>\n<\/div>\n

\tThe cinematic year is off to a promising start with some excellent new releases. First off is Breathless<\/I><\/A>, an explosive, unforgettable South Korean drama about the unlikely love story between a gangster and a school girl \u00e2\u20ac\u201c an absolute must-see. Also worthy of attention are John Hillcoat’s stunningly bleak adaptation of Cormac McCarthy’s The Road<\/I><\/A> and Jacques Audiard’s accomplished gangster saga A Prophet<\/I><\/A>, as well as Mexican new wave gem I’m Gonna Explode<\/I><\/A>, a fresh take on the young lovers on the run storyline. We have an interview with Stuart Hazeldine, director of cerebral thriller Exam<\/I><\/A> while the testosterone-overloaded British gangster drama 44 Inch Chest<\/I><\/A> is also out this month. <\/p>\n

In the DVD releases we look at Peter Watkins’s 1967 musical\/political conspiracy film Privilege<\/I><\/A> starring Manfred Mann’s Paul Jones, and jaw-dropping 70s Japanese bubblegum horror movie House<\/I><\/A>. We also have an interview with Park Chan-wook<\/A> about his latest film Thirst<\/I>, released on DVD this month.<\/p>\n

Following on from the Sheffied Doc\/Fest in November 09, we have an interview with Kazuo Hara<\/A> about his landmark 1974 documentary Extreme Private Eros<\/I><\/A>. We also talked to Michel Negroponte<\/A> who explained how he got personally involved in I’m Dangerous with Love<\/I><\/A>, a documentary in which he explores the \u00e2\u20ac\u02dcibogaine underground’ \u00e2\u20ac\u201c drug addicts using a West African hallucinogen as unofficial detox treatment.<\/p>\n

In the Short Cuts, we have an article on the London Short Film Festival Rich Pickings<\/A> event, which explores the Lolita figure through a mixture of short films, music videos and discussions. We review the latest instalment of the Tateshots<\/A> series of film podcasts, which explores the links between music and art through interviews with musicians such as Billy Childish and Lydia Lunch. Canadian punks Fucked Up<\/A> are our guests in the Film Jukebox and their frontman Pink Eyes tells us about his 10 favourite films. And finally here’s our pick of the best and worst films of 2009<\/A>.<\/p>\n

\tPODCASTS:<\/B><\/A> Alex Fitch talks to writer, editor and raconteur Ian Rakoff<\/A> about his experiences working on The Prisoner<\/I>. <\/p>\n

<\/div>\n","protected":false},"excerpt":{"rendered":"

The cinematic year is off to a promising start with some excellent new releases, starting with Breathless<\/I>, an explosive, unforgettable South Korean drama.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[27,25,26,29,30,28,24],"class_list":["post-187","post","type-post","status-publish","format-standard","hentry","category-online-issues","tag-british-cinema","tag-cormac-mccarthy","tag-japanese-cinema","tag-london-short-film-festival","tag-music-films","tag-sheffield-docfest","tag-south-korean-cinema"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","wps_subtitle":"","jetpack_shortlink":"https:\/\/wp.me\/purm2-31","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":113,"url":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/2009\/02\/28\/issue-24\/","url_meta":{"origin":187,"position":0},"title":"Issue 24","author":"VirginieSelavy","date":"February 28, 2009","format":false,"excerpt":"This month has a very definite oriental flavour, starting with no less than two Asian Westerns competing for our attention.","rel":"","context":"In "Online Issues"","block_context":{"text":"Online Issues","link":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/category\/online-issues\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":505,"url":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/2011\/12\/30\/issue-58-2011-in-film\/","url_meta":{"origin":187,"position":1},"title":"Issue 58: 2011 in Film","author":"VirginieSelavy","date":"December 30, 2011","format":false,"excerpt":"The year\u00e2\u20ac\u2122s highlights and low points.","rel":"","context":"In "Online Issues"","block_context":{"text":"Online Issues","link":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/category\/online-issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2012\/02\/review_homepage_TakeShelter-594x252.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2012\/02\/review_homepage_TakeShelter-594x252.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2012\/02\/review_homepage_TakeShelter-594x252.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":600,"url":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/2013\/01\/05\/issue-71-repulsion\/","url_meta":{"origin":187,"position":2},"title":"Issue 71: Repulsion","author":"VirginieSelavy","date":"January 5, 2013","format":false,"excerpt":"To coincide with the BFI\u2019s extended run of Roman Polanski\u2019s classic psychological thriller, we look at various forms of cinematic repulsion.","rel":"","context":"In "Online Issues"","block_context":{"text":"Online Issues","link":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/category\/online-issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2013\/02\/review_Repulsion_homepage.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2013\/02\/review_Repulsion_homepage.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2013\/02\/review_Repulsion_homepage.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2013\/02\/review_Repulsion_homepage.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":108,"url":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/2009\/01\/31\/issue-23\/","url_meta":{"origin":187,"position":3},"title":"Issue 23","author":"VirginieSelavy","date":"January 31, 2009","format":false,"excerpt":"The film year is starting with the release of the South Korean retelling of the Grimm fairy tale Hansel and Gretel.","rel":"","context":"In "Online Issues"","block_context":{"text":"Online Issues","link":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/category\/online-issues\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":390,"url":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/2011\/03\/30\/issue-49-women-in-horror\/","url_meta":{"origin":187,"position":4},"title":"Issue 49: Women in Horror","author":"VirginieSelavy","date":"March 30, 2011","format":false,"excerpt":"To coincide with the celebration of \u00e2\u20ac\u02dcBloody Women\u00e2\u20ac\u2122 at the Bird\u00e2\u20ac\u2122s Eye View Festival, we look at women in horror.","rel":"","context":"In "Online Issues"","block_context":{"text":"Online Issues","link":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/category\/online-issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2011\/04\/review_Les_Diaboliques_homepage-594x467.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2011\/04\/review_Les_Diaboliques_homepage-594x467.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2011\/04\/review_Les_Diaboliques_homepage-594x467.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":533,"url":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/2012\/04\/30\/issue-62-manga-adaptations\/","url_meta":{"origin":187,"position":5},"title":"Issue 62: Manga Adaptations","author":"VirginieSelavy","date":"April 30, 2012","format":false,"excerpt":"A look at manga adaptations tackling Fukushima, delinquent school boys and vengeful women.","rel":"","context":"In "Online Issues"","block_context":{"text":"Online Issues","link":"https:\/\/www.electricsheepmagazine.co.uk\/archive\/category\/online-issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2012\/05\/review_homepage_Crows_Zero-594x397.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2012\/05\/review_homepage_Crows_Zero-594x397.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/archive\/wp-content\/uploads\/2012\/05\/review_homepage_Crows_Zero-594x397.jpg?resize=525%2C300 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