{"id":120,"date":"2009-05-21T12:57:02","date_gmt":"2009-05-21T12:57:02","guid":{"rendered":"http:\/\/electricsheepmagazine.wordpress.com\/?p=120"},"modified":"2014-09-07T05:29:40","modified_gmt":"2014-09-07T04:29:40","slug":"im-ready-for-my-close-up-charlie-kaufman-bringing-interior-worlds-to-the-screen","status":"publish","type":"post","link":"https:\/\/www.electricsheepmagazine.co.uk\/events\/2009\/05\/im-ready-for-my-close-up-charlie-kaufman-bringing-interior-worlds-to-the-screen\/","title":{"rendered":"Radio: Charlie Kaufman"},"content":{"rendered":"
\"kaufman,\"<\/a>
Charlie Kaufman directs Robin Weigert in Synecdoche, New York<\/figcaption><\/figure>\n

\"audio\"<\/a> Alex Fitch talks to screenwriter Charlie Kaufman about his new film Synecdoche, New York<\/em>, the challenges of directing his own script, working with Spike Jones and Michel Gondry on his previous screenplays Being John Malkovich<\/em> and Human Nature<\/em> and issues of post-modernism and magical realism in his work. Alex Fitch also talks to Electric Sheep editor Virginie Sélavy about Synecdoche, New York<\/em>, looking at Kaufman’s depictions of the internal workings of the human mind in that film and in earlier scripts such as Eternal Sunshine of the Spotless Mind<\/em>.(Originally broadcast 21 May 2009 on Resonance 104.4 FM<\/a>)<\/p>\n

Podcast produced by Alex Fitch<\/B><\/I><\/p>\n

<\/div>\n","protected":false},"excerpt":{"rendered":"

Alex Fitch talks to screenwriter Charlie Kaufman about his new film Synecdoche, New York<\/em>.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8],"tags":[],"class_list":["post-120","post","type-post","status-publish","format-standard","hentry","category-radio-and-podcasts"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","wps_subtitle":"I'm Ready for My Close-Up - Resonance FM 104.4 ","jetpack_shortlink":"https:\/\/wp.me\/pMSoh-1W","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":602,"url":"https:\/\/www.electricsheepmagazine.co.uk\/events\/2010\/04\/body-and-souls\/","url_meta":{"origin":120,"position":0},"title":"Body and Souls","author":"Virginie Selavy","date":"April 5, 2010","format":false,"excerpt":"In the latest Electric Sheep podcast, we're looking at two films by female directors that deal with issues of absence and loss.","rel":"","context":"In "Check it out"","block_context":{"text":"Check it out","link":"https:\/\/www.electricsheepmagazine.co.uk\/events\/category\/check-it-out\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2010\/04\/review_podcast_coldsouls-594x445.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2010\/04\/review_podcast_coldsouls-594x445.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2010\/04\/review_podcast_coldsouls-594x445.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":1139,"url":"https:\/\/www.electricsheepmagazine.co.uk\/events\/2012\/08\/unreliable-images\/","url_meta":{"origin":120,"position":1},"title":"Unreliable Images","author":"Virginie Selavy","date":"August 1, 2012","format":false,"excerpt":"John Simon talks about his adaptation of Philip K. 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