{"id":3128,"date":"2015-05-01T01:01:31","date_gmt":"2015-05-01T00:01:31","guid":{"rendered":"http:\/\/www.electricsheepmagazine.co.uk\/events\/?p=3128"},"modified":"2016-08-16T07:26:24","modified_gmt":"2016-08-16T06:26:24","slug":"cannes-2015-preview","status":"publish","type":"post","link":"https:\/\/www.electricsheepmagazine.co.uk\/events\/2015\/05\/cannes-2015-preview\/","title":{"rendered":"Cannes 2015 Preview"},"content":{"rendered":"<figure id=\"attachment_3129\" aria-describedby=\"caption-attachment-3129\" style=\"width: 594px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2015\/08\/Exe_30x18_FDC15_72dpi.jpg\" rel=\"lightbox[3128]\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2015\/08\/Exe_30x18_FDC15_72dpi-594x356.jpg\" alt=\"Exe_30x18_FDC15_72dpi\" width=\"594\" height=\"356\" class=\"alignnone size-large wp-image-3129\" srcset=\"https:\/\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2015\/08\/Exe_30x18_FDC15_72dpi-594x356.jpg 594w, https:\/\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2015\/08\/Exe_30x18_FDC15_72dpi-300x180.jpg 300w, https:\/\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2015\/08\/Exe_30x18_FDC15_72dpi.jpg 800w\" sizes=\"auto, (max-width: 594px) 100vw, 594px\" \/><\/a> <figcaption id=\"caption-attachment-3129\" class=\"wp-caption-text\">Cannes 2015<\/figcaption><\/figure>\n<div class=\"left\">\n<p class=\"caption\">\n<B>Cannes International Film Festival<\/B> <br style=\"line-height: 22px;\"><br \/>\n13-25 May 2015<br style=\"line-height: 22px;\"><br \/>\nCannes, France<br style=\"line-height: 22px;\"><br \/>\n<A HREF=\"http:\/\/www.festival-cannes.fr\/en.html\" target=\"_blank\">Cannes website<\/A>\n<\/p>\n<\/div>\n<p>In its 68-year history, Cannes has never been short of stars and scandals but it seems that in more recent years the darker, bolder, more daring films are to be found in the sidebars rather than in the main Competition line-up. And while 2014 proved particularly strong with <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2014\/09\/19\/it-follows\/\"><i>It Follows<\/i><\/a>, <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2014\/11\/07\/when-animals-dream\/\"><i>When Animals Dream<\/i><\/a> and Ryan Gosling\u2019s <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2015\/04\/10\/lost-river\/\"><i>Lost River<\/i><\/a>, a first glance at this year\u2019s programme promises another exciting festival to come.<\/p>\n<div class=\"info\"> Read our <A HREF=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2014\/05\/24\/cannes-2014\/\">2014 Cannes coverage<\/A>.<\/div>\n<p>Opening on 13 May with Emmanuelle Bercot\u2019s <b><i>Standing Tall <\/i><\/b>, there seems to be a focus on French social drama this year, but beyond that, the Competition still includes a number of intriguing works from both new and already established directors. Having won the Un Certain Regard award in 2009 for <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2010\/04\/06\/dogtooth\/\"><i>Dogtooth<\/i><\/a>, Greek director <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2010\/04\/05\/dogtooth-interview-with-giorgos-lanthimos\/\">Yorgos Lanthimos<\/a> returns to the festival with what might be one of this year\u2019s boldest and presumably funniest sci-fi love stories, <b><i>The Lobster<\/i><\/b>, while <i>Gomorra<\/i>-director Matteo Garonne presents his first English-language film with <i>Tale of Tales<\/i>, based on the collection of fairy tales of 17th century writer Giambattista Basile, who predates more familliar household names such as the Brothers Grimm, Andersen or Perrault. We will also be checking out Todd Haynes\u2019s 50s lesbian melodrama <b><i>Carol<\/i><\/b>, Paolo Sorrentino\u2019s <b><i>Youth<\/i><\/b>, his eagerly awaited follow up to <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2013\/09\/05\/the-great-beauty-interview-with-paolo-sorrentino\/\"><i>The Great Beauty<\/i><\/a>, as well as the latest offerings form Denis Villeneuve, <b><i>Sicario<\/i><\/b>, and Gus Van Sant&#8217;s <b><i>The Sea of Trees<\/i><\/b>, starring Matthew McConaughey as an American man lost in Japan\u2019s suicide forest. Plus, we look forward to George Miller\u2019s <b><i>Mad Max Fury Road<\/i><\/b> and Justin Kurzel\u2019s <b><i>Macbeth<\/i><\/b>, both screening \u2018out of competition\u2019. <\/p>\n<p>In addition, this year\u2019s Un Certain Regard strand features new works by exciting directors including Kiyoshi Kurosawa (<b><i>Journey To The Shore<\/i><\/b>), Brillante Mendoza (<b><i>Trap<\/i><\/b>) and Apichatpong Weerasethakul (<b><i>Cemetery of Splendour<\/i><\/b>), alongside two promising Korean entries: <b><i>The Shameless<\/i><\/b> by Oh Seung-Uk and <b><i>Madonna<\/i><\/b> by Shin Suwon. And we also look forward to a special screening of Gaspar No&#233;&#8217;s latest offering <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2015\/05\/23\/love-interview-with-gaspar-no\/\">Love<\/i><\/a>.<\/p>\n<p>Elsewhere in Cannes, the films that stand out from the line-up in the Directors\u2019 Fortnight programme are US director Jeremy Saulnier\u2019s follows up to his brilliant <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2014\/05\/02\/blue-ruin\/\"><i>Blue Ruin<\/i><\/a> with <b><i>Green Room<\/i><\/b>, a story of punk rockers battling neo-Nazis starring Anton Yelchin, Imogen Poots and Patrick Stewart, and Takashi Miike\u2019s gangster-vampire hybrid thriller <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2015\/10\/24\/yakuza-apocalypse\/\"><i>Yakuza Apocalypse: The Great War Of The Underworld<\/i><\/a>, which receives a special presentation. Plus, we will also try to catch at least one of Miguel Gomes\u2019s <b><i>Arabian Nights<\/i><\/b>, the three-film contemporary epic from the Portuguese director, which is loosely based on Scheherazade\u2019s tales of \u2018One Thousand And One Nights\u2019 but essentially devolves into a chronicle of Portugal\u2019s economic malaise.<\/p>\n<p><b><i>Pamela Jahn<\/i><\/b><\/p>\n<div class=\"info\">For more information on the full line-up, visit the <a href=\"http:\/\/www.festival-cannes.fr\/en.html\" target=\"_blank\">Cannes website<\/a>.<\/div>\n<div id=\"expander\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>A first glance at this year\u2019s programme promises another exciting festival to come.<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5,278],"tags":[],"class_list":["post-3128","post","type-post","status-publish","format-standard","hentry","category-check-it-out","category-festivals"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","wps_subtitle":"","jetpack_shortlink":"https:\/\/wp.me\/pMSoh-Os","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":3987,"url":"https:\/\/www.electricsheepmagazine.co.uk\/events\/2018\/05\/cannes-2018-preview\/","url_meta":{"origin":3128,"position":0},"title":"Cannes 2018 Preview","author":"Pam Jahn","date":"May 8, 2018","format":false,"excerpt":"The Cannes Film Festival is planning to shake things up a bit during its 71st edition.","rel":"","context":"In &quot;Festivals&quot;","block_context":{"text":"Festivals","link":"https:\/\/www.electricsheepmagazine.co.uk\/events\/category\/festivals\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2018\/05\/Cannes-2018-594x334.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2018\/05\/Cannes-2018-594x334.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2018\/05\/Cannes-2018-594x334.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":3473,"url":"https:\/\/www.electricsheepmagazine.co.uk\/events\/2016\/05\/cannes-2016-preview\/","url_meta":{"origin":3128,"position":1},"title":"Cannes 2016 Preview","author":"Pam Jahn","date":"May 10, 2016","format":false,"excerpt":"With new works by Jim Jarmusch, Nicolas Winging Refn, Jeff Nicholl, Park Chan-wook and more, this year's Cannes line-up looks as intriguing, fun and unpredictable as ever.","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"https:\/\/www.electricsheepmagazine.co.uk\/events\/category\/check-it-out\/"},"img":{"alt_text":"Cannes 2016","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2016\/05\/Cannes-2016-594x356.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2016\/05\/Cannes-2016-594x356.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2016\/05\/Cannes-2016-594x356.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":3938,"url":"https:\/\/www.electricsheepmagazine.co.uk\/events\/2017\/05\/cannes-2017-preview\/","url_meta":{"origin":3128,"position":2},"title":"Cannes 2017 Preview","author":"Pam Jahn","date":"May 1, 2017","format":false,"excerpt":"Cannes International Film Festival 17-28 May 2017 Cannes, France Cannes website The 70th anniversary editoion of the Cannes Film Festival promises to be as intriguing, fun and unpredictable as ever. Opening on Wednesday 17 May with Arnaud Desplechin\u2019s latest offering Ismael\u2019s Ghosts, the Competition line-up continues to follow the slighter\u2026","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"https:\/\/www.electricsheepmagazine.co.uk\/events\/category\/check-it-out\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2018\/03\/Cannes-2017-594x334.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2018\/03\/Cannes-2017-594x334.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2018\/03\/Cannes-2017-594x334.jpg?resize=525%2C300 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identity","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2014\/10\/LFF-2014-festival-identity-594x483.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2014\/10\/LFF-2014-festival-identity-594x483.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2014\/10\/LFF-2014-festival-identity-594x483.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":3852,"url":"https:\/\/www.electricsheepmagazine.co.uk\/events\/2017\/06\/electric-sheep-film-show-june-2017\/","url_meta":{"origin":3128,"position":5},"title":"Electric Sheep Film Show June 2017","author":"Pam Jahn","date":"June 25, 2017","format":false,"excerpt":"In this show Alex Fitch interviews a trio of independent film directors whose latest movies have premiered at recent festivals.","rel":"","context":"In &quot;Check it 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