{"id":3608,"date":"2016-10-12T17:58:43","date_gmt":"2016-10-12T16:58:43","guid":{"rendered":"http:\/\/www.electricsheepmagazine.co.uk\/events\/?p=3608"},"modified":"2016-11-14T05:58:32","modified_gmt":"2016-11-14T04:58:32","slug":"cheap-thrills-women-of-exploitation-talk-by-virginie-selavy","status":"publish","type":"post","link":"https:\/\/www.electricsheepmagazine.co.uk\/events\/2016\/10\/cheap-thrills-women-of-exploitation-talk-by-virginie-selavy\/","title":{"rendered":"Cheap Thrills: Women of Exploitation Talk"},"content":{"rendered":"<figure id=\"attachment_3609\" aria-describedby=\"caption-attachment-3609\" style=\"width: 594px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2016\/10\/Humanoids-from-the-Deep_Barbican_pic.jpg\" rel=\"lightbox[3608]\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2016\/10\/Humanoids-from-the-Deep_Barbican_pic-594x360.jpg\" alt=\"humanoids-from-the-deep_barbican_pic\" width=\"594\" height=\"360\" class=\"aligncenter size-large wp-image-3609\" srcset=\"https:\/\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2016\/10\/Humanoids-from-the-Deep_Barbican_pic-594x360.jpg 594w, https:\/\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2016\/10\/Humanoids-from-the-Deep_Barbican_pic-300x182.jpg 300w, https:\/\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2016\/10\/Humanoids-from-the-Deep_Barbican_pic.jpg 710w\" sizes=\"auto, (max-width: 594px) 100vw, 594px\" \/><\/a><figcaption id=\"caption-attachment-3609\" class=\"wp-caption-text\">Humanoids from the Deep<\/figcaption><\/figure>\n<div class=\"left\">\n<p class=\"caption\">\n<B>Format:<\/B> Talk<br style=\"line-height: 22px;\"><br \/>\n<B>Date:<\/B> 29 October 2016<br style=\"line-height: 22px;\"><br \/>\n<B>Time:<\/B> 3-4pm<br style=\"line-height: 22px;\"><br \/>\n<B>Venue:<\/B> Barbican, London<br style=\"line-height: 22px;\"><br \/>\n<A HREF=\"https:\/\/www.barbican.org.uk\/film\/event-detail.asp?ID=19998\" target=\"_blank\">Barbican website<\/A>\n<\/p>\n<\/div>\n<p>As part of the Barbican&#8217;s &#8216;Cheap Thrills&#8217; season, our editor Virginie S&#233;lavy examines the unique women directors who worked in the golden age of exploitation cinema, their struggles and successes, and the singular works they created in this one-hour lecture.<\/p>\n<p>Stripped and slashed, sometimes both at the same time: this is the fate usually reserved to women in exploitation films. Generally made by male filmmakers for male viewers, the low-budget sex and violence fare of the 1960s-70s does not exactly come across as female-orientated on first view.<\/p>\n<p>And yet, one of the most prolific pornographers of the period was sexploitation queen Doris Wishman, while legendary shocker Snuff was made by actress and filmmaker Roberta Findlay with her husband in 1971. For all its obsessive focus on the female body, exploitation film offered a way in to maverick women directors who could never hope to break into conservative, monolithic Hollywood.<\/p>\n<p>This was particularly true of Roger Corman\u2019s New World Pictures. Priding itself on being anti-authoritarian and countercultural, New World Pictures were at the same time making exploitative pictures that put female nudity centre stage. This contradiction defined the company\u2019s relationship with its first two female directors, Stephanie Rothman and Barbara Peeters, resulting in fascinating films such as <i>Terminal Island<\/i> (1973) and i><Bury Me an Angel<\/i> (1972), where sleaze and feminism uneasily cohabited.<\/p>\n<p>For the full &#8216;Cheap Thrills&#8217; programme go to the <A HREF=\"https:\/\/www.barbican.org.uk\/film\/series.asp?id=1619\" target=\"_blank\">Barbican website<\/A>.  <\/p>\n<div id=\"expander\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Our editor Virginie S\u00e9lavy examines the unique women directors who worked in the golden age of exploitation cinema in this one-hour lecture.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5,577],"tags":[457,458,581,584,578,266,153,583,587,585,579,582,586,588,580],"class_list":["post-3608","post","type-post","status-publish","format-standard","hentry","category-check-it-out","category-talks","tag-1960s-film","tag-1970s-film","tag-barbara-peeters","tag-biker-films","tag-doris-wishman","tag-exploitation-film","tag-horror-film","tag-new-world-pictures","tag-nudies","tag-nurses-films","tag-roberta-findlay","tag-roger-corman","tag-roughies","tag-snuff","tag-stephanie-rothman"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","wps_subtitle":"","jetpack_shortlink":"https:\/\/wp.me\/pMSoh-Wc","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":4018,"url":"https:\/\/www.electricsheepmagazine.co.uk\/events\/2018\/09\/le-fantastique-a-curious-tour-of-the-french-weird\/","url_meta":{"origin":3608,"position":0},"title":"Le 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Women, an autobiographical study of female madness in horror and exploitation films.","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"https:\/\/www.electricsheepmagazine.co.uk\/events\/category\/check-it-out\/"},"img":{"alt_text":"FAB130","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2013\/04\/FAB130.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4013,"url":"https:\/\/www.electricsheepmagazine.co.uk\/events\/2018\/09\/witches-and-witchfinders-sorcery-and-counterculture-in-the-films-of-michael-reeves\/","url_meta":{"origin":3608,"position":3},"title":"Witches and Witchfinders: Sorcery and counterculture in the films of Michael Reeves","author":"Pam Jahn","date":"September 21, 2018","format":false,"excerpt":"To mark the 50th anniversary of the release of Witchfinder General, Virginie S\u00e9lavy explores the sorcery theme that runs through the director\u2019s 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2011","format":false,"excerpt":"Electric Sheep is very proud to participate in the celebration of the legendary Scala cinema with a talk + screening of Thundercrack! on September 20.","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"https:\/\/www.electricsheepmagazine.co.uk\/events\/category\/check-it-out\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2011\/07\/review_blog_SCALA1-594x343.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2011\/07\/review_blog_SCALA1-594x343.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2011\/07\/review_blog_SCALA1-594x343.jpg?resize=525%2C300 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