{"id":3735,"date":"2017-03-29T09:05:31","date_gmt":"2017-03-29T08:05:31","guid":{"rendered":"http:\/\/www.electricsheepmagazine.co.uk\/events\/?p=3735"},"modified":"2017-04-02T09:23:55","modified_gmt":"2017-04-02T08:23:55","slug":"tele-terrors-the-real-and-imagined-horrors-inside-the-made-for-television-movie","status":"publish","type":"post","link":"https:\/\/www.electricsheepmagazine.co.uk\/events\/2017\/03\/tele-terrors-the-real-and-imagined-horrors-inside-the-made-for-television-movie\/","title":{"rendered":"Tele-terrors: The Real and Imagined Horrors Inside the Made for Television Movie"},"content":{"rendered":"<figure id=\"attachment_3736\" aria-describedby=\"caption-attachment-3736\" style=\"width: 594px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2017\/04\/Miskatonic-April.jpg\" rel=\"lightbox[3735]\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2017\/04\/Miskatonic-April-594x390.jpg\" alt=\"Miskatonic April\" width=\"594\" height=\"390\" class=\"aligncenter size-large wp-image-3736\" srcset=\"https:\/\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2017\/04\/Miskatonic-April-594x390.jpg 594w, https:\/\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2017\/04\/Miskatonic-April-300x197.jpg 300w, https:\/\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2017\/04\/Miskatonic-April.jpg 800w\" sizes=\"auto, (max-width: 594px) 100vw, 594px\" \/><\/a><figcaption id=\"caption-attachment-3736\" class=\"wp-caption-text\">Bad Ronald<\/figcaption><\/figure>\n<div class=\"left\">\n<p class=\"caption\">\n<B>Miskatonic Institute of Horror Studies &#8211; London<\/B> <br style=\"line-height: 22px;\"><br \/>\n<b>Instructor:<\/b> Amanda Reyes, Jennifer Wallis, Kier-La Janisse<br style=\"line-height: 22px;\"><br \/>\n<b>Date:<\/b> 20 April 2017<br style=\"line-height: 22px;\"><br \/>\n<b>Time:<\/b> 7-10pm <br style=\"line-height: 22px;\"><br \/>\n<b>Venue:<\/b> <A HREF=\"http:\/\/www.thehorsehospital.com\" target=\"_blank\">Horse Hospital<\/A><br style=\"line-height: 22px;\"><br \/>\n<b>Address:<\/b> Colonnade, Bloomsbury, London WC1N 1JD<br style=\"line-height: 22px;\"><br \/>\n<b>Prices:<\/b> <A HREF=\"http:\/\/www.wegottickets.com\/f\/10631\" target=\"_blank\">\u00a310 advance \/ \u00a38 concs<\/A> \/ \u00a311 door <br style=\"line-height: 22px;\"><br \/>\n<A HREF=\"http:\/\/www.miskatonic-london.com\/\" target=\"_blank\">Miskatonic website<\/A>\n<\/p>\n<\/div>\n<p>Often considered the bastard step-child of the theatrical motion picture, TV movies have long been relegated to the dusty corners of our childhood memories. However, despite its scorned status, telefilms could be thoughtful and, at times, subversive. And, in this compact, mass marketed form, the TV movie reached millions of viewers, generated discussion, and aided in the development of our collective consciousness.<\/p>\n<p>Some of the dismissive tone of critics may come from the fact that made for TV films look surprisingly superficial, relying heavily on B movie film techniques to produce and market themselves. Using tawdry titles such <i>Satan\u2019s School for Girls<\/i> (1973) or salacious taglines like, &#8216;He\u2019s found the perfect prey\u2026 A young defenseless human&#8217; (<i>Savages<\/i>, 1974), telefilms sought to grab audiences by any means necessary. And, it was this desire to entertain and win Nielsen rating points that allowed the medium to cross over into a wide spectrum of sub-genres, tackling everything from the supernatural to the very real terrors of everyday life. This lecture offers an exploration into several facets of the made for television movie, surveying its cultural touchstones and analyzing the influence the telefilm had on Americans during the run of the network made for television movie produced between 1964 \u2013 1999.<\/p>\n<p>This class will be taught by visiting  TV scholar Amanda Reyes, along with Jennifer Wallis and Miskatonic founder Kier-La Janisse, who both contributed to her new book <i>Are You in the House Alone? A TV Movie Compendium 1964-1999<\/i> from Headpress, who will have copies available for sale at the event.<\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Zb2Nw0RUf2g\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><B>About the instructors:<\/B><\/p>\n<p>Amanda Reyes<\/p>\n<p>Archivist by day, film lover by night, Amanda Reyes is also a freelance author who has been published online and in print. She recently edited Are You in the House Alone? A TV Movie Compendium: 1964-1999 (Headpress, 2017) which celebrates the made for television film, and expands upon her TV movie-centric blog, Made for TV Mayhem and its companion podcast.<\/p>\n<p>Jennifer Wallis<\/p>\n<p>Jennifer Wallis is Lecturer in Cultural and Intellectual History at Queen Mary University of London where she teaches modules on the history of psychiatry, Victorian values and controversies, and the history of the supernatural. She also writes on film and music and has contributed to several volumes in recent years including Are You in the House Alone? (2016) and Gathering of the Tribe: Music and Heavy Conscious Creation (2013). She is the editor of Fight Your Own War: Power Electronics and Noise Culture (Headpress, 2016).<\/p>\n<p>Kier-La Janisse<\/p>\n<p>Kier-La Janisse is a film writer and programmer, the founder of The Miskatonic Institute of Horror Studies and Owner\/Editor-in-Chief of Spectacular Optical. She has been a programmer for the Alamo Drafthouse Cinema in Austin, Texas, co-founded Montreal microcinema Blue Sunshine, founded the CineMuerte Horror Film Festival in Vancouver (1999-2005) and was the subject of the documentary <i>Celluloid Horror<\/i> (2005). She has written for <i>Filmmaker<\/i>, <i>Shindig!<\/i>, <i>Incite: Journal of Experimental Media<\/i>, <i>Rue Morgue<\/i> and <i>Fangoria<\/i> magazines, has contributed to <i>The Scarecrow Movie Guide <\/i>(Sasquatch Books, 2004) and <i>Destroy All Movies!! The Complete Guide to Punks on Film<\/i> (Fantagraphics, 2011), and is the author of <i>A Violent Professional: The Films of Luciano Rossi<\/i> (FAB Press, 2007) and <i>House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films <\/i>(FAB Press, 2012). She recently co-edited and published the anthology books<a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2014\/10\/31\/kid-power-nicoletta-elmi\/\"><i>Kid Power!<\/i><\/a> (Spectacular Optical, 2014) and <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/events\/2015\/09\/satanic-panic-pop-cultural-paranoia-in-the-1980s\/\"><i>Satanic Panic: Pop Cultural Paranoia in the 1980s<\/i><\/a> (Spectacular Optical, 2015). She is currently working on <i>A Song From the Heart Beats the Devil Every Time<\/i>, about children\u2019s programming from 1965-1985.<\/p>\n<p><B>About the Miskatonic Institute:<\/B><\/p>\n<p>Named for the fictional university in H.P. Lovecraft\u2019s literary mythos, The Miskatonic Institute of Horror Studies is a non-profit, community-based organization that started in Canada, founded by Kier-La Janisse in March of 2010. The school currently has branches in Montreal and London, with Miskatonic London operating under the co-direction of Kier-La Janisse and Electric Sheep Founder\/Editor Virginie S&#233;lavy. <\/p>\n<p>All classes take place at the historic Horse Hospital, the heart of the city\u2019s underground culture. Season ticket is \u00a335 and will be available shortly. Individual class tickets are \u00a310 advance \/ \u00a311 on the door \/ \u00a38 concessions and will be available 30 days in advance of each class. <\/p>\n<p>For full details of the next courses please check the <A HREF=\"http:\/\/www.miskatonic-london.com\/\" target=\"_blank\">Miskatonic website<\/A>. For all enquiries, please email Miskatonic.london[at]gmail.com. <\/p>\n<div id=\"expander\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Miskatonic London&#8217;s April event offers an exploration into several facets of the made for television movie produced between 1964 \u2013 1999.<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5,421],"tags":[605],"class_list":["post-3735","post","type-post","status-publish","format-standard","hentry","category-check-it-out","category-miskatonic-institute-of-horror-studies","tag-miskatonic-institute-of-horror-studies"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","wps_subtitle":"","jetpack_shortlink":"https:\/\/wp.me\/pMSoh-Yf","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":3664,"url":"https:\/\/www.electricsheepmagazine.co.uk\/events\/2016\/12\/miskatonic-institute-of-horror-studies-london-unveils-spring-2017-line-up\/","url_meta":{"origin":3735,"position":0},"title":"Miskatonic 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