{"id":3938,"date":"2017-05-01T13:15:32","date_gmt":"2017-05-01T12:15:32","guid":{"rendered":"http:\/\/www.electricsheepmagazine.co.uk\/events\/?p=3938"},"modified":"2018-05-28T11:17:47","modified_gmt":"2018-05-28T10:17:47","slug":"cannes-2017-preview","status":"publish","type":"post","link":"https:\/\/www.electricsheepmagazine.co.uk\/events\/2017\/05\/cannes-2017-preview\/","title":{"rendered":"Cannes 2017 Preview"},"content":{"rendered":"<figure id=\"attachment_3939\" aria-describedby=\"caption-attachment-3939\" style=\"width: 594px\" class=\"wp-caption aligncenter\"> <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2018\/03\/Cannes-2017.jpg\" rel=\"lightbox[3938]\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2018\/03\/Cannes-2017-594x334.jpg\" alt=\"\" width=\"594\" height=\"334\" class=\"aligncenter size-large wp-image-3939\" srcset=\"https:\/\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2018\/03\/Cannes-2017-594x334.jpg 594w, https:\/\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2018\/03\/Cannes-2017-300x169.jpg 300w, https:\/\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2018\/03\/Cannes-2017-768x432.jpg 768w, https:\/\/www.electricsheepmagazine.co.uk\/events\/wp-content\/uploads\/2018\/03\/Cannes-2017.jpg 800w\" sizes=\"auto, (max-width: 594px) 100vw, 594px\" \/><\/a> <figcaption id=\"caption-attachment-3939\" class=\"wp-caption-text\">Cannes 2017<\/figcaption><\/figure>\n<div class=\"left\">\n<p class=\"caption\">\n<B>Cannes International Film Festival<\/B> <br style=\"line-height: 22px;\"><br \/>\n17-28 May 2017<br style=\"line-height: 22px;\"><br \/>\nCannes, France<br style=\"line-height: 22px;\"><br \/>\n<A HREF=\"http:\/\/www.festival-cannes.fr\/en.html\" target=\"_blank\">Cannes website<\/A>\n<\/p>\n<\/div>\n<p>The 70th anniversary editoion of the Cannes Film Festival promises to be as intriguing, fun and unpredictable as ever. <\/p>\n<p>Opening on Wednesday 17 May with Arnaud Desplechin\u2019s latest offering <b><i>Ismael\u2019s Ghosts<\/i><\/b>, the Competition line-up continues to follow the slighter darker, more adventurous direction introduced last year, this time including exciting new films such as Sofia Coppola\u2018s <em>The Beguiled<\/em>, Todd Haynes\u2018 <em>Wonderstruck<\/em>, the Safdie brothers\u2019 <em>Good Time<\/em>, and <em>Snowpiercer<\/em>-director Bong Joon-ho\u2018s <em>Okja<\/em>. <\/p>\n<p>Yorgos Lanthimos follows up his acclaimed <em>The Lobster<\/em> with <em>The Killing of a Sacred Deer<\/em>, a Kubrickian version of a modern Greek tragedy starring Colin Farrell and Nicole Kidman, while Michael Haneke has teamed up again with Isabelle Huppert for his latest offering <em>Happy End <\/em>. We also very much look forward to Andrey Zvyagintsev\u2019s <em>Loveless<\/em>, Fatih Akin&#8217;s thriller <em>In the Fade<\/em> and <em>You Were Never Really Here<\/em>, the new film by Lynne Ramsay, which sees Joaquin Phoenix&#8217;s killer protagonist plunging deep into conspiracy and crisis. <\/p>\n<p>In comparison, this year\u2019s Un Certain Regard strand looks somewhat pale at first sight. However, the two titles that stand out are <em>Before We Vanish<\/em> by veteran director Kiyoshi Kurosawa as well as <em>Wind River<\/em>, the directorial debut by <em>Sicario<\/em> and <em>Hell or High Water <\/em> writer Taylor Sheridan. Also worth checking out seems <em>Western<\/em> by German director Valeska Grisebach, who worked as a writer on last year&#8217;s Cannes favourite <em>Toni Erdmann<\/em>.<\/p>\n<p>Out of Competition titles include Takashi Miike&#8217;s <em>Blade of the Immortal<\/em> and the new film by <em>Hedwig and the Angry Inch<\/em> director John Cameron Mitchell, <em>How to Talk to Girls at Parties<\/em>, while the Midnight Screenings strand seems to offer equally intriguing fare with Jung Byung-Gil&#8217;s <em>The Villainess <\/em> and  Byun Sung-Hyun&#8217;s <em>The Merciless<\/em>. Plus, this year two episode\u2019s of David Lynch\u2019s upcoming season of <em>Twin Peaks<\/em> and two episodes of Jane Campion&#8217;s <em>Top of the Lake <\/em> will be screened, despite the fact that there is usually little television on show at Cannes.  <\/p>\n<p>As always, one must also take note of the usually excellent Directors\u2019 Fortnight strand, which this year opens with Claire Denis\u2018 <em>Un Beau Soleil Interieur<\/em>, starring Juliette Binoche. However, the slate also includes new films from Abel Ferrara (<em>Alive in France<\/em>) and Sean Baker (<em>The Florida Project<\/em><\/a>), as well as Sundance frontrunner <em>Patti Cake$<\/em> by Geremy Jasper, which serves as the closing film.    <\/p>\n<p><b><i>Pamela Jahn<\/i><\/b><\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n<p>Check out the full Official Selection line-up below.<\/p>\n<p><strong>Competition<\/strong><\/p>\n<p><em>Loveless<\/em> \u2013 Andrey Zvyagintsev<br \/>\n<em>Good Time <\/em>\u2013 Benny Safdie and Josh Safdie<br \/>\n<em>You Were Never Really Here<\/em> \u2013 Lynne Ramsay<br \/>\n<em>A Gentle Creature<\/em> \u2013 Sergei Loznitsa<br \/>\n<em>Jupiter\u2019s Moon<\/em> \u2013 Korn&eacute;l Mundrucz&oacute;<br \/>\n<em>L\u2019Amant Double <\/em>\u2013 Fran&ccedil;ois Ozon<br \/>\n<em>The Killing of a Sacred Deer<\/em> \u2013 Yorgos Lanthimos<br \/>\n<em>Radiance <\/em>\u2013 Naomi Kawase<br \/>\n<em>The Day After<\/em> \u2013 Hong Sang-soo<br \/>\n<em>Le Redoutable<\/em> \u2013 Michel Hazanavicius<br \/>\n<em>Wonderstruck <\/em>\u2013 Todd Haynes<br \/>\n<em>Rodin <\/em>\u2013 Jacques Doillon<br \/>\n<em>Happy End <\/em>\u2013 Michael Haneke<br \/>\n<em>The Beguiled <\/em>\u2013 Sofia Coppola<br \/>\n<em>120 Battements Par Minute<\/em> \u2013 Robin Campillo<br \/>\n<em>Okja<\/em> \u2013 Bong Joon-ho<br \/>\n<em>In the Fade <\/em>\u2013 Fatih Akin<br \/>\n<em>The Meyerowitz Stories (New and Selected)<\/em> \u2013 Noah Baumbach<\/p>\n<p><strong>Un Certain Regard<\/strong><\/p>\n<p><em>Barbara <\/em>\u2013 Mathieu Amalric<br \/>\n<em>The Desert Bride<\/em> \u2013 Cecilia Atan and Valeria Pivato<br \/>\n<em>Closeness <\/em>\u2013 Kantemir Balagov<br \/>\n<em>Beauty and the Dogs<\/em> \u2013 Kaouther Ben Hania<br \/>\n<em>L\u2019Atelier<\/em> \u2013 Laurent Cantet<br \/>\n<em>Lucky <\/em>\u2013 Sergio Castellitto<br \/>\n<em>April\u2019s Daughter<\/em> \u2013 Michel Franco<br \/>\n<em>Western<\/em> \u2013 Valeska Grisebach<br \/>\n<em>Directions<\/em> \u2013 Stephan Komandarev<br \/>\n<em>Out <\/em>\u2013 Gyorgy Kristof<br \/>\n<em>Before We Vanish<\/em> \u2013 Kiyoshi Kurosawa<br \/>\n<em>The Nature of Time <\/em>\u2013 Karim Moussaoui<br \/>\n<em>Dregs<\/em> \u2013 Mohammad Rasoulof<br \/>\n<em>Juene Femme<\/em> \u2013 L&eacute;onor Serraille<br \/>\n<em>Wind River<\/em> \u2013 Taylor Sheridan<br \/>\n<em>After the War<\/em> \u2013 Annarita Zambrano<\/p>\n<div class=\"info\">For more information on the full line-up, visit the <a href=\"http:\/\/www.festival-cannes.fr\/en.html\" target=\"_blank\">Cannes website<\/a>.<\/div>\n<div id=\"expander\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Cannes International Film Festival 17-28 May 2017 Cannes, France Cannes website The 70th anniversary editoion of the Cannes Film Festival promises to be as intriguing, fun and unpredictable as ever. Opening on Wednesday 17 May with Arnaud Desplechin\u2019s latest offering Ismael\u2019s Ghosts, the Competition line-up continues to follow the slighter darker, more adventurous direction introduced &hellip; <a href=\"https:\/\/www.electricsheepmagazine.co.uk\/events\/2017\/05\/cannes-2017-preview\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Cannes 2017 Preview<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5,278],"tags":[403],"class_list":["post-3938","post","type-post","status-publish","format-standard","hentry","category-check-it-out","category-festivals","tag-cannes"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","wps_subtitle":"","jetpack_shortlink":"https:\/\/wp.me\/pMSoh-11w","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":3987,"url":"https:\/\/www.electricsheepmagazine.co.uk\/events\/2018\/05\/cannes-2018-preview\/","url_meta":{"origin":3938,"position":0},"title":"Cannes 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