{"id":2913,"date":"2013-05-15T13:28:32","date_gmt":"2013-05-15T12:28:32","guid":{"rendered":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/?p=2913"},"modified":"2013-06-04T06:29:20","modified_gmt":"2013-06-04T05:29:20","slug":"the-murderer-lives-at-number-21","status":"publish","type":"post","link":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2013\/05\/15\/the-murderer-lives-at-number-21\/","title":{"rendered":"The Murderer Lives at Number 21"},"content":{"rendered":"<figure id=\"attachment_2914\" aria-describedby=\"caption-attachment-2914\" style=\"width: 594px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2013\/05\/The-Murderer-Lives-at-Number-21.jpg\" rel=\"lightbox[2913]\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2013\/05\/The-Murderer-Lives-at-Number-21.jpg?resize=474%2C337\" alt=\"The Murderer Lives at Number 21\" width=\"474\" height=\"337\" class=\"alignnone size-large wp-image-2914\" srcset=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2013\/05\/The-Murderer-Lives-at-Number-21.jpg?resize=594%2C422&amp;ssl=1 594w, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2013\/05\/The-Murderer-Lives-at-Number-21.jpg?resize=300%2C213&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2013\/05\/The-Murderer-Lives-at-Number-21.jpg?w=800&amp;ssl=1 800w\" sizes=\"auto, (max-width: 474px) 100vw, 474px\" \/><\/a><figcaption id=\"caption-attachment-2914\" class=\"wp-caption-text\">The Murderer Lives at Number 21<\/figcaption><\/figure>\n<div class=\"left\">\n<p class=\"caption\">\n<B>Format:<\/B> DVD + Blu-ray<br style=\"line-height: 22px;\"><br \/>\n<B>Release date:<\/B> 20 May 2013<br style=\"line-height: 22px;\"><br \/>\n<B>Distributor:<\/B> Eureka Entertainment<br style=\"line-height: 22px;\"><br \/>\n<B>Director:<\/B> Henri-Georges Clouzot<br style=\"line-height: 22px;\"><br \/>\n<B>Writers:<\/B> Henri-Georges Clouzot, Stanislas-Andr\u00e9 Steeman<br style=\"line-height: 22px;\"><br \/>\n<B>Based on the novel by:<\/B> Stanislas-Andr\u00e9 Steeman<br style=\"line-height: 22px;\"><br \/>\n<B>Cast:<\/B> Pierre Fresnay, Suzy Delair, Jean Tissier, Pierre Larquey, No&#038;#235l Roquevert<br style=\"line-height: 22px;\"><br \/>\n<B>Original title:<\/B> <i>L\u2019assassin habite au 21<\/i><br style=\"line-height: 22px;\"><br \/>\nFrance 1942<br style=\"line-height: 22px;\"><br \/>\n84 mins\n<\/p>\n<\/div>\n<p><i>The Murderer Lives at Number 21<\/i>, the feature debut from Henri-Georges Clouzot, who is best known for films like the masterful  <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2007\/07\/01\/le-corbeau\/\"><i>Le corbeau<\/i><\/a> and <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2011\/03\/04\/les-diaboliques\/\"><i>Les diaboliques<\/i><\/a>, is an entertaining, comedic <i>film noir<\/i> \u2013 a blend of two different genres that works thanks to some brilliantly witty dialogue, excellent performances and a superb visual aesthetic that makes the most of the atmospheric hallmarks of  <i>noir<\/i> cinema.<\/p>\n<p>A murderer stalks the streets of an <i>arrondissement<\/i> in Paris, a calling card from a Monsieur Durand found on the bodies of each of his victims. While the local residents seem more intrigued than frightened by the killer, who\u2019s become a steady fixture in all the newspapers, the police officials are beginning to feel the heat. The elegant Inspector Wens (Pierre Fresnay) is brought in to work on the case and soon after receives his first break: a reformed thief, now rag-and-bone man, has found a stash of the calling cards while clearing out an attic at Les Mimosas, a boarding house at 21 Avenue Junot. With the information at his disposal, Wens decides to take a room at the boarding house in a rather humorous disguise.<\/p>\n<p>But matters are complicated by the actions of his incongruous girlfriend, Mila Malou (Suzy Delair). A thwarted singer, she is first introduced to us at an audition, where, flattering the impresario to no avail, she learns that her only chance of success is if she\u2019s already famous \u2013 and what better way to become a star than to get her name in the newspapers, like Monsieur Durand? Although fashioned as something of a ditz, Delair\u2019s character is fabulous \u2013 at the audition, she compares herself to America before Columbus, waiting to be discovered. Later, she tells someone that she stays home and knits booties for a baby \u2013 if Wens is capable of producing one. And of course, she finds the solution to her celebrity problem by taking part in Wens\u2019s murder investigation, following him to the boarding house. <\/p>\n<p>Wens\u2019s fellow lodgers are a motley bunch: a manservant trying to train a caged bird to sing; the ageing Miss Cuq, described as \u2018une vraie jeunne fille\u2019,  a \u2018maiden\u2019 lady and failed author who perseveres after each rejection; Linz, a doctor dressed for safari, who boasts about surviving 25 years in the bush; Colin, a down-at-heel man who makes faceless dolls meant to resemble the killer; the pick-pocketing Professor Lalah-Poor, a turban-wearing magician and \u2018artiste\u2019; and Kid Robert, a blind former boxer, joined by his attractive nurse. <\/p>\n<p>The lodgers, including Wens and Mila, spy on each other, sneak into each other\u2019s rooms, steal&#8230; there\u2019s no shortage of distrust and malevolence beneath the artificially friendly veneer in the house. Meanwhile, more bodies pile up, including one of their own, after Mila, sticking her nose into the affair, suggests to Miss Cuq that she base a story on Monsieur Durand\u2019s murderous crime wave. But in the end, after some unorthodox detective work, Mila and Wens solve the mystery with plenty of flair, drawing out \u2018Monsieur Durand\u2019 in inimitable fashion. And while <i>The Murderer Lives at Number 21<\/i> might not be as subversive or fiercely brilliant as some of his later films, Clouzot\u2019s impressive debut as a director is a remarkably stylish and entertaining detective story. <\/p>\n<p><I><B>Sarah Cronin<\/B><\/I><\/p>\n<p><B>Watch a clip from <i>The Murderer Lives at Number 21<\/i>:<\/B><\/p>\n<p><iframe loading=\"lazy\" width=\"420\" height=\"315\" src=\"http:\/\/www.youtube.com\/embed\/8elTVdj8qPM\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<div id=\"expander\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Clouzot\u2019s impressive debut as a director is a remarkably stylish and entertaining detective story.<br \/>\n<I><B>Review by Sarah Cronin<\/B><\/I><\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[11,3],"tags":[80,145,643],"class_list":["post-2913","post","type-post","status-publish","format-standard","hentry","category-check-it-out","category-dvds-and-blu-rays","tag-film-noir","tag-french-cinema","tag-henri-georges-clouzot"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","wps_subtitle":"","jetpack_shortlink":"https:\/\/wp.me\/purUP-KZ","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":3059,"url":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2010\/04\/05\/dvd-of-the-month-henri-georges-clouzots-inferno\/","url_meta":{"origin":2913,"position":0},"title":"DVD of the month: Henri Georges Clouzot&#8217;s Inferno","author":"VirginieSelavy","date":"April 5, 2010","format":false,"excerpt":"This documentary about Henri-Georges Clouzot's unfinished 1964 psycho-thriller L'Enfer is as tantalising as it is frustrating. Review by Pamela Jahn and Virginie S\u00e9lavy","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/check-it-out\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/news\/wp-content\/uploads\/2010\/04\/review_inferno-594x445.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/news\/wp-content\/uploads\/2010\/04\/review_inferno-594x445.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/news\/wp-content\/uploads\/2010\/04\/review_inferno-594x445.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":1561,"url":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2011\/03\/04\/les-diaboliques\/","url_meta":{"origin":2913,"position":1},"title":"Les diaboliques","author":"VirginieSelavy","date":"March 4, 2011","format":false,"excerpt":"In Clouzot's vision, truth is mutable, love is a lie, human relationships are constantly shifting and the human heart is complex, contradictory and compromised. Review by Virginie S\u00e9lavy","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/check-it-out\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2011\/03\/review_lesdiaboliques-594x467.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2011\/03\/review_lesdiaboliques-594x467.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2011\/03\/review_lesdiaboliques-594x467.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":131,"url":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2007\/07\/01\/the-wages-of-fear\/","url_meta":{"origin":2913,"position":2},"title":"THE WAGES OF FEAR","author":"VirginieSelavy","date":"July 1, 2007","format":false,"excerpt":"One of the greatest French filmmakers if not one of the best known, Henri-Georges Clouzot made 11 films between 1942 and 1968. His two most famous works, Le Salaire de la Peur (The Wages of Fear), winner of the Grand Prize at Cannes, and Les Diaboliques (1955) established his reputation\u2026","rel":"","context":"In &quot;Home entertainment&quot;","block_context":{"text":"Home entertainment","link":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/dvds-and-blu-rays\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":129,"url":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2007\/07\/01\/le-corbeau\/","url_meta":{"origin":2913,"position":3},"title":"LE CORBEAU","author":"VirginieSelavy","date":"July 1, 2007","format":false,"excerpt":"Although it was beset by controversy, Henri-Georges Clouzot's Le Corbeau is one of the most fiercely brilliant works of French cinema. As noir as noir can get, it offers a vision of humanity as devastating as such masterpieces of misanthropic cinema as Erich von Stroheim's Greed or Fritz Lang's M.\u2026","rel":"","context":"In &quot;Home entertainment&quot;","block_context":{"text":"Home entertainment","link":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/dvds-and-blu-rays\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":127,"url":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2007\/07\/01\/quai-des-orfevres\/","url_meta":{"origin":2913,"position":4},"title":"QUAI DES ORFEVRES","author":"VirginieSelavy","date":"July 1, 2007","format":false,"excerpt":"The film is a seemingly effortless evocation of the low life in 1940s Paris - a shadowed, intimate, but open world through which ugly and beautiful, young and old, victim, suspect, and pursuer move freely. Review by Peter Momtchiloff","rel":"","context":"In &quot;Home entertainment&quot;","block_context":{"text":"Home entertainment","link":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/dvds-and-blu-rays\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":421,"url":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2008\/09\/04\/judex\/","url_meta":{"origin":2913,"position":5},"title":"JUDEX","author":"VirginieSelavy","date":"September 4, 2008","format":false,"excerpt":"Judex (1963) and Nuits Rouges (1973) - packaged together here - are both homages to Louis Feuillade, the French director of silent serials much loved by Bu\u00ed\u00b1uel and the surrealists. 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