{"id":347,"date":"2008-05-01T16:11:32","date_gmt":"2008-05-01T15:11:32","guid":{"rendered":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2008\/05\/01\/terrors-advocate\/"},"modified":"2013-08-16T11:07:33","modified_gmt":"2013-08-16T10:07:33","slug":"terrors-advocate","status":"publish","type":"post","link":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2008\/05\/01\/terrors-advocate\/","title":{"rendered":"Terror&#8217;s Advocate"},"content":{"rendered":"<div class=\"left\">\n<a href=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2008\/05\/review_terrorsadvocate.jpg\" title=\"Terror's Advocate\" rel=\"lightbox[347]\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2008\/05\/review_terrorsadvocate.thumbnail.jpg?w=474\" alt=\"Terror's Advocate\" title=\"Terror's Advocate\" class=\"filmimage\"\/><\/a><\/p>\n<p class=\"caption\">\n<B>Format:<\/B> Cinema<br style=\"line-height: 22px;\"><br \/>\n<B>Release date:<\/B> 16 May 2008<br style=\"line-height: 22px;\"><br \/>\n<B>Venues:<\/B> Curzon Soho, Renoir (London) and key cities<br style=\"line-height: 22px;\"><br \/>\n<B>Distributor:<\/B> Artificial Eye<br style=\"line-height: 22px;\"><br \/>\n<B>Director:<\/B> Barbet Schroeder<br style=\"line-height: 22px;\"><br \/>\n<B>Original title<\/B> <I>L&#8217;Avocat de la terreur<\/I><br style=\"line-height: 22px;\"><br \/>\n<B>Cast:<\/B> Jacques Verg\u00e8s, Abderrahmane Benhamida, Hans-Joachim Klein, Magdalena Kopp<br style=\"line-height: 22px;\"><br \/>\nFrance 2007<br style=\"line-height: 22px;\"><br \/>\n135 minutes\n<\/p>\n<\/div>\n<p class=\"copy\">\n<I>Terror&#8217;s Advocate<\/I> is a chilling study of one man&#8217;s role in the entangled web of twentieth-century terrorism. Told with the dramatic pacing of a political thriller, Barbet Schroeder&#8217;s intense and compelling documentary features an astonishing cast of characters, from resistance fighters to terrorists to war criminals, who have been witnesses and participants in decades of political upheaval, all linked by the same lawyer &#8211; Jacques Verg\u00e8s. An undeniably charismatic and passionate advocate for anti-colonialist struggle and the right to a fair trial, he is a hero to some and a villain to others. This film truly exemplifies the clich&eacute; that one man&#8217;s terrorist is another man&#8217;s freedom fighter, a moral ambiguity that resonates throughout the documentary.<\/p>\n<p class=\"copy\">\nVerg\u00e8s was born in Thailand in 1925 to a French diplomat from R\u00e9union and a Vietnamese mother, and was educated in Paris, where he first met Pol Pot (indeed, the film opens with a disturbing scene of the eloquent, far-left lawyer blaming Cambodia&#8217;s genocide on virtually everything but the Khmer Rouge). Verg\u00e8s began practising law in Algeria in the 1950s, at that time the forefront for nationalist struggles against the &#8216;imperialist oppressor&#8217;. Young and already remarkably egotistic, he took on as his first high-profile client Djamila Bouhired, a member of the Front de Lib\u00e9ration Nationale (FLN), who would go on to become a role model for nationalists and Islamists worldwide &#8211; and Verg\u00e8s&#8217;s future wife. Bouhired planted the bomb at the fashionable Milk Bar in 1956, which killed eleven people and wounded five others, an incident famously immortalised in Gillo Pontecorvo&#8217;s 1966 film <A HREF=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2007\/05\/13\/interview-with-saadi-yacef\/\" class=\"link2\"><I>The Battle of Algiers<\/I><\/A>.<\/p>\n<p class=\"copy\">\nThe film goes on to spin out a complex web of connections and intrigue that ties together Algerian nationalists, German anarchists and pro-Palestinian, pro-Iranian terrorists. Verg\u00e8s became the lawyer for the Popular Front for the Liberation of Palestine (PFLP) after their attacks on the El Al aircraft in the 1960s; the PFLP would go on to form remarkable links with the infamous Carlos the Jackal (something of a terrorist for hire), as well as members of Germany&#8217;s Red Army Faction, creating a notorious terror network across Europe and the Middle East, much of whose activities were aided and financed by the notorious anti-Semite and Nazi sympathizer Fran&ccedil;ois Genoud, one of the more repellent figures to feature in the film. <\/p>\n<p class=\"copy\">\nAs his career progresses, Verg\u00e8s&#8217;s principles become corrupted: his clients become more controversial, his connections with terrorists more appalling. He seems more concerned with self-aggrandizement, fame and money than principle. Verg\u00e8s is perhaps best known in Europe for defending Klaus Barbie, the Nazi SS officer famously known as &#8216;The Butcher of Lyon&#8217;, whose trial was also funded by Genoud. In the interviews with Verg\u00e8s, mostly filmed in a plush study while he smokes a no doubt expensive cigar, he describes the trial with relish. Exhilarated at the opportunity to take on the establishment in such a high-profile case, he deflected the charges against Barbie by dramatically accusing the French government of carrying out war crimes in Algeria in the 1950s. He lost, and Barbie was sentenced to life imprisonment in 1987. <\/p>\n<p class=\"copy\">Though Schroeder is somewhat guilty of glamorizing terrorism (he treats the women active in the FLN, as well as Magdalena Kopp, who was once married to Carlos the Jackal, and was arrested in Paris in a car full of explosives in 1982, with kid gloves) there seems little doubt of his feelings for Verg\u00e8s as the film builds towards its finale. Any kind of empathy with the lawyer and his clients is replaced by a sickening feeling that only intensifies in the final minutes of the film, as the credits roll over photographs of serial killers, Holocaust-deniers, African dictators and war criminals &#8211; all clients. Verg\u00e8s remains a disturbing enigma to the very end in this riveting, must-see history lesson on terror. <\/p>\n<p class=\"copy\"><I><B>Sarah Cronin<\/B><\/I><\/p>\n<p><b>Watch the trailer:<\/B><\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/MAqhvkUr-8g?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<div id=\"expander\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p><I>Terror&#8217;s Advocate<\/I> is a chilling study of one man&#8217;s role in the entangled web of twentieth-century terrorism. Told with the dramatic pacing of a political thriller, Barbet Schroeder&#8217;s intense and compelling documentary features an astonishing cast of characters, from resistance fighters to terrorists to war criminals, who have been witnesses and participants in decades of political upheaval, all linked by the same lawyer &#8211; Jacques Verg&iacute;\u00ad\u00c2\u00a8s.<br \/>\n<I><B>Review by Sarah Cronin<\/B><\/I><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[11,1],"tags":[],"class_list":["post-347","post","type-post","status-publish","format-standard","hentry","category-check-it-out","category-cinema-releases"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","wps_subtitle":"","jetpack_shortlink":"https:\/\/wp.me\/purUP-5B","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":3800,"url":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2013\/11\/13\/in-fear\/","url_meta":{"origin":347,"position":0},"title":"In Fear","author":"Pam Jahn","date":"November 13, 2013","format":false,"excerpt":"TV veteran Jeremy Lovering's feature film debut effectively draws on moody landscapes to construct a flawed, but chilling study of primal terror. Review by Virginie S&#233lavy","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/check-it-out\/"},"img":{"alt_text":"In Fear","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2013\/11\/In-Fear-594x315.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2013\/11\/In-Fear-594x315.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2013\/11\/In-Fear-594x315.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":75,"url":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2007\/05\/03\/the-caiman\/","url_meta":{"origin":347,"position":1},"title":"THE CAIMAN","author":"VirginieSelavy","date":"May 3, 2007","format":false,"excerpt":"The Caiman, Nanni Moretti's follow-up to 2001's The Son's Room, is both a scathing political indictment of Silvio Berlusconi, and a bittersweet, nostalgic film about loss; the two are deeply intertwined in the Italy of the last decades. Review by Sarah Cronin","rel":"","context":"In &quot;Cinema releases&quot;","block_context":{"text":"Cinema releases","link":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/cinema-releases\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":670,"url":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2009\/07\/03\/parade\/","url_meta":{"origin":347,"position":2},"title":"PARADE","author":"VirginieSelavy","date":"July 3, 2009","format":false,"excerpt":"Parade is very different from Tati's other films. It is ostensibly a real-time documentary record of a circus performance in a Swedish cinema. Review by Peter Momtchiloff","rel":"","context":"In &quot;Home entertainment&quot;","block_context":{"text":"Home entertainment","link":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/dvds-and-blu-rays\/"},"img":{"alt_text":"Parade","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2009\/07\/review_parade-150x150.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1964,"url":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2011\/09\/29\/la-piscine\/","url_meta":{"origin":347,"position":3},"title":"La piscine","author":"VirginieSelavy","date":"September 29, 2011","format":false,"excerpt":"The pristine swimming pool of a glamorous couple's private villa in the French Riviera is the focus of Jacques Deray's 1969 tale of lust, co-dependency and revenge. Review by Lisa Williams","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/check-it-out\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2011\/09\/review_Lapiscine-594x384.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2011\/09\/review_Lapiscine-594x384.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2011\/09\/review_Lapiscine-594x384.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":5859,"url":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2015\/10\/02\/february\/","url_meta":{"origin":347,"position":4},"title":"February","author":"Pam Jahn","date":"October 2, 2015","format":false,"excerpt":"Oz Perkins makes his promising directorial debut with this creepy and surprisingly affecting blend of psychological thriller and outright horror. Review by Greg Klymkiw","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/check-it-out\/"},"img":{"alt_text":"February","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2015\/10\/February-594x381.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2015\/10\/February-594x381.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2015\/10\/February-594x381.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":861,"url":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2010\/01\/08\/a-prophet\/","url_meta":{"origin":347,"position":5},"title":"A Prophet","author":"VirginieSelavy","date":"January 8, 2010","format":false,"excerpt":"Following up his gripping and much praised drama The Beat that My Heart Skipped (De battre mon coeur s'est arr\u00ed\u00aat\u00e9, 2005), Jacques Audiard's latest effort feels almost like a continuation of that film in many respects. Review by Toby Weidmann & Virginie S\u00e9lavy","rel":"","context":"In &quot;Cinema releases&quot;","block_context":{"text":"Cinema releases","link":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/cinema-releases\/"},"img":{"alt_text":"A Prophet","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2010\/01\/review_prophet-150x150.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/posts\/347","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/comments?post=347"}],"version-history":[{"count":3,"href":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/posts\/347\/revisions"}],"predecessor-version":[{"id":3489,"href":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/posts\/347\/revisions\/3489"}],"wp:attachment":[{"href":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/media?parent=347"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/categories?post=347"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/tags?post=347"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}