{"id":3581,"date":"2013-09-13T05:56:51","date_gmt":"2013-09-13T04:56:51","guid":{"rendered":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/?p=3581"},"modified":"2013-09-13T06:33:50","modified_gmt":"2013-09-13T05:33:50","slug":"eyes-of-the-spider-serpents-path","status":"publish","type":"post","link":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2013\/09\/13\/eyes-of-the-spider-serpents-path\/","title":{"rendered":"Eyes of the Spider \/ Serpent&#8217;s Path"},"content":{"rendered":"<figure id=\"attachment_3582\" aria-describedby=\"caption-attachment-3582\" style=\"width: 594px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2013\/09\/Eyes-of-the-Spider1.jpg\" rel=\"lightbox[3581]\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2013\/09\/Eyes-of-the-Spider1.jpg?resize=474%2C253\" alt=\"Eyes of the Spider1\" width=\"474\" height=\"253\" class=\"alignnone size-large wp-image-3582\" srcset=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2013\/09\/Eyes-of-the-Spider1.jpg?resize=594%2C317&amp;ssl=1 594w, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2013\/09\/Eyes-of-the-Spider1.jpg?resize=300%2C160&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2013\/09\/Eyes-of-the-Spider1.jpg?w=800&amp;ssl=1 800w\" sizes=\"auto, (max-width: 474px) 100vw, 474px\" \/><\/a><figcaption id=\"caption-attachment-3582\" class=\"wp-caption-text\">Eyes of the Spider<\/figcaption><\/figure>\n<div class=\"left\">\n<p class=\"caption\">\n<B>Format:<\/B> DVD<br style=\"line-height: 22px;\"><br \/>\n<B>Release date:<\/B> 9 September 2013<br style=\"line-height: 22px;\"><br \/>\n<B>Distributor:<\/B> Third Window Films<br style=\"line-height: 22px;\"><br \/>\n<B>Director:<\/B> Kiyoshi Kurosawa<br style=\"line-height: 22px;\"><br \/>\n<B>Title:<\/B> <I>Eyes of the Spider (Kumo no Hitomi)<\/I><br style=\"line-height: 22px;\"><br \/>\n<B>Writers:<\/B> Kiyoshi Kurosawa  Yoichi Nishiyama<br style=\"line-height: 22px;\"><br \/>\n<B>Cast:<\/B> Sh&#038;#333  Aikawa, Dankan Ren Ohsugi, Shun Sugeta<br style=\"line-height: 22px;\"><br \/>\n<B>Title:<\/B> <I>Serpent&#8217;s Path (Hebi no Michi)<\/I><br style=\"line-height: 22px;\"><br \/>\n<B>Writer:<\/B> Hiroshi Takahashi<br style=\"line-height: 22px;\"><br \/>\n<B>Cast:<\/B> Sh&#038;#333  Aikawa, Teruyuki Kagawa,  Y&#038;#363rei Yanagi<br style=\"line-height: 22px;\"><br \/>\nJapan 1998<br style=\"line-height: 22px;\"><br \/>\n83 &#038; 85 mins\n<\/p>\n<\/div>\n<p>Despite his status as one of Japan\u2019s most talented and consistently interesting directors, a great many of <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/features\/2008\/02\/01\/into-the-forbidden-zone-with-kiyoshi-kurosawa\/\">Kiyoshi Kurosawa<\/a>\u2019s films have yet to see an English-language release. Most of the neglected titles come from before the release of <i>Cure<\/i>, the 1997 psycho-thriller that made the director a key figure on the international film scene. Like many of his contemporaries, the young Kurosawa started out directing erotic films for Nikkatsu\u2019s well-established \u2018Roman Porno\u2019 (romantic pornography) line, before branching out into other areas, including an effects-driven haunted house movie (<i>Sweet Home<\/i>, 1989), a superior slasher movie (<i>The Guard from the Underground<\/i>, 1992) and a number of made-for-TV horror films, comedies and yakuza thrillers.<\/p>\n<p><i>Serpent\u2019s Path<\/i> and <i>Eyes of the Spider<\/i> were both filmed in 1997, shortly after <i>Cure<\/i> was completed. Although not sequels in the traditional sense, the two films are linked by central concepts and casting, with both films starring Sh&#038;#333 Aikawa, at the time a major star of the V-cinema or direct-to-video scene. Many of Kurosawa\u2019s early films, including <i>Serpent\u2019s Path<\/i> and <i>Eyes of the Spider<\/i>, were V-cinema movies, and he credits his time working in the field with providing valuable experience and affording an opportunity to experiment with a variety of different film genres. <i>Serpent\u2019s Path<\/i> is one of these experiments; following its completion Kurosawa reworked the script, shifted the focus of the piece and turned it into <i>Eyes of the Spider<\/i>.<\/p>\n<p>Written by <i>Ring<\/i> scriptwriter Hiroshi Takahashi, <i>Serpent\u2019s Path<\/i> begins with two men \u2013 Nijima, a schoolteacher (Sh&#038;#333 Aikawa) and Miyashita (Teruyuki Kagawa), an ex-yakuza \u2013 kidnapping a third (former comedian Y&#038;#363rei Yanagi) and chaining him to a wall in an abandoned factory. Miyashita explains the reason for the kidnapping: he believes their hostage is responsible for the abduction and murder of his 8-year-old daughter. Naturally the man protests his innocence, but his protestations are ignored. After being forced to eat off the floor and denied the use of toilet facilities, the hostage eventually says that he knows who really murdered Miyashita\u2019s daughter. <\/p>\n<p><B>Watch the trailer for <i>Serpent\u2019s Path<\/i>:<\/B><\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/Kf3ykknUo7Q?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>In <i>Eyes of the Spider<\/i> Sh&#038;#333 Aikawa stars as another man called Nijima, although a different character this time. The film starts with him murdering the man who killed his daughter. From this point, Nijima\u2019s life begins to unravel, as his marriage collapses and he ends up working for the yakuza. Throughout all this, the man seems to be almost sleepwalking, as if killing his daughter\u2019s murderer has left him with nothing to live for.<\/p>\n<p><B>Watch the trailer for <i>Eyes of the Spider<\/i>:<\/B><\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/pNWtPW4fnwY?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><i>Serpent\u2019s Path<\/i> and <i>Eyes of the Spider<\/i> were both shot in Kurosawa\u2019s typically understated style, using long takes and a minimum of camera movements. Neither of these films are traditional revenge thrillers, and Kurosawa\u2019s purpose here is to explore the differing effects that achieving vengeance can have upon an individual. There are some last minute revelations, but these are not Hollywood-style twists, merely factors designed to shed new light on the events that have taken place. Kurosawa\u2019s interest here is not in complex plots but in characters, something that has been a trademark of many of his films. Devotees of the director\u2019s work will find these two films an interesting insight into Kurosawa\u2019s early career, another glimpse into the background of a unique filmmaker. Those unfamiliar with Kurosawa\u2019s films are probably better off starting with either <i>Cure<\/i> or the terrifying <i>Pulse<\/i> (2001), before investigating <i>Serpent\u2019s Path<\/i> and <i>Eyes of the Spider<\/i>, although there is still plenty to enjoy here.<\/p>\n<p><B><I>Jim Harper<\/I><\/B><\/p>\n<div id=\"expander\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Devotees of Kiyoshi Kurosawa\u2019s work will find these two films an interesting insight into his early career.<br \/>\n<B><I>Review by Jim Harper<\/I><\/B><\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[11,3],"tags":[97,42,704,706,705,63],"class_list":["post-3581","post","type-post","status-publish","format-standard","hentry","category-check-it-out","category-dvds-and-blu-rays","tag-horror","tag-japanese-cinema","tag-kiyoshi-kurosawa","tag-nikkatsu","tag-roman-porno","tag-thriller"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","wps_subtitle":"","jetpack_shortlink":"https:\/\/wp.me\/purUP-VL","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":5180,"url":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2014\/11\/07\/penance\/","url_meta":{"origin":3581,"position":0},"title":"Penance","author":"Pam Jahn","date":"November 7, 2014","format":false,"excerpt":"Kiyoshi Kurosawa applies his minimalist style to a gloomy, violent miniseries based on Kanae Minato\u2019s bestselling revenge novel. Review by Jim Harper","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/check-it-out\/"},"img":{"alt_text":"Penance","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2014\/11\/Penance-594x334.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2014\/11\/Penance-594x334.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2014\/11\/Penance-594x334.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":507,"url":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2009\/01\/09\/tokyo-sonata\/","url_meta":{"origin":3581,"position":1},"title":"TOKYO SONATA","author":"VirginieSelavy","date":"January 9, 2009","format":false,"excerpt":"In Tokyo Sonata, the story of a typical Japanese family, Kurosawa is concerned with the borders between people, both on a domestic and a national scale. Review by Alexander Pashby","rel":"","context":"In &quot;Cinema releases&quot;","block_context":{"text":"Cinema releases","link":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/cinema-releases\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1203,"url":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2010\/06\/01\/the-hidden-fortress\/","url_meta":{"origin":3581,"position":2},"title":"The Hidden Fortress","author":"VirginieSelavy","date":"June 1, 2010","format":false,"excerpt":"To mark the BFI release of the Kurosawa Samurai Collection, we have a comic review of The Hidden Fortress. Comic strip review by Karen Rubins","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/check-it-out\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2010\/06\/hiddenfortress.gif?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2010\/06\/hiddenfortress.gif?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2010\/06\/hiddenfortress.gif?resize=525%2C300 1.5x"},"classes":[]},{"id":2601,"url":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2013\/02\/21\/the-hidden-fortress-2\/","url_meta":{"origin":3581,"position":3},"title":"The Hidden Fortress","author":"VirginieSelavy","date":"February 21, 2013","format":false,"excerpt":"Akira Kurosawa\u2019s 1958 action adventure The Hidden Fortress belongs to a swashbuckling genre of heroic derring-do: jidaigeki. Review by John Bleasdale","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/check-it-out\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2013\/02\/review_TheHiddenFortress.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2013\/02\/review_TheHiddenFortress.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2013\/02\/review_TheHiddenFortress.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":2351,"url":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/06\/20\/exte-hair-extensions\/","url_meta":{"origin":3581,"position":4},"title":"Exte: Hair Extensions","author":"VirginieSelavy","date":"June 20, 2012","format":false,"excerpt":"Exte succeeds in imbuing its urban nightmare scenario with the director's trademark societal expos\u00e9 to be sufficiently interesting for genre aficionados and Sono devotees alike. Review by John Berra","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/check-it-out\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2012\/06\/Exte-594x339.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2012\/06\/Exte-594x339.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2012\/06\/Exte-594x339.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":278,"url":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2008\/02\/01\/naked-youth\/","url_meta":{"origin":3581,"position":5},"title":"Naked Youth","author":"VirginieSelavy","date":"February 1, 2008","format":false,"excerpt":"This early Nagisa Oshima work is an intense, unglamorous examination of sixties teen angst and rebellion steeped in history. 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