{"id":429,"date":"2008-09-04T11:49:37","date_gmt":"2008-09-04T10:49:37","guid":{"rendered":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2008\/09\/04\/the-chaser\/"},"modified":"2008-09-04T11:49:37","modified_gmt":"2008-09-04T10:49:37","slug":"the-chaser","status":"publish","type":"post","link":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2008\/09\/04\/the-chaser\/","title":{"rendered":"THE CHASER"},"content":{"rendered":"<div class=\"left\">\n<a href=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2008\/09\/review_thechaser.jpg\" title=\"The Chaser\" rel=\"lightbox[429]\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2008\/09\/review_thechaser.thumbnail.jpg?w=474\" alt=\"The Chaser\" title=\"The Chaser\"class=\"filmimage\"\/><\/a> <\/p>\n<p class=\"caption\">\n<B>Format:<\/B> Cinema<br style=\"line-height: 22px;\"><br \/>\n<B>Release date:<\/B> 19 September 2008<br style=\"line-height: 22px;\"><br \/>\n<B>Venues:<\/B> Cineworld Shafts Ave, Vues Islington + Sheperd&#8217;s Bush (London) and key cities<br style=\"line-height: 22px;\"><br \/>\n<B>Distributor:<\/B> Metrodome<br style=\"line-height: 22px;\"><br \/>\n<B>Director:<\/B> Na Hong-jin<br style=\"line-height: 22px;\"><br \/>\n<B>Writers:<\/B> Hong Won-chan, Lee Shinho, Na Hong-jin<br style=\"line-height: 22px;\"><br \/>\n<B>Original title:<\/B> <I>Chugyeogja<\/I><br style=\"line-height: 22px;\"><br \/>\n<B>Cast:<\/B> Kim Yun-seok, Ha Jung-woo, Seo Yeong-hie<br style=\"line-height: 22px;\"><br \/>\nSouth Korea 2008 <br style=\"line-height: 22px;\"><br \/>\n125 mins\n<\/p>\n<\/div>\n<p class=\"copy\">\nFrom first-time director Na Hong-jin comes a film that is part <I>Seven<\/I>, part <I>24<\/I>. Joong-ho (Kim Yun-seok) is an ex-cop turned pimp whose call-girls have recently gone missing. He assumes they ran away from the night business until he tracks their bookings back to one client in particular; enter a psychopathic serial killer who keeps the girls in the basement of his house, torturing them calmly till they die &#8211; during one gruesome scene, in an intense close-up shot, he takes a hammer and chisel to the head of his latest victim, Mi-jin (Seo Yeong-hie, <I>Shadows in the Palace<\/I>), who wriggles in distress whilst the hammer blows come down.<\/p>\n<p class=\"copy\">\nSuspense builds after Joong-ho catches the killer and takes him to the police station, only to find himself accused of assault and impersonation of a police officer while the killer is freed. Not only is the chase on again, but Mi-jin is still slowly bleeding to death in the basement, preying on Joong-ho&#8217;s conscience. By the time the police realise that they let the real killer go, Joong-ho is already in the field, a few steps ahead of them, working alone, Jack Bauer-style.<\/p>\n<p class=\"copy\">\nKim Yun-seok gives an excellent performance as the tough pimp who softens up and genuinely takes responsibility, feeling he has a duty of care for his charges. Filmed mostly at night and with many hand-held sequences, <I>The Chaser<\/I> is a highly polished and accomplished first film for Na Hong-jin. The suspense is taut throughout, and the plot satisfyingly complex.<\/p>\n<p class=\"copy\">A massive success in its native South Korea, <I>The Chaser<\/I> has generated endless discussions on internet forums between those who see it as just a rehashing of late 90s Korean action films and those who can&#8217;t stop enthusing about it. To this reviewer this old dog has no new tricks, but it is worth watching if you are a Korean film fan, not simply because it is slick and smart, but also to make your own mind up. <\/p>\n<p class=\"copy\">Expect this film to hit our screens twice &#8211; Metrodome (the people who brought us <I>Donnie Darko<\/I> and <I>Assembly<\/I>) are releasing this title in the UK and Warner Bros have bought the remake rights.<\/p>\n<p class=\"copy\"><I><B>Joey Leung<\/B><\/I><\/p>\n<div id=\"expander\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>From first-time director Na Hong-jin comes a film that is part <I>Seven<\/I>, part <I>24<\/I>.<br \/>\n<I><B>Review by Joey Leung<\/B><\/I><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-429","post","type-post","status-publish","format-standard","hentry","category-cinema-releases"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","wps_subtitle":"","jetpack_shortlink":"https:\/\/wp.me\/purUP-6V","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":6744,"url":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2016\/05\/19\/the-wailing\/","url_meta":{"origin":429,"position":0},"title":"The Wailing","author":"Pam Jahn","date":"May 19, 2016","format":false,"excerpt":"A tense blend of genres, The Wailing succeeds at combining a mood of deep unease with visceral gore. 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