{"id":515,"date":"2009-01-09T14:20:36","date_gmt":"2009-01-09T13:20:36","guid":{"rendered":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2009\/01\/09\/bring-me-the-head-of-alfredo-garcia\/"},"modified":"2017-01-09T01:15:18","modified_gmt":"2017-01-09T00:15:18","slug":"bring-me-the-head-of-alfredo-garcia","status":"publish","type":"post","link":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2009\/01\/09\/bring-me-the-head-of-alfredo-garcia\/","title":{"rendered":"Bring Me the Head of Alfredo Garcia"},"content":{"rendered":"<figure id=\"attachment_6697\" aria-describedby=\"caption-attachment-6697\" style=\"width: 594px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2009\/01\/Bring-Me-the-Head-of-Alfredo-Garcia.jpg\" rel=\"lightbox[515]\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2009\/01\/Bring-Me-the-Head-of-Alfredo-Garcia.jpg?resize=474%2C267\" alt=\"bring-me-the-head-of-alfredo-garcia\" width=\"474\" height=\"267\" class=\"alignnone size-large wp-image-6697\" srcset=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2009\/01\/Bring-Me-the-Head-of-Alfredo-Garcia.jpg?resize=594%2C334&amp;ssl=1 594w, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2009\/01\/Bring-Me-the-Head-of-Alfredo-Garcia.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2009\/01\/Bring-Me-the-Head-of-Alfredo-Garcia.jpg?w=800&amp;ssl=1 800w\" sizes=\"auto, (max-width: 474px) 100vw, 474px\" \/><\/a><figcaption id=\"caption-attachment-6697\" class=\"wp-caption-text\">Bring Me the Head of Alfredo Garcia<\/figcaption><\/figure>\n<div class=\"left\">\n<p class=\"caption\">\n<B>Format:<\/B> Cinema<br style=\"line-height: 22px;\"><br \/>\n<B>Release date:<\/B> 10-15 January 2009<br style=\"line-height: 22px;\"><br \/>\n<B>Venues:<\/B> BFI Southbank (London) and key cities<br style=\"line-height: 22px;\"><br \/>\n<B>Distributor:<\/B> Park Circus Films<br style=\"line-height: 22px;\"><br \/>\nPart of the Sam Peckinpah season at the BFI Southbank, 10-31 January. More info <A HREF=\"http:\/\/www.bfi.org.uk\/whatson\/bfi_southbank\/film_programme\/january_seasons\/sam_peckinpah\" class=\"link1\" target=\"_blank\">here<\/A>.<br style=\"line-height: 22px;\"><br \/>\n<B>Director:<\/B> Sam Peckinpah<br style=\"line-height: 22px;\"><br \/>\n<B>Writers:<\/B> Frank Kowalski, Sam Peckinpah, Gordon T Dawson<br style=\"line-height: 22px;\"><br \/>\n<B>Cast:<\/B> Warren Oates, Gig Young, Isela Vega, Kris Kristofferson  <br style=\"line-height: 22px;\"><br \/>\nUSA 1974<br style=\"line-height: 22px;\"><br \/>\n112 mins\n<\/p>\n<\/div>\n<p class=\"copy\">\nLionised by a particular kind of (mostly male) film fan, Sam Peckinpah&#8217;s accomplishments as a director are often overshadowed by his legendarily disordered personal life. And much like the man himself &#8216;Bloody Sam&#8221;s 1974 film <I>Bring Me the Head of Alfredo Garcia<\/I> is loved and loathed in equal measure.  <\/p>\n<p class=\"copy\">\nCritically savaged on release (Harry Medved included it alongside clunkers like <I>Santa Claus Conquers The Martians<\/I> in his book <I>The Fifty Worst Films of All Time<\/I>), its reputation has nevertheless lived on in some curiously varied places: David Lynch is a fan, while it&#8217;s almost certainly the only movie to be both an influence on Quentin Tarantino and the punchline to a running joke on Radio 4 panel show &#8216;I&#8217;m Sorry I Haven&#8217;t A Clue&#8217;. Famously one of the few Peckinpah films not to be subject to studio intervention, this peculiarly lurid B-movie is also his most personal. It&#8217;s for this reason that Peckinpah himself loved it more than <I>The Wild Bunch<\/I>, <I>Junior Bonner, The Getaway<\/I> or any of his more commercially successful or accomplished movies. &#8216;I did <I>Bring Me the Head of Alfredo Garcia<\/I> and I did it exactly the way I wanted to&#8217;, he said in 1975. &#8216;Good or bad, like it or not, that was <i>my<\/i> film&#8217;.\n<\/p>\n<p class=\"copy\">\nAn odd and at times uncomfortable mix of Western, <I>noir<\/I>, horror, black humour and genuinely tender love story, it follows Warren Oates&#8217;s loser bartender Bennie as he travels through rural Mexico searching for the Garcia of the title. Bennie isn&#8217;t alone, though: a million-dollar bounty has been put on Garcia by an aggrieved <i>patr&iacute;\u00ad\u00c2\u00b3n<\/i> whose daughter he has impregnated, so various professional bounty hunters are also seeking to find Garcia and return with very physical proof of his death.  <\/p>\n<p class=\"copy\">What follows is a customarily bloody and unusually funny Peckinpah curio, redeemed almost totally by Oates&#8217;s performance. Peckinpah scholars claim Bennie is a thinly-veiled self-portrait of the director &#8211; right down to the constant drinking and permanent sunglasses &#8211; and Oates&#8217;s depiction of flawed, desperate masculinity is built on equal amounts of sadness, rage and frustration. The essentially pointless chase for Garcia&#8217;s severed head is Bennie&#8217;s last chance at achieving some kind of redemption. Ultimately, Bennie manages a kind of nobility amongst the moral squalor of his surroundings, but only after his girlfriend and scores of others are killed and he has contended with the practicalities of transporting a rapidly decomposing human head through the Mexican heat. <\/p>\n<p class=\"copy\">The BFI&#8217;s Sam Peckinpah season offers the chance to see the film in a much better print than the notoriously poor one shown very occasionally on TV &#8211; which means that the dialogue will be audible for a start &#8211; but although the picture quality may be good, it can&#8217;t stop this from being a pretty grimy film. Indeed, your appreciation of it will largely depend on whether you trust Peckinpah enough to spend two hours with him jettisoning the Big Themes of his best work for a kaleidoscopic mix of gay hitmen, shallow graves, Kris Kristofferson as a bashful would-be rapist and Warren Oates having a one-way conversation with a dead man&#8217;s head in a calico sack. Because, like Peckinpah himself, <I>Bring Me the Head of Alfredo Garcia<\/I> is a mixture of the very very good and the very very bad. In this respect, it&#8217;s probably the director&#8217;s ultimate movie.<\/p>\n<div class=\"info\"><I>Bring Me the Head of Alfredo Garcia<\/I> is released with a brand new 4K restoration on Limited Edition Blu-ray by Arrow Video on 23 January 2017.<\/div>\n<p class=\"copy\"><I><B>Pat Long<\/B><\/I><\/p>\n<div id=\"expander\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Lionised by a particular kind of (mostly male) film fan, Sam Peckinpah&#8217;s accomplishments as a director are often overshadowed by his legendarily disordered personal life. And much like the man himself &#8216;Bloody Sam&#8221;s 1974 film <I>Bring Me the Head of Alfredo Garcia<\/I> is loved and loathed in equal measure.<br \/>\n<I><B>Review by Pat Long<\/B><\/I><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[11,1,3],"tags":[],"class_list":["post-515","post","type-post","status-publish","format-standard","hentry","category-check-it-out","category-cinema-releases","category-dvds-and-blu-rays"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","wps_subtitle":"","jetpack_shortlink":"https:\/\/wp.me\/purUP-8j","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1472,"url":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2011\/01\/14\/breakfast-at-tiffanys\/","url_meta":{"origin":515,"position":0},"title":"Breakfast at Tiffany&#8217;s","author":"VirginieSelavy","date":"January 14, 2011","format":false,"excerpt":"A light, sugar-coated take on Truman Capote's novella, the elegant, sparkly Hollywood classic screens at BFI Southbank and around the UK from January 21. Comic strip review by Francesca Cassavetti","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/check-it-out\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2011\/01\/review_tiffanys-594x839.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2011\/01\/review_tiffanys-594x839.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2011\/01\/review_tiffanys-594x839.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":4706,"url":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2014\/07\/28\/one-man-manic-monologue\/","url_meta":{"origin":515,"position":1},"title":"One Man Manic Monologue","author":"Pam Jahn","date":"July 28, 2014","format":false,"excerpt":"To celebrate the work of maverick actor, director and artist Dennis Hopper, we take an illustrated look at his extensive film career. Comic Strip Review by Chris Doherty","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/check-it-out\/"},"img":{"alt_text":"HopperFull 1","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2014\/07\/HopperFull-1-594x1355.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2014\/07\/HopperFull-1-594x1355.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2014\/07\/HopperFull-1-594x1355.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":2183,"url":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/02\/07\/falling-the-allure-of-the-femme-fatale-in-the-world-of-david-lynch\/","url_meta":{"origin":515,"position":2},"title":"Falling: The Allure of the Femme Fatale in the World of David Lynch","author":"VirginieSelavy","date":"February 7, 2012","format":false,"excerpt":"To mark the complete David Lynch restrospective at BFI Southbank, which runs from 7 to 29 February 2012 and includes his early shorts, we have a comic strip on his femmes fatales. Comic Strip Review by Richy K. Chandler","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/check-it-out\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2012\/02\/Richy-David-Lynch-Femme-Fatalles-Page-1.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2012\/02\/Richy-David-Lynch-Femme-Fatalles-Page-1.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2012\/02\/Richy-David-Lynch-Femme-Fatalles-Page-1.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":328,"url":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2008\/05\/01\/radio-on\/","url_meta":{"origin":515,"position":3},"title":"RADIO ON","author":"VirginieSelavy","date":"May 1, 2008","format":false,"excerpt":"Finally available on DVD for the first time in the UK, Chris Petit's haunting, existential synthesis of thriller and road movie is one of the most striking feature debuts in British cinema. Review by Jason Wood","rel":"","context":"In &quot;Home entertainment&quot;","block_context":{"text":"Home entertainment","link":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/dvds-and-blu-rays\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1561,"url":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2011\/03\/04\/les-diaboliques\/","url_meta":{"origin":515,"position":4},"title":"Les diaboliques","author":"VirginieSelavy","date":"March 4, 2011","format":false,"excerpt":"In Clouzot's vision, truth is mutable, love is a lie, human relationships are constantly shifting and the human heart is complex, contradictory and compromised. Review by Virginie S\u00e9lavy","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/check-it-out\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2011\/03\/review_lesdiaboliques-594x467.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2011\/03\/review_lesdiaboliques-594x467.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2011\/03\/review_lesdiaboliques-594x467.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":1323,"url":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2010\/09\/05\/adelheid\/","url_meta":{"origin":515,"position":5},"title":"Adelheid","author":"VirginieSelavy","date":"September 5, 2010","format":false,"excerpt":"It is immediately clear that Adelheid is more subtle and sombre than any of these in its treatment of the war, or rather of its moral and emotional aftermath. Review by Peter Momtchiloff","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/check-it-out\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2010\/09\/1969-adelheid.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2010\/09\/1969-adelheid.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2010\/09\/1969-adelheid.jpg?resize=525%2C300 1.5x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/posts\/515","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/comments?post=515"}],"version-history":[{"count":2,"href":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/posts\/515\/revisions"}],"predecessor-version":[{"id":6698,"href":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/posts\/515\/revisions\/6698"}],"wp:attachment":[{"href":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/media?parent=515"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/categories?post=515"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/tags?post=515"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}