{"id":5304,"date":"2015-01-30T12:10:17","date_gmt":"2015-01-30T11:10:17","guid":{"rendered":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/?p=5304"},"modified":"2015-01-30T19:03:39","modified_gmt":"2015-01-30T18:03:39","slug":"tales-of-the-grim-sleeper","status":"publish","type":"post","link":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2015\/01\/30\/tales-of-the-grim-sleeper\/","title":{"rendered":"Tales of the Grim Sleeper"},"content":{"rendered":"<figure id=\"attachment_5305\" aria-describedby=\"caption-attachment-5305\" style=\"width: 594px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2015\/01\/Tales-of-the-Grim-Sleeper.jpg\" rel=\"lightbox[5304]\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2015\/01\/Tales-of-the-Grim-Sleeper.jpg?resize=474%2C355\" alt=\"Tales of the Grim Sleeper\" width=\"474\" height=\"355\" class=\"alignnone size-large wp-image-5305\" srcset=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2015\/01\/Tales-of-the-Grim-Sleeper.jpg?resize=594%2C445&amp;ssl=1 594w, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2015\/01\/Tales-of-the-Grim-Sleeper.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2015\/01\/Tales-of-the-Grim-Sleeper.jpg?w=800&amp;ssl=1 800w\" sizes=\"auto, (max-width: 474px) 100vw, 474px\" \/><\/a><figcaption id=\"caption-attachment-5305\" class=\"wp-caption-text\">Tales of the Grim Sleeper<\/figcaption><\/figure>\n<div class=\"left\">\n<p class=\"caption\">\n<B>Format:<\/B> Cinema<br style=\"line-height: 22px;\"><br \/>\n<B>Release date:<\/B> 30 January 2015<br style=\"line-height: 22px;\"><br \/>\n<B>Distributor:<\/B> Sky Vision<br style=\"line-height: 22px;\"><br \/>\n<B>Director:<\/B> Nick Broomfield<br style=\"line-height: 22px;\"><br \/>\nUSA, UK 2014<br style=\"line-height: 22px;\"><br \/>\n105 mins\n<\/p>\n<\/div>\n<p>British documentarian Nick Broomfield \u2013 aka the man with the boom (and bumbling persona) \u2013 returns with this incisive look at the grim realities of life in South Central Los Angeles. <\/p>\n<p>Broomfield is best known for his 1990s documentaries, including <i>Kurt &#038; Courtney<\/i> and <i>Aileen Wuornos: The Selling of a Serial Killer<\/i>, while his investigation into an Iraq massacre, <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2008\/02\/01\/battle-for-haditha\/\"><i>Battle for Haditha<\/i><\/a>, drew much praise in 2007. His films, which tend to feature him in front of the camera as much as behind, spawned a host of imitators (Michael Moore and Louis Theroux among them). Now a sprightly 66, he\u2019s back pacing the streets, of grimsville South Central, or else driving a black Mercedes, with son Barney (off camera) and local junkie come good, Pamela Brooks, in tow. Ms Brooks guides the Broomsfields around the poverty-stricken neighbourhood, and steals the show. <\/p>\n<p>On the face of it, Broomfield\u2019s film appears to be examining the murder trial of one Lonnie Franklin Jr, arrested in 2010 and charged with the murder of 10 prostitutes and transients, stretching back 25 years. However, it soon emerges that the number of victims could \u2018run into hundreds\u2019 as Broomfield himself points out, during his sobering voice-over introduction. As he and his small crew meet Franklin\u2019s friends and neighbours, Broomfield wonders how on earth this behaviour could have gone undetected for so long (DNA links Franklin to the murders). He soon finds an LAPD indifferent to the welfare of the poor black communities affected. Drug abuse, particularly crack, appears to be rife.<\/p>\n<p>The narrative takes an increasingly grim turn as Franklin\u2019s neighbours and friends call Broomfield back (after initial encounters) to recall disturbing incidents in Franklin\u2019s house that they had previously brushed off. Hence Franklin goes from Mr Nice Guy to Mr Weirdo pretty quickly. We hear of his horrific abuse of his victims (with his son, Chris, apparently observing through a peep hole). Hundreds of photos of unidentified women in compromising positions are found on his wall. There is the strong suggestion that he dumped many of the bodies in the local tip, where he used to work.<\/p>\n<p>Local community leaders, including Margaret Prescod, head of the Black Coalition Fighting Back Serial Murders, prove particularly insightful. Some of Franklin\u2019s former conquests (who managed to get away) relive their ordeals. Yet the LAPD remains silent, beyond a PR-driven press conference that hails Franklin\u2019s arrest as a victory for law and order. They bluntly refused, apparently, to be interviewed.<\/p>\n<p>Broomfield never actually questions Franklin\u2019s guilt (which is reasonable, given the evidence against him). But he does throw a spotlight on this impoverished part of a famously wealthy city, demanding to know why the police investigating these serial killings did so little, for so long. As Prescod quite rightly says, if the victims were white women in Beverly Hills, the LAPD would be all over the case in a flash. It is a striking and powerful film, and certainly one of Broomfield\u2019s best for quite some time.<\/p>\n<p><I><B>Ed Gibbs<\/B><\/I><\/p>\n<div id=\"expander\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>British documentarian Nick Broomfield returns with this incisive look at the grim realities of life in South Central Los Angeles.<br \/>\n<I><B>Review by Ed Gibbs<\/B><\/I><\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[11,1],"tags":[355,1136,562],"class_list":["post-5304","post","type-post","status-publish","format-standard","hentry","category-check-it-out","category-cinema-releases","tag-documentaries","tag-nick-broomfield","tag-serial-killers"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","wps_subtitle":"","jetpack_shortlink":"https:\/\/wp.me\/purUP-1ny","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":284,"url":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2008\/02\/01\/battle-for-haditha\/","url_meta":{"origin":5304,"position":0},"title":"BATTLE FOR HADITHA","author":"VirginieSelavy","date":"February 1, 2008","format":false,"excerpt":"Recreating a shocking incident of the Iraq war in an ultra-realist narrative, Nick Broomfield's Battle For Haditha compellingly explores the viewpoints of all sides. Review by Jason Wood","rel":"","context":"In &quot;Cinema releases&quot;","block_context":{"text":"Cinema releases","link":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/cinema-releases\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":4068,"url":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2014\/02\/24\/we-are-what-we-are-2\/","url_meta":{"origin":5304,"position":1},"title":"We Are What We Are","author":"Pam Jahn","date":"February 24, 2014","format":false,"excerpt":"Far less brutal and bloody than its Mexican predecessor, Jim Mickle's remake exerts a spellbinding charm that is all its own. Review by Virginie S&#233lavy","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/check-it-out\/"},"img":{"alt_text":"We Are What We Are","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2014\/02\/We-Are-What-We-Are1-594x354.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2014\/02\/We-Are-What-We-Are1-594x354.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2014\/02\/We-Are-What-We-Are1-594x354.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":2148,"url":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/01\/13\/tatsumi\/","url_meta":{"origin":5304,"position":2},"title":"Tatsumi","author":"VirginieSelavy","date":"January 13, 2012","format":false,"excerpt":"Manga-ka Tatsumi's classic tales reveal a downside to Japan's economic boom, concentrating on the alienated and ground-down beset by warped sexual obsessions, degradation at the workplace and humiliation at home. Review by Mark Stafford","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/check-it-out\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2012\/01\/review_Tatsumi_Hell-594x334.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2012\/01\/review_Tatsumi_Hell-594x334.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2012\/01\/review_Tatsumi_Hell-594x334.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":2243,"url":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/03\/30\/into-the-abyss-a-tale-of-death-a-tale-of-life\/","url_meta":{"origin":5304,"position":3},"title":"Into the Abyss: a Tale of Death, a Tale of Life","author":"VirginieSelavy","date":"March 30, 2012","format":false,"excerpt":"In this documentary about life on death row, Herzog does not linger on eviscerating questions of guilt versus innocence. Review by Emily McMehen","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/check-it-out\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2012\/03\/into-the-abyss-594x334.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2012\/03\/into-the-abyss-594x334.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2012\/03\/into-the-abyss-594x334.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":5017,"url":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2014\/09\/27\/ned-rifle\/","url_meta":{"origin":5304,"position":4},"title":"Ned Rifle","author":"Pam Jahn","date":"September 27, 2014","format":false,"excerpt":"More twee neo-noir quirkiness from Hal Hartley. Review by Greg Klymkiw","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/check-it-out\/"},"img":{"alt_text":"Ned Rifle","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2014\/09\/Ned-Rifle-594x395.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2014\/09\/Ned-Rifle-594x395.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2014\/09\/Ned-Rifle-594x395.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":1893,"url":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2011\/08\/11\/funeral-parade-of-roses\/","url_meta":{"origin":5304,"position":5},"title":"Funeral Parade of Roses","author":"VirginieSelavy","date":"August 11, 2011","format":false,"excerpt":"Released in 1969 and shot in black and white, the film has the temperament and daring of an underground art film, but without any of the drawbacks. Review by John Bleasdale","rel":"","context":"In &quot;Check it out&quot;","block_context":{"text":"Check it out","link":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/check-it-out\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2011\/08\/funeralparadeofroses02-594x435.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2011\/08\/funeralparadeofroses02-594x435.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2011\/08\/funeralparadeofroses02-594x435.jpg?resize=525%2C300 1.5x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/posts\/5304","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/comments?post=5304"}],"version-history":[{"count":4,"href":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/posts\/5304\/revisions"}],"predecessor-version":[{"id":5310,"href":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/posts\/5304\/revisions\/5310"}],"wp:attachment":[{"href":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/media?parent=5304"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/categories?post=5304"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/wp-json\/wp\/v2\/tags?post=5304"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}