{"id":5355,"date":"2015-04-01T01:05:34","date_gmt":"2015-04-01T00:05:34","guid":{"rendered":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/?p=5355"},"modified":"2015-09-07T09:06:42","modified_gmt":"2015-09-07T08:06:42","slug":"rigor-mortis","status":"publish","type":"post","link":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2015\/04\/01\/rigor-mortis\/","title":{"rendered":"Rigor Mortis"},"content":{"rendered":"<figure id=\"attachment_5358\" aria-describedby=\"caption-attachment-5358\" style=\"width: 594px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2015\/02\/RigorMortis1.jpg\" rel=\"lightbox[5355]\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2015\/02\/RigorMortis1.jpg?resize=474%2C238\" alt=\"RigorMortis1\" width=\"474\" height=\"238\" class=\"alignnone size-large wp-image-5358\" srcset=\"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2015\/02\/RigorMortis1.jpg?resize=594%2C298&amp;ssl=1 594w, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2015\/02\/RigorMortis1.jpg?resize=300%2C150&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2015\/02\/RigorMortis1.jpg?w=800&amp;ssl=1 800w\" sizes=\"auto, (max-width: 474px) 100vw, 474px\" \/><\/a><figcaption id=\"caption-attachment-5358\" class=\"wp-caption-text\">Rigor Mortis<\/figcaption><\/figure>\n<div class=\"left\">\n<p class=\"caption\">\n<B>Format:<\/B> Cinema<br style=\"line-height: 22px;\"><br \/>\n<B>Release date:<\/B> 24 April 2015<br style=\"line-height: 22px;\"><br \/>\n<B>Distributor:<\/B> Metrodome<br style=\"line-height: 22px;\"><br \/>\n<B>Director:<\/B> Juno Mak<br style=\"line-height: 22px;\"><br \/>\n<B>Writers:<\/B> Philip Yung, Jill Leung, Juno Mak<br style=\"line-height: 22px;\"><br \/>\n<B>Cast:<\/B> Chin Siu-ho, Anthony Chan, Kara Hui, Lo Hoi-pang, Paw Hee-ching<br style=\"line-height: 22px;\"><br \/>\nHong Kong 2013<br style=\"line-height: 22px;\"><br \/>\n101 mins\n<\/p>\n<\/div>\n<p>Juno Mak, who played the lead in, and wrote the story for, tragic thriller <i>Revenge: A Love Story<\/i>, makes his directorial debut with a superb, sombre homage to 1980s Chinese vampire films, in particular Ricky Lau\u2019s supernatural action comedy <i>Mr. Vampire<\/i>. Featuring members of Lau\u2019s original cast, <i>Rigor Mortis<\/i> foregoes the humour of the earlier film for a brooding, melancholy mood and dreamlike atmosphere. <i>Mr. Vampire<\/i>\u2019s Chin Siu-Ho plays a forlorn former actor who attempts to commit suicide after moving into a bleak, ominous building. His neighbour Yau intervenes and saves him, but Chin and his neighbours will have to face the dark forces at work in his new home.<\/p>\n<p><i>Rigor Mortis<\/i> draws on Chinese vampire mythology, which gives the story a fascinating, mysterious (to Western audiences) edge. Taoist vampire hunter Yau and his ally\/nemesis, the black magician Gau, use amulets, spells, glutinous rice and red string (creating gorgeous tentacular visuals), and, in Yau\u2019s case, the Taoist wheel and its five elements, to control the supernatural creatures unleashed \u2013 including an impressively macabre zombie\/vampire. With CGI used to terrific effect, the film features breath-taking fight sequences that alternate flowing balletic grace with sharp bursts of bloody action. <\/p>\n<p>Startling, beautiful and eerie, <i>Rigor Mortis<\/i> takes place in an otherworldly realm of constantly croaking crows, muted grey colours, strange children and upside down gardens growing on ceilings, all underpinned by a haunting, creepy score. While the elliptical, circular narrative is left open to interpretation, it seems to suggest that what we are watching is the heroic death dreamed by a dying actor, the casting of Chin Siu-Ho giving added poignancy to this idea. A superb, haunting, darkly poetic debut not to be missed. <\/p>\n<p><I><B>Virginie S&#233;lavy<\/B><\/I><\/p>\n<div class=\"info\">This review is part of our <a href=\"http:\/\/www.electricsheepmagazine.co.uk\/events\/2014\/10\/london-film-festival-2014-preview\/\">LFF 2014 coverage<\/a>.<\/div>\n<p><b>Watch the trailer:<\/B><\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/wd-GUUREFB8?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<div id=\"expander\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Juno Mak makes his directorial debut with a superb, sombre homage to 1980s Chinese vampire films.<br \/>\n<I><B>Review by Virginie S&#233;lavy<\/B><\/I><\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[11,1],"tags":[103,141,1146,162,177],"class_list":["post-5355","post","type-post","status-publish","format-standard","hentry","category-check-it-out","category-cinema-releases","tag-hong-kong-cinema","tag-horror-cinema","tag-juno-mak","tag-vampire-film","tag-vampires"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","wps_subtitle":"","jetpack_shortlink":"https:\/\/wp.me\/purUP-1on","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":375,"url":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2008\/07\/01\/the-case\/","url_meta":{"origin":5355,"position":0},"title":"THE CASE","author":"VirginieSelavy","date":"July 1, 2008","format":false,"excerpt":"Dank, dark spaces and untamed tropical nature encroach upon a remote Yunnanese inn, where the appearance of a mysterious, floating case signals the return of dormant, irrational desires for the mild-mannered protagonist He Dashang (Wu Gang). 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