{"id":67,"date":"2007-05-03T17:34:04","date_gmt":"2007-05-03T16:34:04","guid":{"rendered":"http:\/\/www.electricsheepmagazine.co.uk\/reviews\/2007\/05\/03\/knife-in-the-water\/"},"modified":"2007-05-03T17:34:04","modified_gmt":"2007-05-03T16:34:04","slug":"knife-in-the-water","status":"publish","type":"post","link":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2007\/05\/03\/knife-in-the-water\/","title":{"rendered":"KNIFE IN THE WATER"},"content":{"rendered":"
\n\"Knife<\/a><\/p>\n

\nFormat:<\/B> Cinema

\nScreening on:<\/B> 5 May 2007

\nTime:<\/B> 3:30pm

\nVenue:<\/B> The Barbican, London

\nDirector:<\/B> Roman Polanski

\nOriginal title:<\/B> Ní\u00ad\u00c2\u00b3z w wodzie

\nCast:<\/B> Leon Niemczyk, Jolanta Umecka, Zygmunt Malanowicz

\nPoland 1962

\n94 minutes\n<\/p>\n<\/div>\n

\nShowing as part of the Roman Polanski season at the Barbican, the Polish director’s first feature is a landmark of sixties cinema, an outstanding debut that more than holds its own among the New Wave masterpieces of the time. Already evident there are the unnerving sense of menace and the scalpel-sharp psychological dissections that he would later develop in such masterpieces as Repulsion<\/I> and Chinatown<\/I> – which are also included in the programme.<\/p>\n

\nKnife in the Water<\/I> is a minimalist classic, a tight, bare, existential thriller low on budget but high on imagination. Andrzej and Krystyna, a well-off couple, are on their way to a lake for a boat trip when they almost run over a hitch-hiker. They give him a lift and invite him to join them on their excursion. Once on the boat in the middle of the vast lake, Andrzej begins to play a perverse power game with the young drifter. Tensions simmer as he orders the young man about, daring him to take risks, and the feeling of danger becomes more palpable when the young man reveals he carries a large knife. As the two men clash over and over again, the escalation of macho bravado leads to an increasingly volatile situation. <\/p>\n

\nPolanski’s brilliant direction infuses exceptional depth and intensity into the simple set-up. The claustrophobic shots that enclose the three characters convey a sense of menace and doom that is emphasised by the stark black and white images and the moody jazz score. The film offers no hope: although the two men seem to be opposed in age and social standing, they are essentially the same, as a disillusioned Krystyna points out. From Polanski’s dark view of mankind emerges an impressively subtle psychological study that concludes with marvellous ambiguity. A lean and mean, misanthropic gem.<\/p>\n

Virginie Sélavy <\/B><\/I><\/p>\n

Also showing as part of the Roman Polanski season: Repulsion<\/I> (May 12), Cul-De-Sac<\/I> (May 19), Chinatown<\/I> (May 26), The Pianist<\/I> (June 2).<\/p>\n

<\/div>\n","protected":false},"excerpt":{"rendered":"

Showing as part of the Roman Polanski season at the Barbican, the Polish director’s first feature is a landmark of sixties cinema, an outstanding debut that more than holds its own among the New Wave masterpieces of the time.
\nReview by Virginie Sélavy <\/B><\/I><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-67","post","type-post","status-publish","format-standard","hentry","category-cinema-releases"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","wps_subtitle":"","jetpack_shortlink":"https:\/\/wp.me\/purUP-15","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2558,"url":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2013\/01\/03\/repulsion\/","url_meta":{"origin":67,"position":0},"title":"Repulsion","author":"VirginieSelavy","date":"January 3, 2013","format":false,"excerpt":"Polanski\u2019s architecture of choice is the late Victorian flat with its excesses of cornicing, cast iron radiators and sash windows. Review by Nicola Woodham","rel":"","context":"In "Check it out"","block_context":{"text":"Check it out","link":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/check-it-out\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2013\/01\/review_Repulsion-594x451.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2013\/01\/review_Repulsion-594x451.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.electricsheepmagazine.co.uk\/reviews\/wp-content\/uploads\/2013\/01\/review_Repulsion-594x451.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":2172,"url":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2012\/02\/01\/carnage\/","url_meta":{"origin":67,"position":1},"title":"Carnage","author":"VirginieSelavy","date":"February 1, 2012","format":false,"excerpt":"This is cinema as scab-picking and the characters are all cursed with an inability to let anyone else have the last word. 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The young man put the time to good use: he turned the family home into a movie studio and shot a 14-minute\u2026","rel":"","context":"In "Cinema releases"","block_context":{"text":"Cinema releases","link":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/category\/cinema-releases\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":379,"url":"https:\/\/www.electricsheepmagazine.co.uk\/reviews\/2008\/07\/01\/memories-of-underdevelopment\/","url_meta":{"origin":67,"position":3},"title":"MEMORIES OF UNDERDEVELOPMENT","author":"VirginieSelavy","date":"July 1, 2008","format":false,"excerpt":"Like the classic fl\u00ed\u00ad\u00c2\u00a2neur Sergio wanders aimlessly about the streets of Havana, meditating on the true meaning behind the agitprop facade which continuously plays out on his TV. 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