According to Lynch, a private screening of his debut film Eraserhead ended with Brooks declaring, ‘You’re a mad man, I love you. You’re in’.
Review by Paul Huckerby

Eraserhead sets the tone for Lynch’s career, the Emphasis upon 1950s Americana, the many dreamlike slow-motion scenes with constant industrial rumblings and hissings always subliminally present.
Review by Franz Kerola

To mark the DVD release of The Short Films of David Lynch, which coincides with a new print of Eraserhead, Alex Fitch sat down with the artist Tom Humberstone to discuss Lynch’s short films within the context of his career as a whole.
Review by Alex Fitch and Tom Humberstone

Inland Empire, David Lynch’s tenth feature, is in many ways a summing-up of his career so far.
Review by Kim Nicolajsen