Electric Sheep will be returning to the Karlovy Vary International Film Festival this year and the programme of its 53rd edition looks as exciting and promising as ever.
The Cannes Film Festival is planning to shake things up a bit during its 71st edition.
When the official festival line-up was announced last month, a sigh went through the crowd. Not only had Netflix been barred from this year’s Official Competition, but what’s worse was the repeatedly low number of female directors on display – only three out of 21 this time, undoubtedly a meagre result.
Electric Sheep founder Virginie Sélavy explores the influence of May 68 on the major French films released that year and looks at their contrasting vision.
1968 was a year of revolutionary turmoil all over the world, from anti-Vietnam war, feminist activism and civil rights protests in the USA to student demonstrations in Japan and Mexico and uprisings in Poland and Czechoslovakia. In France, student protests and a general workers’ strike brought the country to a standstill in May 68, marking a key moment of social, ideological and generational rupture.
Uncanny Locations: In this episode, Alex Fitch looks at films set in uncanny locations. Alex Fitch talks to director Bart Simpson about his documentary film Brasília: Life After Design, which is screening at this year’s East End Film Festival, plus his producing role on Moebius Redux and The Corporation.
Books on film – Blade Runner and The Prisoner: In this month’s show, Alex Fitch talks to two exceptional writer-directors about their writing on film and adapting classic texts into movies. Alex Cox discusses his book I Am (Not) a Number, which investigates a potential solution to the mystery of The Prisoner, and two of his films: Three Businessmen and Death and the Compass, which is based on the short story by Jorge Luis Borges.
With over 400 films on show, the Berlinale offers an incredibly eclectic, fun and hugely exciting blend of new cinema.
With over 400 films to screen over the next ten days, the Berlinale retains the lead as the first big European festival event of the year. The selection films presented in Competition this time round reach from high-profile premieres like Wes Anderson’s fantastical new stop-motion animated feature Isle of Dogs, which serves as the festival’s opening feature, and Gus Van Sants Don’t Worry, He Won’t Get Far on Foot , starring Joaquin Phoenix, Jonah Hill, Rooney Mara, Jack Black, and Udo Kier, to bold new works from always exciting directors such as Christian Petzold (Transit), Philip Gröning (My Brother’s Name is Robert and He is an Idiot), Laura Bispuri (Figlia mia), Lav Diaz (Season of the Devil) and Steven Soderbergh (Unsane), starring Claire Foy and shot completely on iPhone.
50 Years of The Prisoner: A special two hour programme celebrating the 50th anniversary of classic cult TV show The Prisoner. Alex Fitch talks to two editors of the show – Ian Rakoff and John S. Smith – and hosts a live commentary track for the episode ‘Living in Harmony’ with Smith, Rakoff (who also wrote the episode), Prisoner historian Rick Davy, and Rob Fairclough, writer of The Official Prisoner Companion book.
Anglo-Italian Thrillers: In this episode of Electric Sheep’s monthly film show, Alex Fitch looks at British and Italian thrillers, including a selection of interviews recorded at Cine-Excess and SCI-FI-LONDON film festivals.
Halloween Horrors: In this month’s Halloween themed episode of the Electric Sheep Film Show, Virginie Sélavy talks to Kim Newman about his new collection of reviews and essays, Video Dungeon, published by Titan Books, and to cinema programmer Anna Bogutskaya about co–curating a tour of short horror films directed by women: ‘The Final Girls – We Are the Weirdos’.
In his introduction to the important collection of film essays King of the Bs, Todd McCarthy quotes Andrew Sarris’s dictum ‘eventually we must speak of everything if there is enough time and space and printer’s ink’. Sarris was working up to an assessment of Edgar G. Ulmer’s Daughter of Dr Jekyll (1958).