Tag Archives: short film

Rich Pickings Presents: Life After Life

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Out of Body, 2008. Courtesy of Susan Aldworth and GV Art gallery, London.

Format: Screening/talk

Part of The London Short Film Festival and Rich Pickings

Date: 16 January 2016

Venue: ICA, London

We are proud to announce an exciting new partnership with Rich Pickings for their new series of science and film events, Inside Out, which brings together filmmakers and scientists to explore various aspects of the human experience. Each event will be announced and documented on the Electric Sheep website. The first event in the series, Life After Life, was presented as part of this year’s London Short Film Festival. Below is Rich Pickings’ report of the event.
View a list of all events in this series here.

Life after Life was a short film and discussion event presented by Rich Pickings at London Short Film Festival 2016 on 16 January 2016 at the ICA.

The event examined the phenomenon of Near Death Experiences (NDEs) and how they can affect people’s lives. The programme featured a programme of short poetic films about life, death and what may or may not lie beyond. This was a jumping off point into a discussion with two guests with very different approaches to the subject.

Christopher French is Professor of Psychology and Co-coordinator of the Anomalistic Psychology Research Unit at Goldsmiths, University of London. Chris presented some of the scientific research that has been done around NDEs, looking at recurring patterns in people’s accounts and biological explanations for the experiences people report. French particularly focused on the out-of-body elements of the NDE, as this is one of the more measurable and replicable components common to the experience.

Raymond O’Brien experienced a NDE during a cardiac arrest five years ago, an incident that profoundly affected him. In the years since, Raymond has experienced huge highs and huge lows, and the emotional journey he has taken since his NDE mean that his experience has become a core part of his identity and his understanding of the world. O’Brien was generous enough to share his experience and interpretation of it with us, offering a unique insight into both his experience of an NDE and life following it.

The short films were a diverse mix of live action, animation, documentary and experimental moving image. They explored one man’s desire to confront the wilderness and conquer a mountain, and another’s powerful connection with the giant redwoods of California following a brush with death. Real life and fictional accounts of NDEs painted a vivid picture of the fear, regret, acceptance, love and transcendence that a person may experience in the moment of their death.

One theme that emerged strongly throughout the event was the human drive to hold onto life. Whether an NDE has a traumatic or positive effect on an individual’s identity, it seems that the impact is universally life-altering. The encounters with death that were presented were visceral and affecting, and while elements of the experience were repeated, each at its core was utterly unique.

Watch an edited video of the discussion with Christopher French and Raymond O’Brien:

Rich Pickings presents: Life After Life from Mackinnonworks on Vimeo.

Watch some of the films that played at the event:

Crossing Over: The Art of Jeremy Down
Impact: A Boxer’s Story
Out of Body
Phantom on The Cliff
Coda
Mother and Void
Moving the Giants [trailer & rental link only]

Supported by a Wellcome Trust People Award.

Check the Rich Pickings website for future events.

L’Etrange Festival 2015 Preview

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21st Etrange Festival poster by Dom Garcia

L’Etrange Festival

3-13 September 2015

Forum des Images, Paris, France

Etrange Festival website

The outlandish Parisian genre and fantasy festival returns from September 3 to 13 with another line-up bulging with wild, unhinged and lost treasures. The festival opens with Simon Pummel’s schizophrenic sci-fi thriller Brand New-U and closes with Bollywood epic Baahubali: The Beginning, with a full range of sleazy subversiveness and avant-garde strangeness in between, from Marcel L’Herbier’s restored 1924 art deco femme fatale tale L’inhumaine to Rolph de Heer’s grotesque family tale Bad Boy Bubby, not to forget a zombie all-nighter.

Highlights include the latest from three Japanese heavyweights: Takashi Miike’s Yakuza Apocalypse, Hideo Nakata’s Ghost Theater and Sion Sono with two films, Tag and Love and Peace. Also screening are The Blaine Brothers’ original and moving Nina Forever, Steve Oram’s category-defying Aaaaaaaah! and Ulrich Seidl’s exploration of Austrian cellars In the Basement.

We’ll be checking out Alex Van Varmerdam’s absurdist thriller La peau de Bax, Raúl Garcia’s Edgar Allan Poe animation film Extraordinary Tales, Michael Madsen’s speculative alien invasion documentary The Visit, experimental Afghanistan-set sci-fi Ni le ciel ni la terre directed by artist Clément Cogitore, and Jason Bognacki’s slick giallo-influenced tale of possession Another.

This year, the guest curators are Guy Maddin (also included in the main programme with his own The Forbidden Room), whose selection includes Bring Me the Head of Alfredo Garcia, Teuvo Tulio’s Sensuela and George Kuchar’s The Devil’s Cleavage; Benoit Delepine, co-director of Aaltra and Mammuth, will present Tim Burton’s Pee-Wee’s Big Adventure and hopeless Russian road movie The Joy; and Ben Wheatley has chosen Frantisek Vlacil’s sumptuous medieval fable Marketa Lazarova and Michael Mann’s legendary murky Nazi nightmare The Keep.

Documentaries include Dark Star: H.R. Giger’s World, B-Movie: Lust and Sound in West Berlin (1979-1989), which features Blixa Bargeld and Nekromantik 2’s male lead Mark Reeder, as well as an exploration of the Turkish golden age of low-budget Hollywood remakes, Remake, Remix, Rip-Off, part of a focus on alternative Turkish cinema.

This year’s musical performance is truly exceptional: legendary masked industrial collective The Residents will play a new version of Shadowland as well as presenting a programme of films and documentary Theory of Obscurity: A Movie about The Residents.

As always, the line-up includes a vast and dynamic selection of shorts, ranging from Can Evrenol’s hard-hitting, gut-punching Baskin and Javier Chillon’s inventive, intelligent Die Schneider Krankheit to classics by Jaume Balaguero, Jonathan Caouette and Bill Morrison.

For the full programme and to book tickets plesae visit the Etrange Festival website.

Shortcuts to Hell 2 competition

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Shortcuts to Hell 2

Horror Channel, FrightFest and Movie Mogul have teamed up again, with new partner Wildseed Studios, to create SHORTCUTS TO HELL 2, a nationwide search for new filmmaking talent ready to make their first horror feature film.

The winning filmmaker will have their film produced by Movie Mogul and Wildseed Studios, entering production early 2015, with a minimum cash production fund of £20,000. The completed feature film will receive UK digital distribution, its world premiere at Film4 FrightFest 2015, and a broadcast premiere on Horror Channel.

Launching on 13 May 2014, the jury panel (to be announced shortly) will be looking for a highly driven individual with a burning desire to make their first feature film. All entries will need to submit a 3-minute short film version of their full-length horror movie idea and their submission must clearly demonstrate the core idea, premise, story and characters in narrative form. A shortlist of twenty-six finalists will then be invited to an interview where they will have the opportunity to pitch their feature film directly to the jury panel.

Three filmmakers will then go forward to this year’s FrightFest event at the Vue West End in London, and have their 3-minute films screened before the discerning FrightFest audience. Their work will be broadcast on Horror Channel throughout August and September, where the overall winner will be chosen by public vote. The twenty-six finalists will also receive significant exposure via Horror Channel and UK digital distribution channels.

All entries will have ten weeks to turnaround their cinematic visions of hell and upload to YouTube, submitting the link to submissions@shortcutstohell.com by 6pm on 22nd July. Downloadable T&C’s from shortcutstohell.com must be adhered to.

THE RULES
• Max duration 3 minutes
• Original material (made for the competition only). Existing film promos WILL NOT be considered.
• Max production budget capped at £666 (evidence required)
• Applicants with previous feature film credits as writer/producer and/or director will not be accepted

Turn Off Your Bloody Phone Ident Competition

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FrightFest Ident 2014

FILM4 FRIGHTFEST IN ASSOCIATION WITH NE’ER DO WELL FILMS PRESENTS:
TURN OFF YOUR BLOODY PHONE IDENT COMPETITION

This summer, UK’s largest genre film festival Film4 FrightFest is giving up-and-coming filmmakers a chance to remind the audience of cinema etiquette and get their work shown on the big screen.

In 2012 a select group of filmmakers created a sensation in the festival with a quirky new brand of public service announcements.

In 2013, the festival recruited budding filmmakers alongside established names such as Andy Nyman, Patrick Syversen and Jacqueline Wright to encourage patrons to turn their phones off – the results were a series of amusing, sharp but always gory vignettes which continue to gather acclaim online still.

Now the festival wants to take the whole thing one step further.

Following on from the success of last year’s ‘Turn Off Your Bloody Phone’ idents, Film4 FrightFest (in association with Ne’er Do Well Films) is launching a competition to find the most inventive, crazy and funny ways of reminding the audience to not only turn their phones off during the screenings but also keep the etiquette of cinema-going alive.

To celebrate the 15th Anniversary of FrightFest, fans are encouraged to draw upon the festival’s rich, wild and varied history and create films which highlight the importance of behaving reasonably within the auditorium during the festival.

The competition is set to run between the 7th of March and the 11th August and will be judged by a prestigious jury including writer/director Sean Hogan and journalist and associate editor of Total Film Rosie Fletcher.

The five best entries as chosen by the jury will be screened at this summer’s Film4 FrightFest alongside works from some of the greatest genre directors at UK’s most prestigious genre film festival.

All that remains is for the fans to get involved!

For more information fans can go to to the FrightFest website.

Read our past coverage of the Film4 FrightFest festival.

Flatpack Film Festival 2014: Preview

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Flatpack 8 (photo: Miwa Matreyek)

Flatpack 8

20-30 March 2014

Birmingham, UK

Flatpack website

Birmingham’s brilliant Flatpack Film Festival returns for an eighth year for 11 days of inventive film delights, from 20 to 30 March. As always, expect a mind-stretching mix of new features, shorts and special guests, as well as avant-garde Austrian animation, a solipsistic installation, a Victorian magic lantern show, a psychedelic music night, walking tours and pop-up screenings in unexpected venues across the city.

Among the highlights:

&#149 PHONO-CINEMA-THEATRE, the first UK screening of short films, many of them in hand-tinted colour, which were made for the 1900 Paris Exposition and featured theatre and variety stars of the day. The films include Sarah Bernhardt’s Hamlet and a can-can by Gabrielle R&#233jane; many of them have original sound thanks to an ingenious gramophone system.

&#149 The UK premiere of THE GREAT FLOOD, a portrait of the devastation caused by the Mississippi floods of 1927 presented by experimental filmmaker Bill Morrison. Also screening are Morrison’s poetic take on archive footage of Durham miners’ lives from the 1900s to the 1970s THE MINERS’ HYMNS and his ode to cinematic decay DECASIA (we have an article on Decasia in our book, The End: An Electric Sheep Anthology, available from Strange Attractor Press).

&#149 CAF&#201 NEURO: a weekend of talks, screenings and activities that will exploit recent developments in brain-imaging and eye-tracking technology to explore what cinema does to our brains.

&#149 JAPANIMATION: a retrospective of Japan’s offbeat DVD label Calf including work by Mirai Mizue, Tochka Collective and Atsushi Wada.

&#149 DVD BANG, a Korean-inspired viewing lounge, where you can book in to watch a movie day or night.

Feature films include an immersive, semi-horizontal screening of Douglas Trumbull’s 70s eco-sci-fi movie SILENT RUNNING, electrifying Kathleen Hanna documentary that will make you happy to be alive THE PUNK SINGER, Haskell Wexler’s counter-culture classic MEDIUM COOL, fascinating, thoughtful UFO doc about disinformation and the creation of truth MIRAGE MEN, Ken Russell’s mind-bending ALTERED STATES, sensuous neo-giallo THE STRANGE COLOUR OF YOUR BODY’S TEARS, Krzysztof Zanussi’s 1970s exploration of the mind ILLUMINATION, F.W. Murnau’s classic silent horror NOSFERATU, part faux doc on East German 80s skate subculture THIS AIN’T CALIFORNIA and Eiichi Yamamoto’s amazing-sounding psychedelic anim&#233 BELLADONNA OF SADNESS, based on a French novel about medieval witchcraft.

Read our previous Flatpack coverage.

The 11th London Short Film Festival

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The Punk Singer

The 11th London Short Film Festival

Dates: 10-19 January 2014

Various venues, London

LSFF website

The London Short Film Festival has just announced its programme and it’s packed with inventive and exciting events. The festival opens on January 10 with a screening of The Punk Singer (presented in association with Birds Eye View Film Festival), a documentary about radical musician and activist Kathleen Hanna, of Bikini Kill and Le Tigre, who embodies many of LSFF’s ideals.

Running from January 10 to 19, the festival has expanded to 32 programmes, including their regular strands (Femmes Fantastique, Left and Luscious), to which they’ve added a Gothic and Grotesque selection to tie in with the current BFI season, Celluloid Traces, for experimental and documentary filmmakers working with film stock, and a late-night Thriller programme. Retrospectives include renowned screenwriter Tony Grisoni (Fear and Loathing in Las Vegas, Red Riding) and animator Chris Shepherd. As always the festival has numerous music-related events, including Lisa Gunning’s new Goldfrapp video project and a Music Video Showcase playing for free in East London bars.

At Electric Sheep we are particularly looking forward to the live visual and aural remix of Ben Wheatley’s A Field in England by category-defying electro-post-rock band Teeth of the Sea, which promises to expand the psychedelic thrills of the film. The Ghost Box record label, which impressed us at the Flatpack Festival in 2010, will present one of their eerie visual and sonic shows, incorporating children’s programmes, 1960s underground animation, abstract op-art and 1970s TV to create a brilliantly hallucinatory experience. We are also intrigued by the performance of harpist and songwriter Serafina Steer in the magical Victorian surroundings of the Horniman Museum, alongside the work of animator Sam Steer.

Watch out for the Teeth of the Sea’s Film Jukebox in early January, in which the band discuss their 10 favourite films.

The festival will also feature a Straight 8 filmmaking challenge, debates and discussions, as well as industry events. Always buzzing with energy and ideas, LSFF is a terrific way to start the filmic year.