Georges Franju’s reputation (in the UK at least) is built on just one film – his second feature, the hauntingly beautiful Les Yeux sans visage (Eyes Without a Face, 1960).
Review by Paul Huckerby

‘Il faut se contenter de cette chiennerie’. As even Dr Génessier has to reluctantly admit, grafting bits of stray dogs onto each other is a lot easier than replacing your daughter’s face ruined in a car crash.
Review by Stephen Thomson