Photo by David Waldman

If you’re going to name your band Fucked Up, you can’t mess around. You’ve got to really bring it or else what’s the point? Luckily, Canadian punks Fucked Up do really live up to their name. Their live shows are a sight to behold, with theatrical stage antics spilling out to the audience, often accompanied by blood and nudity. Despite this, the band won the prestigious Canadian Polaris Prize, showing that you can have a naughty word in your band name and still be taken seriously. A collection of their many hard-to-find 7” and 12” tracks are being brought together on a double CD and LP to be released on 25 January on Matador Records. More information on the Matador website and Fucked Up’s blog. Frontman Damian Abraham, aka ‘Pink Eyes’, gives us his 10 favourite films. LUCY HURST

1- The Phantom of the Paradise (1974)
Hands down my favourite film of all time. Directed brilliantly by Brian De Palma who is someone I have always felt is underrated as a director. It is a tale that is one part Faust and one part Phantom of the Opera but set against a glam rock backdrop. The music was written by one of the film’s stars, Paul Williams, and it is one of the great, unheralded soundtracks of all time. I first saw this film as a child late one night on TV and for years thought I must have imagined it. It wasn’t until about 12 years ago that I found out it was indeed a real film.

2- Style Wars (1983)
I love documentaries but for the most part I find they don’t stand up to repeated viewing. That said, I have watched this one at least 30 times. It is basically an overview of graffiti in New York in the early 80s but it is so much more than that. A perfect time capsule of a youth culture in its infancy that in no way belittles its subjects but at the same time really never canonises them either. What is left is an honest portrait of the people that made this culture, which ended up sweeping the world. A graffiti writer named Cap (who is featured rather prominently) is the greatest cinematic villain of all time. For the longest time this film was nearly impossible to find. I can remember having to go to the Toronto Reference library to watch a 16mm print version because it was the only way to see it. Nowadays you can order it on the internet and just watch it in the comfort of your own home… oh the modern world.

3- 24 Hour Party People (2002)
There is a great quote about the difficultly of making a film about an artist and I guess that the same must apply to musicians as well. The ‘rock and roll film’ is a very finicky beast. Normally they wind up terrible (Almost Famous), occasionally they wind up all right (Sid And Nancy) but on rare occasions they wind up amazing. This is one such occasion. In this post-modern take on the origins of post-punk, Michael Winterbottom employs direct address, archival footage and ‘found footage’ to make a film worthy of the story it is telling.

4- Casino (1995)
For most people, the obvious Scorsese gangster film is Goodfellas. While I love Goodfellas, I think his masterpiece is Casino. More measured and at the same time far more fully realised than any of his other films.

5- Garbage Pail Kids (1987)
When this movie came out, my brother and I made my parents drive way to the outskirts of Toronto to the only place that was playing it. At that young age I couldn’t understand why a movie that I was dying to see was only playing in such a remote place. All these years later, armed with the wisdom of the mitigating 25 years or so, I can understand a little bit more why this might not be for everyone. It is a spin of the popular trading card series (yes, you read that right). It centres around a boy of about 15 who is inexplicably bullied by a guy well into his 30s. The teen stumbles across magic garbage that contains a bunch of gross kids (the Garbage Pail Kids) who come to his aid. The bully’s girlfriend, who is in her late 20s, falls in love with the teen (yes, you read that right), and it just keeps getting weirder. It has everything you could want from a film: musical numbers, puppets, genocide, general insanity, etc.

6- Across 110th Street (1972)
This is constantly lumped as a blaxplotation film, which I think does it a disservice. Sure, it has many of the hallmarks of the genre: made in the 70s, an incredible soul soundtrack, a focus on inner city urban life and of course black central characters, but to pigeonhole it like that ignores the fact that this is a film that offers a far greater social commentary than something like Shaft. It serves as a critique of the racism of the police, the treatment of veterans, the death of the inner city and the general failure of the American Dream. It was directed by the amazing Berry Shear, who was predominantly a television director, and almost all of his films could be on this list.

7- Rambo IV (2008)
This is perhaps the purest action film ever made. The plot is secondary to the action. The only character development given to the bad guys is making the leader a paedophile. Trying to analyse this film any further would be a disservice to the beauty of its simplicity. I had no interest in seeing this when it came out and I am kicking myself that I missed my chance to see it in the cinema.

8- Deathwish II (1982)
It is such a rare occurrence that a sequel is better than the original. Aliens? Godfather II? Those are debatable, but the superiority of Deathwish II is not. Deathwish II is pure pathos. In the first film, Charles Bronson’s character becomes a vigilante, but in this one he becomes a god of vengeance. The later sequels have ventured further and further into the realm of impossibility, but this one manages to walk the thin line between plausible and implausible.

9- Shogun Assassin (1980)
Most people’s exposure to this film comes from the use of samples from its dialogue on the Gza’s classic ‘Liquid Sword’ album but the film is a masterpiece in its own right. It was made by re-editing two of the Japanese Lone Wolf and Cub films into a single movie with English dubbed over the top. This is the only film that I think is improved by dubbing, thanks in large part to the amazing voice talents of the actor who plays the main character’s son. He serves as the film’s narrator and captures the bleakness of the story perfectly. I love revenge films and this is one of the best.

10- Various
The final spot I will use to give some honourable mentions as I can’t decide which film to put in the spot: Wild in the Streets (1968), Star Wars (1977), The Warriors (1979), Seven Samurai (1954), Touch of Evil (1958), Django (1966), Oldboy (2003), Blue Spring (2001), Goodbye Uncle Tom (1971), Comic Book Confidential (1988), Crumb (1994), Vinyl (1965), The Decline of Western Civilization (1981), Gummo (1997).

Do Not Forsake Me Oh My Darling is a loud art-rock duo from Boston that creates spy-themed music. Their first project is recording 17 songs, each inspired by an episode of the original The Prisoner series. They found it hard to narrow down their film list to 10, as they love many directors and endless B-movies, but they tried to pick films that well represented the genres that they most often enjoy. Despite the fact that they’ve seen hundreds of spy films (including every James Bond film) no spy movies made the cut! They arranged their choices chronologically. To find out more about Do Not Forsake Me Oh My Darling, visit their website.

1- The Big Sleep (1946)
In addition to being unbelievably clever and quotable, this is the quintessential film noir, and the most famous pairing of Bogart, the archetypal hard-boiled hero, and Bacall, the sassy and untamable woman. It’s smoky and stylish, and the plot is wonderfully complex. The filmmakers even managed to sneak taboo subtexts about pornography and homosexuality past the censors.

2- Rope (1948)
We are very big Hitchcock fans and it was very difficult to pick a single film to represent the unsurpassed master of film tension. The tagline from Rope – ‘It begins with a shriek…it ends with a shot.’ – was our original band name and remains the title of our blog. The Grand Guignol Rope, a film version of the play based on the true story of child murderers Leopold and Loeb, implicitly explores the dynamics of a homosexual pair obsessed with transcending morality à la Nietzsche’s Ãœbermensch via the commission of a perfect crime.

3- Harvey (1950)
Jimmy Stewart is very heart-warming as a happy-go-lucky, head-in-the-clouds fellow whose best friend Harvey is a pooka – a six-foot, eight-inch, bunny-like creature. The movie makes us want to invite everyone we meet to dinner.

4- High Noon (1952)
The theme from High Noon was the source of the Prisoner episode entitled ‘Do Not Forsake Me Oh My Darling’, which in turn we chose as our band moniker. While technically a Western, the real-time film is a wonderful essay on honour, moral obligation, fear, and the unstoppable march of time towards the
inevitable confrontation with death.

5- Barbarella (1968)
The absolute best blend of sci-fi camp and 60s sexual revolution. The movie’s characters traipse around the galaxy carrying bizarre props through imaginative settings with absolutely brilliant sound design. It contains carnivorous dolls, a musical instrument that produces deadly orgasms, a blind angel, and a death ray. When preparing for our photo shoot, Sophia gave the make-up artist a photo of Jane Fonda as Barbarella for reference.

6- Vanishing Point (1971)
This subtle car-chase film delicately unravels an allegorical race of individuality and rebellion against inevitable capture and integration. Many of the same themes in Vanishing Point (and High Noon) are also present in The Prisoner and have inspired our songs.

7- Deathrace 2000 (1975)
Arguably the best of the Roger Corman classics – a difficult title to win in our view. Deathrace is an early role for Sly Stallone, one of Sophia’s favourites, and features David Carradine in peak form as the horribly deformed hero Frankenstein. The film focuses on society’s fascination with real death and destruction and serves as a commentary against reality television, years before it even became a… reality.

8- Boy and his Dog (1975)
This B-movie starring Don Johnson makes this list because it has the best, most unexpected ending in any movie ever. We get unlimited joy from just telling people the plot of this film: Don Johnson trots around a post-apocalyptic world telepathically communicating with his dog, whose primary purpose is to sniff out
women. Don is tricked by one of his dog-sighted conquests into entering an underground world that is a recreation of Topeka, Kansas.

9- City of Lost Children (1995)
This French film is perhaps the finest steam-punk story ever told. The dark world is crafted in the perfect combination of black and green to be timeless, and the oddball characters are right out of a circus sideshow. It is the perfect combination of sci-fi, fantasy, and surrealism with a wonderfully simple, but layered plot.

10- Primer (2004)
This mega-brainy, sci-fi, time-travel movie was made on a tiny budget and still manages to be the best sci-fi film in a long, long time. Wonderfully dense and complex, it is absolutely impossible to unravel in a single viewing – or really even 10 viewings. Slow and delicately paced, but really worth the attention.

Read Alex Fitch and Andrew Cartmel’s discussion of The Prisoner in the winter 09 issue of Electric Sheep, which looks at what makes a cinematic outlaw: read about the misdeeds of low-life gangsters, gentlemen thieves, deadly females, modern terrorists, cop killers and vigilantes, bikers and banned filmmakers. Also in this issue: interview with John Hillcoat about his adaptation of Cormac McCarthy’s The Road, the art of Polish posters according to Andrzej Klimowski and noir comic strips! And look out for our special Prisoner podcast coming soon!

There are many reasons for wanting to start a band, but doing so in order to promote a film is pretty unusual. When brothers Jordan and Eric Lehning were drafted in to act in indie zombie romance Make-Out with Violence and compose the score for it, they went beyond the call of duty and formed a band to help raise money for the film. The moody synth-pop of their Make-Out with Violence EP (Make Mine), full of teenage longing, eerie sounds and melancholy voices, is certainly a tantalising foretaste, and if the film is on a par with the music, it is well worth checking out – watch the trailer. Below, Eric Lehning tells us about the films that have inspired him.

1- Lawrence of Arabia (1962)
This is the best movie ever made. For months after I saw it, I thought I was supposed to become a Bedouin. Sitting there in front of the TV with an A&W root beer in my hand saying, ‘The desert calls me’. Thank god I realised it was the medium of film that inspired me. I would not make it on camel’s milk alone.

2- Blazing Saddles (1974)
Hatred has never been funnier. The way Mel Brooks smashes the N word in your face like a pie just deflates all of its malicious power. I don’t know if it’s easier for a Jew to get away with that than a honky but I’m so glad he did. My favourite line is: ‘A tollbooth!? Somebody’s gotta go back and get a shitload of dimes.’

3- The NeverEnding Story (1984)
This is a great movie to see as a child. Right off the bat the hero’s horse drowns in mud. The scene where he’s crawling through the swamp and is saved from the wolf by the Luck Dragon still makes me misty. That dragon became an incarnation of art for me as a kid. A benevolent force that dispels fear. When Fantasia is just asteroids and the Ivory Tower appears from the void, the music cue gets right on top of me.

4- Mishima: A Life in Four Chapters (1985)
Mishima should be in the Smithsonian. This is one of the most coherent, precise films ever made. It’s a movie about the Japanese artist Yukio Mishima made by Paul Schrader. The guy’s whole life is about the harmony of art and action (pen and sword). Philip Glass’s score is in a class of its own.

5- Ghost Busters (1984)
Something about really smart people scared stupid makes me feel alright about everything. Rick Moranis’s rant about the ‘form of the destructor’ is something I used to have memorised until I got a little too comfortable with a girl I was sweet on and just spewed the whole thing out over dinner. I knew I was blowing it but I was transported and had to go all the way. I went there… alone, and subsequently forgot the monologue.

6- The Empire Strikes Back (1980)
What is so strong for me about this episode of the Star Wars saga is that you could watch it without knowing anything about the other films and be left with a total sense of that world. It’s the most legit sci-fi/adventure movie of all time. Wanting to be Harrison Ford is why I don’t have a Southern accent.

7- 2001: A Space Odyssey (1968)
2001 is more than a fantasy or a genre film. It’s about the relevance of soul when put in the context of evolution. Nothing else makes me feel as human or as alien as this movie.

8- Blade Runner (1982)
Ridley Scott’s vision of the effects of overpopulation and a civilisation on overdrive is still the industry standard when imagining the near future. What’s so impressive to me is that you could actually see all those big hairdos coming back by 2016.

9- Who’s Afraid of Virginia Woolf? (1966)
Most love stories aren’t really about love, they’re about being smitten. Elizabeth Taylor and Richard Burton are so vitriolic with each other, but as soon as an outsider challenges them they become a monument of solidarity. Virginia Woolf is the best movie that’s ever been made about staying together. The damage two creatures of flesh do to each other as they attempt to be one.

10- The Dark Crystal (1982)
There’s plenty of logistical reasons why more puppet movies haven’t been made. There’s only so much Frank Oz to go around I guess. And Jim Henson’s dead. I watched this movie just the other night, and the scene where all the Skeksis are chewing down is a gross/intriguing sensory overload.

The Nightingales spent the 80s being fêted by John Peel and straining the powers of the NME superlative generator. They are probably the only band to have supported both Nico and Bo Diddley on tour and they happily held their own against ‘top comedian’ Ted Chippington and punky all-girl band We’ve Got a Fuzzbox and We’re Gonna Use It on the era-defining Vindaloo Records Summer Special EP (if you missed it you might be surprised to learn that 1986 WAS an era). Singer and lyricist Robert Lloyd reformed the group in 2004 and they have since released three albums. Their latest, ‘Add Insult to Injury’, was produced by Hans Joachim Irmler from krautrockers Faust. For more information, visit their MySpace or their website for the latest on tour dates and other news. Robert Lloyd guides us through his filmic influences below. NICK DUTFIELD

1- Aguirre, Wrath of God (1972)
Herzog is considered an art-house director but in my opinion his eye for a story is second to none – including any of the celebrated populists. This story is simple, but mad. Aguirre leads a collection of conquistadors down the Amazon in search of El Dorado. His troops rebel, and, ravaged by power, he loses his mind and goes apeshit. The story unfolds beautifully, the filming is stunning, the soundtrack by German cosmic sorts Popol Vuh is just about perfect and the acting… well, Klaus Kinski in the lead role is one of the greatest performances I’ve ever seen. Herzog’s legendary best buddy and worst enemy drove the director to remark, ‘Every grey hair I have on my head I call Kinski’. Check out the Herzog documentary about their relationship and collaborations, My Best Fiend.

2- Beneath the Valley of the Ultravixens (1979)
This is such a hilarious, larger-than-life look at Smalltown USA that it can be called a live-action cartoon, a grade A lampoon. Trying to describe the plot is pointless because its stories of assorted small-town dwellers are basically a collection of lust-based gags and/or platforms for glorious, self-indulgent Russ Meyer-isms. Beyond his own jokey rantings, some blinkered bullshit from his hardcore fans and some down-looking sneers from some snobby cineastes, make no mistake – Meyer is a class act, and Ultravixens is the ultimate Meyer movie for me.

3- El (1953)
Luis Buñuel is mostly celebrated for his early surrealist films or his later, relatively glossy, successes made in France. But the bulk of his work was filmed in Mexico during the 50s and early 60s, and for me this is when he made his best films, including my favourite, El. A super-witty satire on obsession, jealousy and machismo, El tells the story of Don Francisco, played with fantastic relish by Arturo de Córdova, falling in love and descending into self-inflicted madness. There is humour aplenty and many scathing snubs on orthodoxy but the tale is presented in a fairly cheesy 50s melodrama style. I prefer this simplicity to the director trying too much ‘I’m wacky me’-type clever dickery. And the zig zag scenes – you gotta see it to get it – are among my top film moments ever.

4- Happiness (1998)
I was asked to pick only 10 movies so unfortunately Marleen Gorris’s A Question of Silence (1982) – my favourite separatist feminist comedy – has to make way for my top paedophile comedy, Todd Solondz’s Happiness. Joking apart, paedophilia is only a single element of this family story. True to life, all the characters in Solondz’s dark, middle-class satire are in some way fucked up, and most are adept at fucking up others. There is no beginning, middle or end but no worries because the story gets through anyway. Occasionally, the script tries a tad too hard to be smart, but there is enough spunk, provocative ideas and laughs for the movie to work.

5- In a Year with 13 Moons (1978)
Rainer Werner Fassbinder is my number one. In ways that I don’t have time to explain he has influenced and inspired my writing more than any poet, lyricist or rock star. His artistic fertility is both amazing and affecting. My pick of his movies would probably change every other day but of the 32 creations he made in the 70s this is one of his greatest. Following the success of his first English-language film, Despair, Fassbinder seemed bound for international recognition, but his lover committed suicide and, deeply depressed, he retreated from filmmaking. He returned with this astonshing but not exactly commercial movie. 13 Moons follows Elvira – superbly played by occasional Fassbinder bit player Volker Spengler in his first starring role – as she tries to face questions of love and identity. It is a brutal but moving, funny but tragic, in-your-face melodrama, which only Fassbinder would be brave enough to attempt, let alone carry off.

6- Kung Fu Hustle (2004)
This movie is absolutely brilliant entertainment. Vaguely based around a rather tacky love story, it tells a very Hong Kong-style tale of baddies trying to fuck over some decent sorts, to which the goodies respond, etc. But the story is immaterial. The action, which rarely stops, is the backbone and bulk of the film and the action is astoundingly good. It is genuinely original, wild, often hilarious and fantastically choreographed and filmed. As a big fan of martial arts movies, from the raw to the graceful, I must say this is, for me, the top of the lot. Stephen Chow’s Kung Fu Hustle is a must-see… again and again.

7- M (1931)
Just about my favourite actor is Peter Lorre and M is his first major role. He’s a motive-free, meaningless child killer in this paranoid film by the godfather of German expressionism, Fritz Lang. Often filmed from above, it feels like we are looking down on the grim, doom-laden chaos as cops and criminals – pissed by the new level of police presence on the streets – plot the capture of Lorre. Following a superbly structured chase and capture, we get one of cinema’s finest trial scenes. In the early part of the build-up, I like the way so much of the action is off-screen, leaving detail, but not event, to our imagination. Brilliantly lit and with imaginative sound ideas (the ‘Peter And The Wolf’-esque whistling refrain to notify coming menace has since become a mainstream ploy), this diligent but adventurous film set the standard for future screen psychopaths and tells us much about hysteria and mob mentality.

8- Occasional Work of a Female Slave (1973)
Without doubt my favourite abortion comedy. Alexander Kluge is one of the more intellectual types of New German Cinema. Perhaps because his work is the result of concepts and political theories rather than instinctive filmmaking he is one of the more overlooked directors from the late 60s new wave of German directors. However, his films – Occasional Work in particular – are terrific and far more satisfying than, for example, the more celebrated, American-ised, often wishy-washy, fare that Wim Wenders knocks out. Even though it is a bit shabby around the edges, Occasional Work is a mini-masterpiece. The story revolves around Roswitha – played by Kluge’s sister Alexandra – a housewife, mother and part-time abortionist whose repressive circumstances lead her to take singular action against… well, just about everyone. Roswitha’s hopeless verve and her trials and tribulations are unsentimentally portrayed with no small amount of wit. This is a rarely shown movie, and it is many years since I last saw it, but it still remains strong in the memory.

9- Strangers on a Train (1951)
I don’t know if this is Hitchcock’s finest film – the rarely seen Rich and Strange is a belter, and film buffs would list any number of other contenders – but it is a really cracking movie. The story, adapted from a Patricia Highsmith novel, is classic in its simplicity. Two men meet on a train – Guy, a sane, famous-ish tennis player looking for divorce from his unwilling wife, jokes that he wishes his spouse was dead. Bruno, a friendly psychopath, feels the same about his hated father and suggests they murder each other’s problems. Guy imagines this suggestion is a joke until Bruno carries out his half of the deal. When, in Bruno’s eyes, Guy bottles his half of the ‘contract’, Bruno tries to frame Guy for the murder of his wife. Bruno’s effort, Guy’s awkward denial and the ensuing turmoil lead to a giddy climax. Fantastic performances, several brilliant, memorable individual scenes and Hitchcock’s visual panache and sense of fun make this creepy, amoral and very funny movie a gem.

10- The Hairdresser’s Husband (1990)
When push comes to shove, Patrice Leconte’s Hairdresser’s Husband is the one I’d put forward as my all-time favourite film. The titular character, Antoine, played to perfection by Jean Rochefort, follows his boyhood fixation with a female hairdresser, who commits suicide, by, much later, fulfilling his ambition of marrying a hairdresser when he meets the beautiful Mathilde. The pair are gloriously in love and lead the happiest of lives together. The basic story is simple, sexy and for the most part joyous and delightful. Antoine’s dancing to his other love (Middle Eastern music), the couple getting shit-faced on hair tonics, their constant adoring looks at each other, the homemade swimming trunks… so much enchanting stuff captured with real brio by Leconte – an underrated director whose every film is a genre-hopper. This movie is a real beaut. Once you’ve seen it and fallen in love with it, try the same director’s Ridicule, then work your way through his others.

Photo by Steve Gullick

As 2009 has progressed the mysteries of The Phantom Band have been steadily revealed. With their debut album Checkmate Savage (Chemikal Uinderground) released in January to a swathe of critical acclaim with terms like ‘early contender for album of the year’ liberally bandied about, their initial identity confusion appears to have been ironed out. No longer changing their name before every gig or wearing bags over their heads, the Glasgow-based folk-meets-krautrock sextet combine humour with a very black outlook. Their single ‘The Howling’ was released in May and after a lengthy UK tour in the spring, the band are next set to hit the summer festivals. For more information check their website or MySpace. LUCY HURST

GERRY:

1- Gregory’s Girl (1981)
It’s basically a film about a girl trying to get in the school football team and a boy falling in love. Sounds terrible doesn’t it? It’s not. For no other reason than watching protective 15-year-old Gregory being patronised by the hip 12-year-old who is trying to pull his sister, watch this film. If you ever felt awkward at school, watch this film. If you’ve ever been in love, watch this film. To say that discovering the lighting tech at our gig in Stirling was Andy from Gregory’s Girl was one of the highlights of The Phantom’s British tour would be no understatement.

2- Grease (1978)
Why is Grease my favourite film? Is it because Olivia Newton John is cinema’s hottest ever sex kitten in skin-tight trousers? Possibly. Is it because she looks even hotter as the sweet girl next door? Probably. Is it because all the songs and the whole film make me so damn happy? Absolutely. Is it because John Travolta had the great idea to base it on the teachings of The Church of Scientology…?

DUNCAN:

3- The Great Ecstasy of Woodcarver Steiner (1974)
My favourite of Herzog’s documentaries. The super slow-mo footage of the ‘ski-fliers’ endlessly falling, first through the air then cart-wheeling in the snow as they misjudge a landing, accompanied by Popol Vuh’s eerie soundtrack sends me into some kind of fugue state each time I see it. I’ve never been interested in ski-jumping but Walter Steiner makes the sport seem like an absurd yet necessary escape route out of the world.

4- Dead Man (1995)
I chanced upon this film on late night TV back when they used to show interesting stuff in the small hours (Alex Cox’s Moviedrome on BBC 2 in the early 90s was an invaluable education). I couldn’t believe this film existed; Johnny Depp looking like Buster Keaton in a plaid suit playing the reincarnation of William Blake, in an expressionist Western directed by Jim Jarmusch, sound-tracked by Neil Young – surely not? I love the deadpan dialogue; Crispin Glover’s disturbingly irrelevant monologue, and Iggy Pop as a transvestite cannibal describing a Philistine as ‘a really dirty person’. I still wonder if this film actually exists.

RICK:

5- Highlander (1986)
I remember when I was a kid there was always some film I really, really wanted to see. I would briefly glimpse a poster in the video rental shop and it would be enough for me to go home and fantasise about it for weeks. The first time I think this happened was with Highlander. It was about Scotland; it had sword-fighting and Sean Connery in it; the soundtrack was by Queen! Are you kidding?! What was not to like? Incidentally quite a lot when you watch it now, but back then it seemed like it was easily the best film I had ever seen.

6- Nightbreed (1990)
This movie reminds me so much of the summer when I was 16. My friends would come over and we’d record loads of ridiculous songs onto a tape recorder then get drunk and watch Nightbreed. In the middle of the night we’d go out walking in the countryside, sometimes there would be this fog hanging over the fields, but it would be really light as well because the moon was so full and the sky was clear. The movie itself was marketed as a slasher picture but it is in fact more of a fantasy/horror/superhero movie. OK, it is a little stupid but I used to be a big Clive Barker fan and it represents to me all of the films I used to love when I was growing up.

ANDY:

7- Blade Runner (1982)
Aside from an amazing Vangelis soundtrack that helped spark a nerdy love for electronics, it’s perhaps the first film that made me really consider my humanity philosophically (‘maybe we’re all replicants?’ – that sort of thing). The first band I ever did a live gig with was (is) named Voigt Kampff, after the test in the film. Also, I had the wants for Sean Young, even with her androgynous Kraftwerk aesthetic. The opening scene in the hover car, with the firey towers in the distance is just like when you drive past the oil refinery in Fife. I’ve seen things…

8- Wild at Heart (1990)
We need a David Lynch film in the list. I was initially drawn to Wild at Heart because I really like ‘Wicked Game’, the Chris Isaak song that made it famous, and I love the way the soundtrack seeps onto the screen infecting the narrative like a musical, as when Nicolas Cage breaks into Elvis and a live metal band suddenly forms his backing group. The concept of travel (and escape) denoting psychological shifts references another great road-movie/musical, The Wizard of Oz (1939), and it uses the concepts of commodity and freedom to paint a nightmarish picture of the American Dream. Like all good David Lynch films, Wild at Heart touches you in ways you don’t want. And it’s Nick Cage before he was shit.

DAMIEN:

9- Carlito’s Way (1993)
Carlito’s Way is my favourite film. The cast are all excellent and Carlito Brigante is, in my view, Al Pacino’s last great performance. Sean Penn has never been better as Kleinfeld, the crooked shyster lawyer. Even if he’d been awful he’d have deserved the Oscar for his White-fro/tracksuit combo. Benny Blanco is also a great turn from John Leguizamo. The period detail of mid-70s New York and the soundtrack make it. And the end set-piece in Grand Central Station betters that of The Untouchables (1987) – another of De Palma’s nods to the Odessa Steps scene in Battleship Potemkin (1925). Every time I watch it I still think Carlito will make it.

GREG:

10- It’s a Wonderful Life (1946)
Every Christmas I get drunk and go to see It’s a Wonderful Life at the pictures. It’s the least challenging, sentimental load of nonsense I’ve seen and I cry and cry every time. Sometimes in summer I remember it snowing when I left the cinema. It never has. Sometimes you just don’t need more piss and vinegar.

Photo by Pavla Kopecna

Chic chanteuse Theoretical Girl pens elegant 60s-inspired pop gems. Her album ‘Rivals’ is out on May 25 on Memphis Industries. She plays in store at Pure Groove (London) on May 29, at the Borderline (London) on June 17 and at Glastonbury Festival on June 27. For more information, visit her MySpace. Below, she tells us about her favourite films.

1- Historias Mínimas (2002)
This has to be my favourite film of all time. It’s a road movie set in Patagonia and follows three beautifully simple and profound characters whose stories interweave as the film progresses. All of the actors are amateurs. It’s just a really moving and intimate film that gets you rooting for all of the characters!

2- The Harry Potter Films (2001-2005)
I love the way these films suck you into a whole new world. I want to go to school at Hogwarts, but only if I’m in Gryffindor!

3- Three Colours: Blue (1993)
On this list simply for the most amazing portrayal of grief I’ve ever seen, by Juliette Binoche. The scene where she scrapes her knuckles along the wall is so powerful.

4- The Vanishing (1988 version)
The most chilling plot of any film I’ve ever seen. Everybody’s worst nightmare!

5- The Sound Of Music (1965)
I was so scared thinking about The Vanishing that I needed a bit of cheering up. And there’s nothing better for that than The Sound of Music!

6- The Piano Teacher (2001)
I do like a dark and twisted love story!

7- The Seventh Seal (1957)
I’m sure that everybody picks this! At one time I was going to project it behind me while I played at gigs, but then realised that everyone would end up watching it instead of me!

8- Period Dramas
There’s nothing I like better than curling up on the sofa, Earl Grey tea, chocolate and a period drama. It’s the only time I can ever get a fix of romance in these un-romantic times! And I do like a man in boots and britches! Doesn’t really matter which one, any period drama will do! How girly of me!

9- Educating Rita (1983)
Julie Walters is genius in this film. She’s so brilliant at portraying characters’ sadness and humour. I love her.

10- Madagascar 2: Escape 2 Africa (2008)
An odd choice, I know, but I think it’s the funniest animated film there is. Sacha Baron Cohen as King Julien is amazing and I saw it at the IMAX, which always makes a film seem a little better than it actually is!.

Since the release of the Sleeping Years’ debut album ‘We’re Becoming Islands One by One’ (Rocket Girl) last year, Dale Grundle and his band have been busy playing shows in Europe and the UK. Formerly of indie darlings The Catchers, Grundle’s new project pays close attention to his Irish roots with a highly personal collection of songs swathed in gorgeous melodies, intelligent lyrics and heart-wrenching melancholy. They have just played some shows in Spain and are playing in London throughout April: catch them at The Troubadour on April 2 (solo show), The Slaughtered Lamb on April 8 (full band), at the Local (downstairs at the Kings Head – full band) on April 17 and at the Downtown Diner in Ashford, Kent, on April 30 (acoustic). For more information go to their website or MySpace. Below, Dale Grundle tells us about his favourite films. LUCY HURST

1- The Night of the Hunter (1955)
I don’t think I will grow tired of watching this. Robert Mitchum is outstanding and the movie flows from one memorable scene to the next – from Preacher Harry Powell’s hands battling for good against evil, to the children escaping along the river under the stars, to the corpse in the water… Famously, it’s the only movie actor Charles Laughton directed. Well, if you are only going to do one…

2- Stalker (1979)
The first Tarkovsky film I discovered. People travel from their monochrome town (shot by Tarkovsky in almost tar-like tones of black) in search of truth or meaning that they believe will be found in the Zone (itself shot in a subdued green). It’s not for everyone – it’s a slow movie with lots of long shots (some lasting minutes), but it’s a wonderful thing to behold.

3- Touch of Evil (1958)
It opens with an amazing three-minute uninterrupted shot winding through a Mexican border town full of characters, including a grotesque Orson Welles, Charlton Heston as a Mexican, Janet Leigh and Marlene Dietrich. It feels like a movie taking risks and certainly seems a little out of step with Hollywood at that time.

4- Invasion of the Body Snatchers (1956)
America at its most paranoid. All is not what it seems when a doctor’s reception begins to fill up with people convinced that their husbands, wives, parents are not who they are supposed to be. I still think of this movie every Xmas when I see lorries driving around with Xmas trees all bound up, pod-like in the back.

5- Jojo in the Stars (2003)
A really beautiful animated short created by Marc Craste. It’s a strange little love story set in a freak show where Jojo, the main attraction, glows brightest throughout. The animation stays in black and white and I love all the little details that appear, for instance the debris that blows up around the tower. It is worth tracking down for the soundtrack alone! Craste also directed a great video for the Icelandic band múm…

6- Wisconsin Death Trip (1999)
The stories in this docudrama are based on 19th-century newspaper articles from the town of Black River Falls in Wisconsin. German and Scandinavian immigrants come to Wisconsin in search of what they think will be the Promised Land only to find barren soil and unforgiving winters. What follows is sometimes madness, murder and a struggle to survive. I love the whisper used by the narrator Ian Holm when he speaks of someone being taken away to the Asylum. I borrowed that effect for a line in my song ‘Human Blues’. A fascinating glimpse at an episode in American history.

7- Cat People (1942)
When I was growing up I was taken to Scotland every year to spend some time with my grandfather. One of my memories from that time is staying up to watch the old RKO and Universal horror movies. Lots of shadows and fog! This film stands apart from most of those movies partly because of Jacques Tourneur’s style. Some scenes are still very powerful – I love the pool scene that uses the reflections of the water on the ceiling and the reverb of the room to great disorientating effect.

8- M (1931)
A subject that would probably be hard to film these days – that of a child killer – in a movie that gets turned on its head. M is unique in that the mark – a chalked ‘M’ – sets Peter Lorre apart even from his fellow criminals. His murders have terrorized Berlin to such an extent that the police investigations have started to interfere with the underworld’s ability to continue with their own business. Lorre is unforgettable.

9- Wages of Fear (1953)
My keyboard player Dan introduced me to this. It’s full of thoroughly dislikeable characters trapped in a small town. They are so desperate to do anything for money that they sign up to drive trucks full of nitroglycerin along a hazardous journey. The cinematography is stunning, the language is brutal and the movie full of an almost uncomfortable tension. Director Henri-Georges Clouzot thankfully seems more intent on making great cinema than pleasing his audience.

10- Hana-Bi (1997)
It’s hard to choose which of Takeshi Kitano’s movies to add to this list but let’s go for this one. Poetic, violent, infused with moments of humour and serenity – you never know where he is going to take you next. Stylish cinema with Kitano at his most deadpan.

Photo by Pavla Kopecna

London four-piece Ipso Facto have been described as ‘monochrome psychedelia’ due to their stark, dark take on garage rock and their distinctive, retro black and white image. Having recently toured with The Last Shadow Puppets, they also scooped the coveted support slot for the seminal post-punk band Magazine’s reunion tour in February 09. Their single ‘6 & ¾’ is out now on the Mute Irregulars label. Rosalie Cunningham (vocals / guitar), Cherish Kaya (keyboards), Samantha Valentine (bass) and Victoria Smith (drums) offer up some of their cinematic highlights. For more information visit their MySpace. LUCY HURST

SAMANTHA:

1- Irréversible (2002)
In Gaspar Noé’s Irréversible, the events of one traumatic night appear in reverse chronological order. It is one of the most horrifically brutal and memorable films I have ever seen – never before has a film made me physically sick. The first half hour has a background noise with a frequency of 28Hz (low frequency, almost inaudible), which causes nausea, sickness and vertigo in humans. The underlying theme of ‘le temps détruit tout’ (time destroys everything) is eerily present and a constant reminder that you should be grateful for everything you have, love and cherish. A lot of the film was improvised, which gives it a real edge, especially the 13-minute rape scene, which I still have not been able to watch the whole way through.

2- Cry Baby (1990)
I love anything by John Waters but the fact that this stars Johnny Depp swung the vote! Set in Baltimore (as always) in the 1950s, it is a classic struggle between the rebels (Drapes) and the Squares, with the Square Girl wanting to become a Drape. The film provides a cheeky two fingers up to the closed-minded prejudices and attitudes that pervade society, whatever the era. TRIVIA: Waters originally wanted Tom Cruise for the lead role, but let’s all thank god he changed his mind.

ROSIE:

3- Inland Empire (2006)
I love all David Lynch films – I love the themes, the surrealism, the way they are shot, the actors and Lynch himself. Inland Empire is my favourite, even though I had to watch it three times before I got past the first half hour, which is incredibly dark and unsettling. People try to guess the meaning and the secret behind the film and Lynch feeds this by giving out ‘clues’ in press releases, which confuses people even more. I find this hilarious – I think he enjoys winding us all up.

4- Adaptation (2002)
In a way, this film is quite similar to Inland Empire; both are set in Hollywood and merge the imaginary with reality. This film was made by the same writer/director team (Spike Jonze and Charlie Kaufman) as Being John Malkovich (another favourite of mine) and shares the same strange humour.

CHERISH:

5- American Psycho (2000)
I love this controversial film, based on the Bret Easton Ellis’ novel, which shows the protagonist Patrick Bateman’s spiralling descent into madness. The contrast between his day-to-day working life and his foray into gruesome murder after nightfall is acted brilliantly by Christian Bale (one of my top 10 actors). My favourite quotes in the film are the opening and closing sentences: ‘Abandon all hope ye who enter here’ and ‘This is not an exit’.

6- Eraserhead (1977)
David Lynch, a favourite of mine, directed this baffling surreal horror film. It troubled me, yet I felt the need to watch it over and over again. The lighting and setting alone made me feel uneasy but I still felt sympathy for each character.

VICTORIA:

7- Gummo (1997)
This was the first script written by Harmony Korine after Kids in 1995, allowing him to explore alternative cultures further. Although Gummo‘s vignettes defy a linear plot, the depiction of small-town isolation and surreal abnormalities is disturbingly enthralling. The unique costume design by actress Chloí« Sevigny and the film’s comment on the weird and wonderful ways of small-town life make Gummo unforgettable.

8- Donnie Darko (2001)
This cult classic fascinated me from the first time I watched it at the tender age of 15. I was a bit of a geek and a science fiction fiend at this point, so I found the intertwining cause-and-reaction that created the possibility for time travel amazing. It’s the story of an intelligent, frustrated schoolboy who, after a near-death experience, starts to see something dark in his future through a series of vivid, surreal dreams. As a result, every subsequent event is connected to the premonition of his death and his inevitable fate. There are many ways to interpret the ending, all of which are fascinating.

The purveyor of an energetic, playful pop, Eugene McGuinness has made a name for himself creating rich melodies, complex harmonies and odd lyrics. Signed to the Domino label at the age of only 22, McGuinness has helped design a sound for young Britain, with influences that go from Scott Walker to his label mates Franz Ferdinand. Perhaps in an effort to be the coolest guy in the room, Eugene McGuinness releases a single entitled ‘Fonz’ on 23 February 2009. He will be playing live throughout January and February, including a London show at White Heat at Madam Jojo’s on February 10. More details on his MySpace and on the Domino website. Here are some movies that have helped shape his life. LUCY HURST

1- Rope (1948)
There are a couple of Hitchcock films that I’ve seen recently, but this one blew me away the most. It felt like I was watching a play in a grand theatre. It is set entirely in a character’s flat and the simplicity of the story only further demonstrates how wonderful the script is.

2- A Room for Romeo Brass (2000)
I’m a massive Shane Meadows fan. Paddy Considine is easily one of the best British actors at the moment. It’s a pretty dark film but its depiction of childhood, friendship and day-to-day adventures in the English suburbs rings true to me.

3- The Last Waltz (1978)
I first saw this when I was about 17 and I’ve barely stopped playing the DVD since – I’ve played it to death! I know every word, solo, facial twitch off by heart. Bob Dylan and Neil Young make appearances, but Rick Danko and Levon Helm are the heart and soul of the film.

4- The Godfather (1972)
It’s the best one, even though Sonny dies. Sonny is easily my favourite character but Al Pacino is a master in the Italian restaurant scene.

5- Get Carter (1971)
I would like a suit like the one Michael Caine wears in this film. I trust it would have the desired effect. There are few cooler scenes than the one in which he walks into a pub in Newcastle and orders a beer, ‘in a thin glass’. The southerner sticks out like a sore thumb.

6- There Will Be Blood (2007)
I watched this in the cinema, drunk. I think that made it even better. It’s a massive film in a very subtle way. Daniel Day Lewis is my favourite actor, I mean you wouldn’t get Mark Lawrenson sporting a moustache in the same way. But that’s beside the point; the cinematography and soundtrack are stunning. Bowling would never be the same again.

7- The Beat That My Heart Skipped (2005)
Another gangster film but this actor, Romain Duris, is brilliant. It’s set in the Parisian underworld and it’s all very gritty and seedy but it’s beautifully shot.

8- Factotum: A Man Who Performs Many Jobs (2005)
There are so many brilliant scenes in this horrifically funny and sad film. Henry Chinaski genuinely doesn’t give a shit; it’s all drink, sex and poetry. There is a moment between him and his father that is the most hilarious thing I’ve ever seen.

9- Jurassic Park (1993)
When I was seven, my dad took me to see Jurassic Park. We’d seen Ghostbusters and Home Alone 2 at the local Odeon in Gants Hill, but as a special treat dad took me to the Empire Leicester Square. It was amazing. Mind you, the scene when the two kids are in the car messed me up a bit.

10- The Deer Hunter (1978)
Chistopher Walken and Robert de Niro are at their very best and the Russian roulette scenes are astonishing. It sends out an extremely clear message about what war actually means. All the characters are so fully formed and real, it gets to the point where it stops feeling like a film and just becomes very sad.