Viewers with untrained ears might watch Belgian directing team Hélène Cattet and Bruno Forzani’s dazzling neo-giallo The Strange Colour of Your Body’s Tears (2013) and wonder why Ben Power (Blanck Mass, Fuck Buttons) would be so bold as to want to re-score it. The heady mix of slick psychedelia, early synth and ambient grooves are a perfect fit and certain signature pieces are used repeatedly throughout. However, not one of the compositions was originally scored for the Cattet and Forzani film. Instead they lifted their music straight from the 1970s giallo films that inspire them.
The directors have said they like to assemble their soundtracks as they write their script, embedding the fusion of audio and visual into the early stages of the development process. So it was no doubt an unusual experience to watch their film with Power’s retrofitted score laid over it. Thankfully and unsurprisingly, the new music comes with the Belgian duo’s approval. It features contributions from Stockholm’s Roll The Dice, London’s Helm, Moon Gangs, Phil Julian, Glasgow’s Konx-Om-Pax, and New York’s C. Spencer Yeh, as well as Mr Blanck Mass himself. Each artist was assigned a scene and given the freedom to score it how they wished. Furthermore they were doing this without prior knowledge of what was planned by anyone else. Their combined efforts have come together to form a brooding cinematic morass of electronica. In particular, Helm’s ‘Silencer II’ is a hyper-tense 11-minute epic of suppressed emotion and pent up frustration whereas Moon Gangs’ ‘The Apartment’ or a couple of the C. Spencer Yeh tracks are far less brutal – allowing your fast-beating heart and fragile mind a chance to relax. Note that the shrill attack of Phil Julian’s ‘End Credits’ makes sure there’s a shot of adrenalin for anyone flagging when the film fades to black.
The re-score of The Strange Colour of Your Body’s Tears is put out by Death Waltz Records. It’s a double vinyl release, housed inside a 425gsm reverse board jacket and comes in two versions. There’s the ‘exclusive splatter combo’ as Death Waltz’s Spencer Hickman describes it – limited to 500 only worldwide. Not entirely sure what exact colours that means, but it will not be black – that’s reserved for the regular shop version of it.
The East End Film Festival are showing The Strange Colour of Your Body’s Tears with the brand new score on 10 July at Red Gallery. After the screening there will be DJ sets from Blanck Mass and friends, including Spencer Hickman spinning some rare giallo records of his own.