Before Essie Fox turned her hand to writing, she worked as an illustrator, designing cards, wrapping paper and decorative ceramics. Always keen on the quirks of the past, her first three novels were Victorian Gothic, but her fourth, The Last Days of Leda Grey, steps into the Edwardian era and the world of silent film. She also explores the ‘facts, fancies and fabrications’ of history on her blogs The Virtual Victorian and The Eclectic Edwardian. The research for her latest novel has informed her choice of a filmic alter ego. Eithne Farry
Having just come up for air after writing my latest novel set during the dawn of cinema, I know at once who I would choose as my flickering alter ego on screen – and that is Theda Bara.