DIARY OF THE DEAD
Zombie king George A. Romero returns to the sub-genre he created, with gripping if somewhat predictable results.
Review by Lindsay Tudor
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KM31
Supernatural horror thriller KM31 became a huge hit at the Mexican box office after its release in February this year, grossing an impressive $15 million. The film marks Rigoberto Castaí±eda‘s debut as a director and as such serves as a showcase of his diverse horror influences.
Review by Lindsay Tudor
Nosferatu: A Symphony of Horror
Hailed as a masterpiece of early German cinema and still regarded as one of the best horror films ever made, the 1922 classic Nosferatu has stood the test of time, despite a shaky start.
Review by Lindsay Tudor
Female Prisoner Scorpion: Beast Stable
Shunya Itô’s third film in the acclaimed Female Prisoner series is a heady mix of fierce attitude, visual potency, and unflinching violence.
Review by Lindsay Tudor
THE LAST WINTER
The Last Winter follows an oil research team based in the untouched Alaskan Arctic planes. Tough and tenacious leader Ed Pollack (Ron Perlman) is eager to drill into the rich oil resources that lie below the surface, but he is challenged by environmental expert James Hoffman (James LeGros), who believes the project will wreak havoc on the already fragile terrain. A sense of unease builds within the team after the mysterious disappearance and death of one of its members, and the camp is slowly engulfed in disorientation and paranoia as a ghostly threat starts to take hold of their lives.
Review by Lindsay Tudor
ECOUTE LE TEMPS
Set in rural France, the film is a subtle thriller about a sound recordist, Charlotte (Emilie Dequenne), whose mother (Ludmila Mikaí«l) is murdered in her home.The thriller narrative has a supernatural dimension as the recorded voices of the past, which ultimately lead Charlotte to the murderer, take the story beyond reality and beyond the conventions of the genre.
Review by Lindsay Tudor