The Man Whose Mind Exploded
Toby Amies’s documentary on former gay underground icon Drako is a deeply human portrait of a difficult life lived to its fullest.
Review by Mark Pilkington
Toby Amies’s documentary on former gay underground icon Drako is a deeply human portrait of a difficult life lived to its fullest.
Review by Mark Pilkington
An intelligent and captivating exploration of how truth is created, Mirage Men is one of the must-see documentaries of the year.
Review by Virginie Sélavy
The only film directed by Saul Bass is a period masterpiece that is both a microcosm of contemporary progressive issues and a beautiful, intelligent science fiction film.
Review by Mark Pilkington
A young woman takes the problem of Hong Kong’s corrupt property developers and sky-rocketing rents into her own hands in this vicious black comedy.
Review by Mark Pilkington
Music halls, gas lamps, cemeteries, public toilets, vaults and catacombs, the horse and cart – all were preserved for eternity by Fletcher in ink and word as they slowly disappeared from view. His books, long charity shop staples, are now quite collectible, and this film version of his idiosyncratic city vision was previously only available in samizdat bootleg editions passed round by collectors. Recently adopted by thoughtful popsters St Etienne as an adjunct to their Finisterre project, it finally gets a well-deserved clean-up and reissue on DVD.
Review by Mark Pilkington
A second helping of ten fear-flavoured experimental shorts from San Francisco’s Other Cinema, home to underground legends Craig Baldwin and JX Williams, amongst others.
Review by Mark Pilkington
Every decade or so, when the stars are right and the aethers are correctly aligned, somebody announces a biopic of Aleister Crowley; Kenneth Anger, Ken Russell and more recently Iron Maiden vocalist Bruce Dickinson spring readily to mind. The Edwardian adventurer, poet, painter, mystic and sexual athlete should make a fantastic subject, the multiple layers that wove through his life – magic and misery, art and arseholism, exoticism and exhibitionism – presenting aeons of richly layered, highly visual dramatic material from which to weave celluloid wizard’s robes.
Review by Mark Pilkington