The Texas Chain Saw Massacre
The Texas Chain Saw Massacre was scored with the same mix of pragmatism, rawness and experimental sensibility that imbues its cinematography, editing, and particularly art direction.
Review by Frances Morgan
The Texas Chain Saw Massacre was scored with the same mix of pragmatism, rawness and experimental sensibility that imbues its cinematography, editing, and particularly art direction.
Review by Frances Morgan
Frances Morgan and David Warwick give their views on Lars von Trier’s controversial new film.
The BFI’s new Flipside strand unearths overlooked and obscure British films, but the almost-swinging 1960s presented in London in the Raw (1964) and Primitive London (1965) is a version of the myth we know well already.
Review by Frances Morgan