The Corpse of Anna Fritz
What separates Hèctor Hernández Vicens’s nasty little thriller from the flock, and may well damn it, is the sheer unpleasantness of its premise.
Review by Mark Stafford
What separates Hèctor Hernández Vicens’s nasty little thriller from the flock, and may well damn it, is the sheer unpleasantness of its premise.
Review by Mark Stafford
A masterclass in sustained unease, Karyn Kusama has crafted an impressively edgy LA-set chamber drama.
Review by Mark Stafford
Charles B. Pierce’s original ‘cult classic’ is a mixed bag.
Review by Mark Stafford
Robert Carlyle’s directorial debut is a disappointing black comedy despite a great cast and a beautifully decaying Glasgow as backdrop.
Review by Mark Stafford
A successfully disgusting third instalment of Tom Six’s franchise.
Review by Mark Stafford
Joshua Oppenheimer’s follow-up to the The Act of Killing is just as powerful and unforgettable.
Review by Mark Stafford
A fun, clever 1970s horror remake marred by a pedestrian ending.
Review by Mark Stafford
Ryan Gosling’s dark directorial debut Lost River is a bit of a mess, but with a great cast and soundtrack is sure to find fans.
Review by Mark Stafford
Jake Gyllenhaal stars in this disturbing sociopath thriller and media satire.
Review by Mark Stafford
Writer-director Aik Karapetian is a dab hand at evoking nameless menace and delivering brutal shocks. Approach with caution.
Review by Mark Stafford